Alain Pottage

The first English-language anthology of Yan Thomas, whose contributions to Roman law revolutionised legal scholarship Collects and translates 10 essays by Yan Thomas (1943 2008), the most renowned French jurist of the 20th century Provides a juridical perspective on the genealogy of the Western subject and the elementary conditions for the exercise of power Builds on the growing interest in Thomas' work generated by recent engagements, such as in Giorgio Agamben's Homo Sacer series Demonstrates the formal continuity of socio-legal techniques that have defined Western legal culture Western legal professionals habitually rely on a version of legal history that bolsters their own sway over the present. The legal mythologies undergirding these self-serving proposals are divided between doctrines of law's immemorial nature, and of its sacred (Roman) origins. Thomas's de-mythicised jurisprudence, presented in this collection of essays, dismisses these sagas. His work sent seismic waves across the humanities and social sciences, with claims including: Law is not a set of rules, but the operation of legal arguments; lawyers are the agents of the legal denaturalisation of the world Rome is misread as an essentially political entity; the effect exercised on Roman society by its jurists ranks before that of its politicians Despite a widely accepted opposition between modern labour law and the Roman renting-out of a slave's workforce, there exist unexpected commonalities 'Legal order' and 'responsibility' are among the inventions of modern law; they are not part of the timeless inventory of the world

Western legal professionals habitually rely on a version of legal history that bolsters their own sway over the present. The legal mythologies undergirding these self-serving proposals are divided between doctrines of law's immemorial nature, and of its sacred (Roman) origins. Thomas's de-mythicized jurisprudence dismisses these sagas.

Taking the invention as its object of study, this book develops a radical new perspective on the making of modern patent law. It develops an extended historical and conceptual exploration of the invention in modern patent law. Focussing primarily on the figures that make inventions material, and on how to overcome the intangibility of ideas, this intellectual challenging book makes explicit a dimension of patent law that is not commonly found in traditional commentaries, treatises and cases. The story is told from the perspective of the material media in which the intangible form of the invention is made visible; namely, models, texts, drawings, and biological specimens. This approach brings to light for the first time some essential formative moments in the history of patent law. For example, Figures of Invention describes the central role that scale models played in the making of nineteenth-century patent jurisprudence, the largely mythical character of the nineteenth-century theory that patents texts should function as a means of disclosing inventions, and the profound conceptual changes that emerged from debates as to how to represent and disclose the first biological inventions. At the same time, this historical inquiry also reveals the basic conceptual architecture of modern patent law. The story of how inventions were represented is also the story of the formation of the modern concept of invention, or of the historical processes that shaped the terms in which patent lawyers still apprehend the intangible form of the invention. Although the analysis focuses on the history of patent law in the United States, it develops themes that illuminate the evolution of patent regimes in Europe. In combining close historical analysis with broad thematic reflection, Figures of Invention makes a distinctive contribution both to the field of patent law scholarship and to emerging interdisciplinary debates about the constitution of patent law and of intellectual property in general.