Aleksandr Borodin

"Paraphrases on an Unchanging Theme" is a collection consisting of 24 variations and 17 pieces created by the composers of the Balakirev circle, Shcherbachiov and Liszt. Each piece is based on the simplest theme, called "Coteletten". The theme can be played with one finger, but a pianist is needed to accompany it. The edition is addressed to teachers and pupils of children's music schools and children's schools of arts, as well as all interested in musical literature for piano.

The piano music has never attracted the A. P. Borodin's (1833-1887) main attention. Piano compositions occupy a rather modest place in the composer's legacy. The "Little Suite" represents a new type of cycle, combining features of a concert style and music for home music making. Scherzo As-dur was highly appreciated by F. Liszt, whom Borodin had visited in Weimar. The composition did not immediately enter the performers' repertoire, but succeeded to gain its place in the pianists' repertoire over some time. The edition is addressed to pupils of the middle and senior grades of children's music schools, students of music and culture schools, performing pianists, and a wide range of piano music lovers. Little Suite1. In the Monastery2. Intermezzo3. Mazurka I4. Mazurka II5. Dreams6. Serenade7. NocturneScherzo As-dur

Aleksandr Porfirevich Borodin (1833-1887), russkij kompozitor i uchenyj-khimik. Aktivno zanimalsja nauchnoj, pedagogicheskoj i obschestvennoj dejatelnostju. S 1874 goda rukovodil khimicheskoj laboratoriej Mediko-khirurgicheskoj akademii. Byl odnim iz organizatorov i pedagogov Vysshikh zhenskikh vrachebnykh kursov pri Mediko-khirurgicheskoj akademii - odnogo iz pervykh v Rossii vysshikh uchebnykh zavedenij dlja zhenschin. Esche v 1950-e gody Borodin nachal pisat romansy, fortepiannye pesy, kamerno-instrumentalnye ansambli. V 1862 poznakomilsja s M. A. Balakirevym i prisoedinilsja k Balakirevskomu kruzhku ("Moguchej kuchke"). Pod vlijaniem M. A. Balakireva, V. V. Stasova i drugikh "kuchkistov" okonchatelno slozhilis muzykalno-esteticheskie vzgljady Borodina kak posledovatelja M. I. Glinki, priverzhentsa russkoj natsionalnoj shkoly v muzyke. Tvorcheskoe nasledie Borodina sravnitelno neveliko po objomu, no javljaetsja tsennejshim vkladom v sokrovischnitsu russkoj muzykalnoj klassiki. K naibolee populjarnym proizvedenijam kompozitora otnosjatsja opera "Knjaz Igor" i Simfonija No2 ("Bogatyrskaja"). Borodin nachal rabotat nad simfoniej zimoj 1869/1870 goda. K oseni 1871 goda simfonija byla sochinena. V 1871-1873 godakh kompozitor neodnokratno pokazyval ee druzjam. Odnako tolko k sentjabrju 1875 goda on zavershil 4-ruchnoe perelozhenie (v janvare 1877 goda opublikovannoe izdatelstvom Besselja). Partitura zhe byla gotova lish k letu 1876 goda. Premera sostojalas 26 fevralja 1877 goda v Peterburge pod upravleniem E. Napravnika. Pervoe ispolnenie v Moskve bylo osuschestvleno 20 dekabrja 1880 goda N. Rubinshtejnom. Publikatsija partitury simfonii sostojalas uzhe posle smerti kompozitora (takzhe v izdatelstve Besselja). Sam avtor uspel prosmotret chast korrektur, ostalnye byli vypravleny druzjami kompozitora, blagodarja chemu na partiture pojavilos oboznachenie: "Izdanie otredaktirovano N. Rimskim-Korsakovym i A. Glazunovym". V partiture suschestvujut nekotorye raznochtenija s pervonachalnoj rukopisju i s 4-ruchnym perelozheniem (samoe suschestvennoe iz nikh - rasshirena glavnaja partija v ekspozitsii pervoj chasti, dobavleny nachalnye 24 takta). Sam avtor peresmotrel orkestrovku pered ispolneniem 1879 goda - vmeste s dirizherom etogo kontserta Rimskim-Korsakovym. Vozmozhno, chto nekotorye melkie izmenenija vnosilis v orkestrovku i v svjazi s ispolnenijami simfonii v 1880-e gody. Nelzja s uverennostju utverzhdat, chto vse eti izmenenija byli sdelany lichno avtorom. Odnako bessporno, chto oni byli osuschestvleny pri zhizni avtora i s ego soglasija: k momentu smerti Borodina partitura byla nagravirovana. Poetomu simfonija traditsionno publikuetsja v etom, vyrazhajuschem poslednjuju avtorskuju volju, vide. Vtoraja simfonija Borodina prochno voshla v repertuar veduschikh orkestrov mira. Izdanie adresovano dirizheram, muzykovedam, a takzhe shirokomu krugu ljubitelej muzyki.

