Alan Bennett

Dad thinks everything will be better when the family moves. The social worker who calls to observe their lives turns out to be absent son Terry, idolized by Mam, in drag. Secretary daughter Linda, in reality a prostitute, breezes in, shattering Dad's illusions. The house is dismantled around them to be rebuilt in a park preserving the ideals of family life. Mam will be in a showcase whilst Dad is carted off to the geriatric ward.

We have a choir and on special occasions a glass of dry sherry. It's less of a home and more of a club and very much a community. Presided over by the lofty Mrs McBryde, Hill Topp House is a superior council home for the elderly. Among the unforgettable cast of staff and residents there's Mr Peckover the deluded archaeologist, Phyllis the knitter, Mr Cresswell the ex-cruise ship hairdresser, the enterprising Mrs Foss and Mr Jimson the chiropodist. Covid is the cause of fatalities and the source of darkly comic confusion, but it's also the key to liberation. As staff are hospitalised, protocol breaks down. Miss Rathbone reveals a lifelong secret, and the surviving residents seize their moment, arthritis allowing, to scamper freely in the warmth of the summer sun. 'Violet? She'll be having a little lie down,' said Mrs McBryde. 'She likes to give her pacemaker a rest. I'll rout her out.'

Green FormsDoris and Doreen are comfortably installed in an obscure department of a large organization. On a normal day they keep busy by flirting with nice Mr Tidmarsh in Appointments or pursuing their feud over a plug with Mr Cunliffe in Personnel. This is not a normal day. Someone has an eye on them and a shadow is falling across their tranquil lives. Are they about to be fired? A Visit From Miss ProtheroMr Dodsworth has recently retired. Sitting at home, he is contemplating his life and achievements with quiet satisfaction. There is a sharp ring at the door. His former secretary has come to ruin it all. Ironic wit and compassion mark this touchingly real story.

A collection of autobiographical works by prominent English writer Alan Bennett is comprised of his occasional journalism, his criticism, and, predominantly, his diaries, which consider such areas as the theater, famous actors, and politics. Reprint.

Alan Bennett's award-winning series of solo pieces is a classic of contemporary drama, universally hailed for its combination of razor-sharp wit and deeply felt humanity. In Bed Among the Lentils, a vicar's wife discovers a semblance of happiness with an Indian shop owner. In A Chip in the Sugar, a man's life begins to unravel when he discovers his aging mother has rekindled an old flame. In A Lady of Letters, a busybody pays a price for interfering in her neighbor's life. First produced for BBC television in 1988 to great critical acclaim, the Talking Heads monologues also appeared on the West End Stage in London in 1992 and 1998. In 2002, seven of the pieces were performed at the Tiffany Theater in Los Angeles for a highly praised brief engagement, and in 2003 a selection of the monologues premiered in New York at the Minetta Lane Theatre. These extraordinary portraits of ordinary people confirm Alan Bennett's place as one of the most gifted, versatile, and important writers in the English Language.

The antics at the Wicksteed home are a satirical merry-go-round. Family, friends and the sexual satisfaction of the "corpus" (body) are the ruling passions in this farcical comedy of ill-manners. Through a dance of mistaken identities and carnal encounters, one motto holds fast: "He whose lust lasts, lasts longest.""A parade of wit." - The New York Times"A marvelous freaky farce...rowdy and ribald." - NBC

A British Labour M. P., ten years into his second marriage, feels tethered in a time of change. He is distrustful on the one hand of the "mawkish mentality" of the young and, on the other, of the encroaching motorway life of the middle aged who can look forward to nothing more than the fairly imminent end of a not so very interesting road. "The play is a small jewel of bewilderment and regret." - London Sunday Times

THE INSTANT #1 SUNDAY TIMES BESTSELLER A TIMES BOOK OF THE SUMMER 'Alan Bennett is our greatest living writer' Daily Mail 'A legend of British letters' Financial Times 'In an age of curated self-belief, his vulnerabilities feel refreshing, his reticence almost radical' The Times 20 September. Have a notion for a radio series - Awkward Conversations. Enough Said is Alan Bennett's fourth collection of diaries and prose. Covering the turbulent years 2016 to 2024, the diaries take us through lockdown, Brexit, the reign of Johnson, the rise of Trump and the death of the Queen. In between, we take the train with him back and forth to Yorkshire, celebrate the herons, the newts and the street fairs, and lament the scarcity of curlews, the closure of the last local bank and the deteriorating welfare state. There is the premiere of Allelujah!, the revived Talking Heads, the publication of two Sunday Times bestsellers and the filming of The Choral. 2024 is the year that Alan turns ninety; he reflects on old age and the importance of luck. He looks back to childhood and recalls an idyllic wartime month as an evacuee. A book for the bedside, this is poignant, funny, contemplative Alan Bennett, as he records life both personal and political in his most distinct of voices.

It's a dwindling band; old-fashioned and of a certain age, you can pick us out at funerals and memorial services because we can sing the hymns without the book. Alan Bennett writes: In 2001 the Medici Quartet commissioned the composer George Fenton to write them a piece commemorating their thirtieth anniversary. George Fenton appeared in my play Forty Years On and has written music for many of my plays since, and he asked me to collaborate on the commission. Hymn was the result. First performed at the Harrogate Festival in August 2001, it's a series of memoirs with music. Besides purely instrumental passages for the quartet, many of the speeches are under-scored, incorporating some of the hymns and music I remember from my childhood and youth. The text includes both words and music. Hymn is coupled with Cocktail Sticks, an oratorio without music that revisits some of the themes and conversations of Alan Bennett's memoir A Life Like Other People's. A son talks to his dead father as his mother yearns for a different life. It's funny, tender and sad. The pinnacle of my social life is a scrutty bit of lettuce and tomato and some tinned salmon. Mind you, I read in Ideal Home that if you mix tinned salmon with this soft cheese you can make it into one of those moussy things. Shove a bit of lemon on it and it looks really classy.

20 September. Have a notion for a radio series - Awkward Conversations. Enough Said is Alan Bennett's fourth collection of diaries and prose. Covering the turbulent years 2016 to 2024, the diaries take us through lockdown, Brexit, the reign of Johnson, the rise of Trump and the death of the Queen. In between, we take the train with him back and forth to Yorkshire, celebrate the herons, the newts and the street fairs, and lament the scarcity of curlews, the closure of the last local bank and the deteriorating welfare state. There is the premiere of Allelujah!, the revived Talking Heads, the publication of two Sunday Times bestsellers and the filming of The Choral. 2024 is the year that Alan turns ninety; he reflects on old age and the importance of luck. He looks back to childhood and recalls an idyllic wartime month as an evacuee. A book for the bedside, this is poignant, funny, contemplative Alan Bennett, as he records life both personal and political in his most distinct of voices.