Adam Watt

'the metamorphosis of Monsieur de Charlus into a new person was so complete that... everything which had appeared incoherent to me until then, was becoming intelligible, and self-evident' The fourth volume of Proust's In Search of Lost Time extends the protagonist's journey of discovery into the social world of fin-de-siècle France. As the biblically inflected title, Sodom and Gomorrah, suggests, however, this world has taken on a new colouring. Through a succession of observations--both voyeuristic and overt--Proust's protagonist encounters and begins to appreciate the great diversity of sexual identities and proclivities that underpin human relations. At the heart of this volume that buzzes with chatter, gossip, and position-taking, is the Baron de Charlus, whose relationship with the working-class Charlie Morel is a central preoccupation of the narrative. This volume lays bare the ways in which ambitions and desires are nurtured, projected, masked, and exposed. Suffering, in love, is rarely far away. Sodom and Gomorrah explores frictions between the social classes via the Verdurins' upward climb and the ways in which the impulses of desire can cut across society's arbitrary boundaries. The narrator recounts his retrospective devastation at the death of his grandmother, and while his connection to Albertine deepens, it is his uncertainty about the true nature of her sexual identity that binds him closer to her, leading to a fraught denouement that paves the way for the next, fateful phase of their relationship. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

'the social kaleidoscope was shifting' The Guermantes Way, the third volume of Marcel Proust's In Search of Lost Time, provides a transition from the realm of adolescence into the adult social world of Belle Epoque Paris. Its pages buzz with worldly conversations, with bravado and posturing, infatuation, scandal, prejudice, and intrigue. To the fore is Proust's ear for spoken language and how it provides a stage for human foibles as well as inventiveness and panache. This is a broad canvas studded with amusing anecdotes, surprising vignettes and touching scenes, as well as fascinating characters including the indomitable Duchesse de Guermantes and her enigmatic relation the Baron de Charlus. The Guermantes Way immerses readers into a society in flux, as the old aristocracy cedes to a wealthy, rising bourgeoisie and everyone, regardless of class or standing, must navigate the perilous waters of the Dreyfus Affair. Through these lenses, Proust explores questions of substance and superficiality, and identity and belonging, in highly memorable scenes concerning friendship, love, mortality, and loss. The novel is an extraordinary chronicle of pre-war Paris as well as a vital stepping stone in Proust's novel, building on the formative, partially learned lessons of the second volume, In the Shadow of Girls in Blossom, and preparing the ground for the portentous challenges of the volumes that lie ahead. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Marcel Proust (1871–1922) spent fourteen years creating A la recherche du temps perdu (In Search of Lost Time), his magnum opus. Only four of its seven volumes had been published by the time Proust died; he did not live to see it become one of the most important literary works of the twentieth century. Today it still attracts widespread critical attention and Proust’s habits, health and sexual preferences continue to absorb and fascinate his commentators and devotees. This book explores the life and work of a writer whose every experience was stored, dissected and redeployed within a vast work of fiction. Adam Watt considers Proust’s early years of personal and aesthetic experiment and demonstrates how episodes from his childhood and his family life became material for his novel. An engaging account is provided of two central, intertwined processes taking place in Proust’s life against the vibrant backdrop of belle époque Paris and the First World War: the progress of In Search of Lost Time and the simultaneous decline of its author. Proust’s own periods of ill health and isolation nourished his narrator’s thoughts on desire, love and loss, as well as his contemplation of beauty, memory, ageing and the possibility of happiness. Drawing on Proust’s vast correspondence, the accounts of his contemporaries and the insights of recent scholarship, Marcel Proust offers a rewarding new portrait of the novelist once described as ‘the most complicated man in Paris’.

Proust's A la recherche du temps perdu (In Search of Lost Time, 1913–27) changed the course of modern narrative fiction. This Introduction provides an account of Proust's life, the socio-historical and cultural contexts of his work and an assessment of his early works. At its core is a volume-by-volume study of In Search of Lost Time, which attends to its remarkable superstructure, as well as to individual images and the intricacies of Proust's finely-stitched prose. The book reaches beyond stale commonplaces of madeleines and memory, alerting readers to Proust's verbal virtuosity, his preoccupations with the fleeting and the unforeseeable, with desire, jealousy and the nature of reality. Lively, informative chapters on Proust criticism and the work's afterlives in contemporary culture provide a multitude of paths to follow. The book charges readers with the energy and confidence to move beyond anecdote and hearsay and to read Proust's novel for themselves.

Proust's A la recherche du temps perdu (In Search of Lost Time, 1913–27) changed the course of modern narrative fiction. This Introduction provides an account of Proust's life, the socio-historical and cultural contexts of his work and an assessment of his early works. At its core is a volume-by-volume study of In Search of Lost Time, which attends to its remarkable superstructure, as well as to individual images and the intricacies of Proust's finely-stitched prose. The book reaches beyond stale commonplaces of madeleines and memory, alerting readers to Proust's verbal virtuosity, his preoccupations with the fleeting and the unforeseeable, with desire, jealousy and the nature of reality. Lively, informative chapters on Proust criticism and the work's afterlives in contemporary culture provide a multitude of paths to follow. The book charges readers with the energy and confidence to move beyond anecdote and hearsay and to read Proust's novel for themselves.

Through close textual analysis of the scenes of reading in Proust's A la recherche du temps perdu, Adam Watt offers an invigorating new study of the novel and previously unacknowledged paths through it. After considering key childhood 'Primal Scenes' which mark the act of reading as revelatory and potentially traumatic, the book then identifies and examines the interwoven strands of the novel's narrative of reading: showing that scenes where the narrator reads and where others provide 'lessons in reading' are intricately connected within the narrator's ever unfolding considerations of intelligence, sense experience, knowledge, and desire. These acts of reading, often bewildering the narrator with their mix of illuminations, wrong turns and over-determinations, lead us to interrogate our own understanding of the act we accomplish as we read A la recherche. This book emphasizes the complexities and contradictions with which reading (always inescapably an engagement of both mind and body) is riven, and which connect it repeatedly to the experience of involuntary memory. Reading is shown to be frequently fraught with heady instability-'délire'-of a highly revealing sort, from which narrator and readers alike have much to learn. The book's final chapter shows how the narrator's critical energies, turned contemplatively inwards in the Guermantes' library, are subsequently turned outwards for a final interpretive effort-the reading of his now aged acquaintances at the 'Bal de têtes'-in a shift that provides the narrator not only the confidence to begin his work of art, but also the humility to face, undeterred, the approach of death.