V nastojaschee sobranie voshli vse obnaruzhennye k nastojaschemu vremeni pisma russkogo khimika i kompozitora Aleksandra Porfirevicha Borodina (1833-1877). V perovom tome pechatajutsja 176 pisem, chetyre iz kotorykh otsutstvujut v izdanii Sergeja Aleksandrovicha Dianina (1928). Vosproizveden ranee ne publikovavshijsja risunok Borodina. V sluchajakh, kogda avtografy pisem sokhranilis, tekst sveren po pervoistochnikam. V pervyj tom vkljucheny takzhe rodoslovnye Borodina i ego zheny i predislovie Dianina, do sikh por ne utrativshee aktualnosti. Izdanie adresovano shirokomu krugu chitatelej.

The edition contains piano works by the great Russian composer, first of all his famous Little Suite. For Senior grades pupils of music schools and students of music colleges. CONTENTSLittle Suite1. In a Convent2. Intermezzo3. Mazurka4. Mazurka5. Reverie6. Serenade7. NocturneScherzoPolka (4 hands)

"Knjaz Igor" - opera rossijskogo kompozitora A. P. Borodina v chetyrjokh dejstvijakh s prologom. Istochnikom dlja libretto, napisannogo samim avtorom (pri uchastii V. V. Stasova), posluzhil pamjatnik drevnerusskoj literatury "Slovo o polku Igoreve", rasskazyvajuschij o neudachnom pokhode knjazja Igorja protiv polovtsev. Libretto prednaznacheno dlja solistov-vokalistov opernykh teatrov, studentov i pedagogov vokalnykh otdelenij, a takzhe vsem ljubiteljam opernogo iskusstva. 2-e izdanie, stereotipnoe.

Tsel knigi - sobrat voedino bolshoe kolichestvo faktov i formul, otnosjaschikhsja k brounovskomu dvizheniju. Spravochnik sostoit iz dvukh chastej. V pervoj chasti predstavlena obschaja teorija diffuzij i brounovskogo dvizhenija. Vtoruju chast sostavljajut tablitsy, soderzhaschie bolee 2550 javnykh formul raspredelenij funktsionalov i ikh preobrazovanij Laplasa dlja brounovskogo dvizhenija i smezhnykh protsessov. Spravochnik mozhet byt polezen matematikam, spetsialistam v oblasti finansovoj matematiki, fizikam i vsem, kto provodit prikladnye issledovanija, ispolzujuschie v toj ili inoj mere ponjatija brounovskogo dvizhenija i diffuzii. On mozhet byt takzhe ispolzovan dlja uchebnogo protsessa kak istochnik primerov verojatnostnykh raspredelenij i javnykh reshenij nekotorykh differentsialnykh zadach.

