Aldous Huxley

Un Mundo Feliz, la c lebre novela dist pica de Aldous Huxley, ha sido adaptada para una audiencia joven en esta edici n biling e, publicada por S lector, S. A. de C. V. bajo el ISBN 9786074536782. Esta versi n, dise ada especialmente para ni os, introduce a los j venes lectores a uno de los relatos m s influyentes del siglo XX, mientras les brinda la oportunidad de practicar y mejorar sus habilidades en ingl s y espa ol. La historia est ambientada en un futuro donde la humanidad vive en una sociedad aparentemente perfecta, donde el orden y la estabilidad se mantienen a costa de la libertad individual y la diversidad cultural. En este mundo, las emociones y los deseos est n controlados, y las personas son condicionadas desde su nacimiento para aceptar su lugar en una estricta jerarqu a social. La felicidad se consigue a trav s del consumo constante y el uso de una droga llamada ""soma,"" que elimina cualquier malestar o disconformidad. En esta adaptaci n, los conceptos complejos de la obra original se presentan de manera accesible y comprensible para los ni os, manteniendo el n cleo de la narrativa de Huxley. Los j venes lectores se encontrar n con personajes como Bernard Marx y Lenina Crowne, quienes comienzan a cuestionar el sistema que los rodea y a descubrir lo que significa ser verdaderamente libre. La edici n biling e proporciona el texto en ingl s y espa ol, lo que permite a los lectores comparar ambos idiomas y mejorar su comprensi n y vocabulario en un entorno familiar y literario. Este formato es ideal tanto para estudiantes de idiomas como para lectores que desean explorar la literatura cl sica en dos idiomas. Esta edici n es una excelente herramienta educativa y una puerta de entrada al pensamiento cr tico y la exploraci n de ideas complejas para los j venes lectores. Es perfecta para ser utilizada en entornos educativos o en casa, y seguramente despertar el inter s por la literatura y el debate sobre la sociedad y la tica en las mentes j venes.

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Kniga Oldosa Khaksli "Vozvraschenie v divnyj novyj mir" byla vpervye opublikovana v dalekom 1958 godu, - i tem interesnee chitaetsja ona v nashi dni: ved v etoj rabote velikij anglijskij pisatel i filosof, v svoej polemichnoj manere, provel paralleli mezhdu zapadnoj tsivilizatsiej burzhuaznogo "zolotogo veka" 1950-kh i antiutopicheskim totalitarnym "potrebitelskim raem", opisannym v ego samom izvestnom khudozhestvennom proizvedenii - romane "O divnyj novyj mir". Snova i snova Khaksli sravnival vymyshlennyj im mnogo let nazad mir dalekogo buduschego s mirom vpolne realnym, okruzhavshim ego na moment napisanija "Vozvraschenija" - i snova i snova nakhodil primety pugajuschego, opasnogo i vse bolee javnogo skhodstva... Gde zhe on byl prav, a v chem oshibalsja? Kakie iz ego predskazanij ne sbylis, a kakie, uvy, sbylis s pechalnoj tochnostju? Otvety na eti voprosy, kak ni stranno, daleko ne tak uzh i ochevidny...

A private printed, limited edition facsimile of Aldous Huxley's 1940 essay on the significance and power of words. An argument as timely as it is timeless, Aldous Huxley's Words and Their Meanings argues the significance and power of words. A less well-known work originally published by The Ward Ritchie Press in 1940, Huxley's essay arrived at the end of the Great Depression and coincided with U. S. entry into WWII, a time when global relations were heavily impacted by the craft and manipulation of language. Words and Their Meanings was selected as one ofthe Western Books of 1940, which was a celebration and recognition of fine printing. Huxley wrote that "words are magical in the way they affect the minds of those who use them" while displaying his insight and proficiency with language. He blends accessible elements of linguistic theory, semiotics and philosophy with his erudite style. Alvin Lustig is recognized for introducing principles of modern art to graphic design, with contributions tobook design, interior design, and typography. His abstract style and innovative approach to typeface design became a trademark of titles published by New Directions Publishing. RIT Press presents a privately printed, limited edition facsimile of this title. This fine edition has been produced in partnership with More Vang, Alexandria, Virginia and designed byAlvin Lustig. He is recognized for introducing principles of modern art to graphic design, with contributions to book design, interior design, and typography. ALDOUS HUXLEY was a novelist, poet, and philosopher who relocated from England to the U. S. in 1937. He lived in southern California where he initiallyworked as a Hollywood screenwriter, later achieving success with his short stories, poetry, essays, and novels, especially Brave New World (1932).

