Adam Reynolds

Crash Course - your effective every-day study companion PLUS the perfect antidote for exam stress! Save time and be assured you have the essential information you need in one place to excel on your course and achieve exam success. Crash Course 1000 SBAs for Finals and the MLA - Clinical Specialties is one of two complementary SBA-style titles crafted to prepare medical students for their finals and the MLA exam. Each volume includes well over 1000 test questions and features mock exams that mimic the format of the MLA and medical final exams. This volume has been segmented into the clinical specialties, with particular emphasis on Paediatrics, Psychiatry, Obstetrics and Gynaecology. It includes new high-yield chapter of over 200 commonly tested images from ophthalmology, dermatology, radiology and other specialities to enhance your visual learning. Additionally, the content covers Ethics and Statistics and introduces brand new sections on Geriatrics and Palliative care. Its counterpart, Crash Course 1000 SBAs for Finals and the MLA - Medicine and Surgery, covers a broad spectrum of general medicine and surgical specialties. Questions are grouped by clinical specialty and categorised by their role in the curriculum (Essential/Important/Supplementary) as well as by difficulty (Easy/Moderate/Hard). Every question includes a clear answer and an extended explanation for each answer option to enable you to quickly understand your strengths and weaknesses and to learn effectively from any mistakes. Each printed volume also comes with BONUS access to the complete, enhanced eBook - this allows you to read as a 'regular', downloadable eBook, as well as to test yourself via the interactive-quiz function. Whether you need to get out of a fix or aim for a distinction Crash Course is for you! Fully aligned to the MLA: questions mapped to MLA blueprint Completely updated questions matching the latest exam formats - confirm your understanding and improve exam technique fast Detailed answer explanations, including rationales why incorrect answers are wrong Updated to the latest clinical guidelines

The first book offering a broad cultural and geographical typology of shelter spaces in Israel, with the photography straddling the worlds of fine art and reportage to explore the modern Israeli identity. From its foundation in 1948, the state of Israel has felt isolated and under threat from enemies. This collective siege mentality manifests itself with over 1 million public and private shelters. The Israelis have integrated these 'Doomsday spaces' into their everyday life and transformed them into spaces that look like normal dance studios, bars or temples. For many people in Israel who live with a personal history of exile and persecution, these shelters are the architecture of an existential threat both real and perceived. Adam Reynolds shot the images in this book over the course of three years, from 2013 to 2015. The photographs offer a broad cultural and geographical typology of the shelter spaces by documenting them on either side of the Green Line, throughout Israel and the Occupied Territories, in an effort to offer the broadest survey possible. They straddle the distinct worlds of fine art and reportage. "Working in a country like Israel, it is difficult, if not impossible, to separate art from social reality," says Adam Reynolds.

From its foundation in 1948, the state of Israel has felt isolated and under threat from enemies. This collective siege mentality manifests itself with over 1 million public and private shelters. The Israelis have integrated these Doomsday spaces into their everyday life and transformed them into spaces that look like normal dance studios, bars or temples. For many people in Israel who live with a personal history of exile and persecution, these shelters are the architecture of an existential threat both real and perceived. Adam Reynolds shot the images in this book over the course of three years, from 2013 to 2015. The photographs offer a broad cultural and geographical typology of the shelter spaces by documenting them on either side of the Green Line, throughout Israel and the Occupied Territories, in an effort to offer the broadest survey possible. They straddle the distinct worlds of fine art and reportage. "Working in a country like Israel, it is difficult, if not impossible, to separate art from social reality," says Adam Reynolds.