Prince Igor is the opera by A. Borodin in 4 acts with prologue. Libretto was written by the composer himself on the base of V. Stasov's "The Song of Igor's Campaign". N. Rimsky-Korsakov and A. Glazunov completed the opera. While conceiving the opera, Borodin inserted essential changes to the initial Stasov's scenario. The composer studied chronicles and other artifacts of the Old Russian folklore and the Polovetsian tradition having been preserved in Hungary. The first performance took place on the Petersburg Mariinsky Theatre stage in 1890. Since that time the "Prince Igor" is on roll all over the world. Main parts were acted by such famous actors as P. Hohlov, F. Shalyapin, M. Reisen, M. Mikhailov, M. Slavina, N. Obukhova, S. Lemeshev, I. Kozlovsky, Ye. Nesterenko. The Polovtsian dances were staged by such ballet-masters as L. Ivanov, M. Fokin, K. Goleizovsky. The opera was filmed in 1971 (producer R. Tikhomirov) in 1971. According to the "Opera Dictionary"by A. GozenpudTranslated by Asya ArdovaContents:OverturePrologue 1. Introduction The First Act The First Scene 2. Scene at Prince Vladimir Galitsky The Second Scene 3. Arioso of Yaroslavna 4. Scene of Yaroslavna with the girls 5. Scene of Yaroslavna with Vladimir 6. Finale of the First Act The Second Act 7. Choir of the Polovtsian Girls 8. Dancing of the Polovtsian Girls 9. Cavatina of Konchakovna 10. Scene and Chorus 11. Recitative and Cavatina of Vladimir 12. Duet of Konchakovna and Vladimir 13. Aria of Prince Igor 14. Scene of Igor and Ovlur 15. Aria of Khan Konchak 16. Recitative 17. Polovtsian Dancing with Choir The Third Act 18. Polovtsian March 19. Song of Khan Konchak 20. Recitative, Chorus and Scene 21. Chorus and Dancing 22. Recitative 23. Trio (Konchakovna, Vladimir and Igor) 24. Finale of the Third Act The Fourth Act 25. Lamentation of Yaroslavna 26. Chorus of Countrymen 27. Recitative of Yaroslavna and Duet with Igor 28. Song of Buffoons, Scene and Chorus 29. Final Chorus

The collection includes some works by Russian classics of 19-20th centuries: A. Borodin, A. Dyubyuk, N. Rimsky-Korsakov and other composers. These pieces are largely used in educational practice. For students of music collegesContents. A. Borodin. Dance of Polovtsian Maidens. From the opera 'Prince Igor'. Arranged by A. BagrintsevA. Dyubyuk. Tarantella. Arranged by V. BorisovskyN. Rimsky-Korsakov. Flight of the Bumblebee. From the opera 'The Tale of Tzar Saltan'. Arranged by Ye. StrakhovD. Shostakovich. People's Holiday. From the music to the film 'Gadfly'. Arranged by V. Borisovsky

This edition, intended for music lovers, includes fragments from Borodin's opera Prince Igor in a simplified piano arrangement. ContentsChorus 'Glory to Red Sun!'Skula and Yeroshka's Song 'This is not the river seething'Vladimir Galitsky's Song 'I only wish to live to see the honor'Finale of the 1 ActBoyars' Chorus 'Princess, take courage'Boyars' Chorus 'Princess, it's not for the first time'Chorus of Polovtsian Maids 'In an arid soil, in daylight'Konchakovna's Cavatina '? night, come quick'Polovtsian's Patrol (chorus) 'The sun behind the mountains is sinking'Vladimir's Cavatina 'Where, where are you?'Prince Igor's Aria 'No sleep, no rest for the tormented soul'Konchak's Aria '? no, ??, my friend'Polovtsian's Dance with Chorus'Fly away on the wings of wind''Sing the songs of glory to the Khan'Yaroslavna's Lament 'Ah, I'm weeping'Peasants' Chorus 'Oh, this was not the stormy wind howling'Final Chorus 'Let's we all, the people, welcome the Prince'