On vacation from school, Denis goes to stay at Crome, an English country house inhabitated by several of Huxley's most outlandish characters-from Mr. Barbecue-Smith, who writes 1,500 publishable words an hour by "getting in touch" with his "subconscious," to Henry Wimbush, who is obsessed with writing the definitive History of Crome. Denis's stay proves to be a disaster amid his weak attempts to attract the girl of his dreams and the ridicule he endures regarding his plan to write a novel about love and art. Aldous Huxley's first novel, Crome Yellow, was published in 1921, and, as a comedy of manners and ideas, its relatively realistic setting and format may come as a surprise to fans of his later works such as Point Counter Point and Brave New World. Some who know only Brave New World may not know that as a 16-year-old planning to enter medicine, Aldous Huxley was stricken by a serious eye disease which left him temporarily blind, and which derailed what certainly would have been a prominent career as a physician or scientist. Crome Yellow has often been called "witty," as well as "talky," and it certainly owes as much to Vanity Fair as it may, surprisingly to some, owe to Tristram Shandy, although one might think that characters such as Mr. Barbecue-Smith and his remarkable writing theories could have some literary antecedents in Lawrence Sterne. Lambasting the post-Victorian standards of morality, Crome Yellow is a witty masterpiece that, in F. Scott Fitzgerald's words, "is too irnonic to be called satire and too scornful to be called irony."

In Leda, Aldous Huxley is back in the old smooth, mythological world, consecrated by a thousand poets. He pays occasional tribute to ugly fact in the course of this poem, but he is at home while describing Leda with her maids bathing in Eurotas, her shining body, and the clear deep pools The modern terror of the too-perfect world makes him dwell longer, and more humorously, than his predecessors would have done, upon Jove tossing on his Olympian couch, tortured by his continence, and sending the searchlight of his glowing eye traveling over the earth below to find some object worthy of his god-like lust...

When inspiration leads Theodore Gumbril to design a type of pneumatic trouser to ease the discomfort of sedentary life, he decides the time has come to give up teaching and seek his fortune in the metropolis. He soon finds himself caught up in the hedonistic world of his friends Mercaptan, Lypiatt and the thoroughly civilised Myra Viveash, and his burning ambitions begin to lose their urgency... Wickedly funny and deliciously barbed, the novel epitomises the glittering neuroticism of the Twenties.

On vacation from school, Denis goes to stay at Crome, an English country house inhabitated by several of Huxley's most outlandish characters-from Mr. Barbecue-Smith, who writes 1,500 publishable words an hour by "getting in touch" with his "subconscious," to Henry Wimbush, who is obsessed with writing the definitive History of Crome. Denis's stay proves to be a disaster amid his weak attempts to attract the girl of his dreams and the ridicule he endures regarding his plan to write a novel about love and art. Aldous Huxley's first novel, Crome Yellow, was published in 1921, and, as a comedy of manners and ideas, its relatively realistic setting and format may come as a surprise to fans of his later works such as Point Counter Point and Brave New World. Some who know only Brave New World may not know that as a 16-year-old planning to enter medicine, Aldous Huxley was stricken by a serious eye disease which left him temporarily blind, and which derailed what certainly would have been a prominent career as a physician or scientist. Crome Yellow has often been called "witty," as well as "talky," and it certainly owes as much to Vanity Fair as it may, surprisingly to some, owe to Tristram Shandy, although one might think that characters such as Mr. Barbecue-Smith and his remarkable writing theories could have some literary antecedents in Lawrence Sterne. Lambasting the post-Victorian standards of morality, Crome Yellow is a witty masterpiece that, in F. Scott Fitzgerald's words, "is too irnonic to be called satire and too scornful to be called irony." We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.

The house party is viewed largely through the eyes of the naive young poet Denis Stone. Denis is enamored of Anne Wimbush, who seems more interested in the artist Gombauld. The quiet and hard-of-hearing Jenny often hides behind her red journal. Mary, decisive and yet na ve, decides to embark on an amorous adventure. Mr. Wimbush, the owner of Crome, has been writing a history of the house and its family, of which excerpts are given. His wife is obsessed with spiritualism. Other characters include the pompous literary hack Mr. Barbecue-Smith, the cynical Mr. Scogan (who has elements of Bertrand Russell and of Norman Douglas), the libertine Ivor Lombard, and the ascetic and melancholy Vicar and his wife.

A collection of classic poetry by the inimitable Aldous Huxley. The poems include: The Burning Wheel, Doors Of The Temple, Villiers De L'isle-Adam, Darkness, Mole, The Two Seasons, Two Realities, Quotidian Vision, Vision, The Mirror, Variations On A Theme Of Laforgue, Philosophy, Philoclea In The Forest, Books And Thoughts, "Contrary To Nature And Aristotle," Escape, The Garden, The Canal, The Ideal Found Wanting, Misplaced Love, Sonnet, Sentimental Summer, The Choice, The Higher Sensualism, Sonnet, Formal Verses, Perils Of The Small Hours, Complaint, Return To An Old Home, Fragment, and The Walk.

Aldous Huxley was an English writer and one of the most prominent members of the famous Huxley family. He spent the later part of his life in the United States, living in Los Angeles from 1937 until his death in 1963. Best known for his novels and wide-ranging output of essays, he also published short stories, poetry, travel writing, and film stories and scripts. Huxley was a humanist and pacifist, but was also latterly interested in spiritual subjects such as parapsychology and philosophical mysticism. He was also well known for advocating and taking psychedelics. By the end of his life Huxley was considered, in some academic circles, a leader of modern thought and an intellectual of the highest rank. (source: Wikipedia)

In Leda, Aldous Huxley is back in the old smooth, mythological world, consecrated by a thousand poets. He pays occasional tribute to ugly fact in the course of this poem, but he is at home while describing Leda with her maids bathing in Eurotas, her shining body, and the clear deep pools The modern terror of the too-perfect world makes him dwell longer, and more humorously, than his predecessors would have done, upon Jove tossing on his Olympian couch, tortured by his continence, and sending the searchlight of his glowing eye traveling over the earth below to find some object worthy of his god-like lust...

Aldous Huxley was an English writer and one of the most prominent members of the famous Huxley family. He spent the later part of his life in the United States, living in Los Angeles from 1937 until his death in 1963. Best known for his novels and wide-ranging output of essays, he also published short stories, poetry, travel writing, and film stories and scripts. Huxley was a humanist and pacifist, but was also latterly interested in spiritual subjects such as parapsychology and philosophical mysticism. He was also well known for advocating and taking psychedelics. By the end of his life Huxley was considered, in some academic circles, a leader of modern thought and an intellectual of the highest rank. (source: Wikipedia) Huxley's first collection of short stories contains seven visionary and satirical tales, which introduces themes that will go on to form the basis of his entire works. The events and the protagonists of these stories, with their personalities falling between the explicit and the elusive, are also rich in parallels and points in common with the life of their author. In The Death of Lully a woman is struck by breast cancer, the disease that killed the young author's mother to whom he was very close; and suicide as that of his brother, recurs in Eupompus Gave Splendour To Art By Numbers. Among all, however, Farcical History Of Richard Greenow takes the form of an autobiography, from the setting to the events described, there are many points of contact between the protagonist and that of the author: like a new Dr Jekyll's alter ego protagonist (and the same Huxley) will face his personal Mr. Hyde, in the staging of the struggle between two different and irreconcilable ways of thinking about literature and civic engagement.

Contemporary intellectuals still struggle over the relationship of ends to means, especially in political discourse. Pacifism is still an important topic today, as terrorism and dictatorial states abound. Many will find solace in Ends and Means, while others will find the book only a case study of the relationship of ethics to politics. Aldous Huxley examines common issues in a unique fashion. How can the regression in charity through which we are living, and for which each one of us is in some measure responsible, be halted and reversed? How can existing society be transformed into the ideal society described by the prophets? How can the average sensual man and the exceptional (and more dangerous) ambitious man be transformed into a non-attached being, one who can create a society significantly better than our own? Huxley discusses the relationship between the theories and the practices of reformers and the nature of the universe. He argues that our beliefs about the ultimate nature of reality help us formulate conceptions of right and wrong, not only in our private life, but also in the sphere of politics and economics. Far from being irrelevant, our philosophical beliefs are the final determining factor in our actions. This provocative classic volume, now available in paperback, will continue to stimulate discussion and thought.