Alice Duer Miller

Are Parents People? (1924) is a collection of stories by Alice Duer Miller. Inspired by her work as an activist for women’s suffrage, Miller explores themes of independence, agency, and female desire while illuminating the subject of divorce. Her work was adapted into a 1925 comedy film starring Betty Bronson, Florence Vidor, and Adolphe Menjou. “There they were—her mother looking down at her so calmly from the gallery and her father waiting so confidently for her below, each unaware of the other's presence. What in thunder was she going to do?” As the chairman of her school’s self-government committee, Lita Hazlitt is a young woman committed to order. Seeing her parents in the same room for the first time since their acrimonious divorce, she longs for them to reunite so that their family can return to its former state. When her attempts at reconciliation fall on deaf ears, Lita begins to act out, threatening her parents with scandal by spending time with an older, married man. In each of its nine stories, Are Parents People? explores the politics of divorce in middle to upper class American families. Witty and heartbreaking, Miller’s work is an utterly human look at the shortcomings of marriage in modern life. With a beautifully designed cover and professionally typeset manuscript, this edition of Alice Duer Miller’s Are Parents People? is a classic of American literature reimagined for modern readers.

This book has been considered important throughout the human history, and so that this work is never forgotten we have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies and hence the text is clear and readable.

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Are Parents People? (1924) is a collection of stories by Alice Duer Miller. Inspired by her work as an activist for women’s suffrage, Miller explores themes of independence, agency, and female desire while illuminating the subject of divorce. Her work was adapted into a 1925 comedy film starring Betty Bronson, Florence Vidor, and Adolphe Menjou. “There they were—her mother looking down at her so calmly from the gallery and her father waiting so confidently for her below, each unaware of the other's presence. What in thunder was she going to do?” As the chairman of her school’s self-government committee, Lita Hazlitt is a young woman committed to order. Seeing her parents in the same room for the first time since their acrimonious divorce, she longs for them to reunite so that their family can return to its former state. When her attempts at reconciliation fall on deaf ears, Lita begins to act out, threatening her parents with scandal by spending time with an older, married man. In each of its nine stories, Are Parents People? explores the politics of divorce in middle to upper class American families. Witty and heartbreaking, Miller’s work is an utterly human look at the shortcomings of marriage in modern life. With a beautifully designed cover and professionally typeset manuscript, this edition of Alice Duer Miller’s Are Parents People? is a classic of American literature reimagined for modern readers.

Ladies Must Live (1917) is a novel by Alice Duer Miller. Inspired by her work as an activist for women’s rights, Miller presents a romantic comedy exploring the effects of class and gender on love, friendship, and work. Adapted for theater and film, Ladies Must Live is a charming novel from a writer whose reputation as a popular poet should extend to her fiction as well. “Certain human beings are admitted to have a genius for discrimination in such matters as objects of art, pigs or stocks. Mrs. Ussher had this same instinct in regard to fashion, especially where fashions in people were concerned. She turned toward hidden social availability very much as the douser's hazel wand turns toward the hidden spring. When she crossed the room to speak to some woman after dinner, whatever that woman's social position might formerly have been, you could be sure that at present she was on the upward wing.” At a gathering of prominent socialites, a story of ambition and romance emerges. While Christine longs to marry the soon-to-be-divorced Ralph, she finds herself in competition with Nancy, a woman she detests. As the night goes on, discussions over wealth, women’s rights, and politics turn heated, engagements are made and broken, and a tragic event changes hearts and minds forever. Ladies Must Live is both a romantic comedy and a biting critique on social convention from Alice Duer Miller, whose political work as a women’s rights activist informs her characters and their frequently contentious interactions. With a beautifully designed cover and professionally typeset manuscript, this edition of Alice Duer Miller’s Ladies Must Live is a classic of American literature reimagined for modern readers.

Come Out of the Kitchen (1916) is a novel by Alice Duer Miller. Inspired by her work as an activist for women’s rights, Miller presents a romantic comedy exploring the effects of class and gender on love, friendship, and work. Adapted for theater and film, Come Out of the Kitchen is a charming novel from a writer whose reputation as a popular poet should extend to her fiction as well. Arriving in the South, Mr. Burton, a successful young businessman, meets with a local real estate agent to inquire about renting a property for the summer. Interested in an old mansion, he is eager to sign the contract—only one strange detail prompts his hesitation. If he would like to stay there, he will need to employ the four domestic servants already living at the property. Desperate to settle down, Burton agrees to meet with them first: the butler, a kind and intelligent man; the cook, a beautiful woman; the housemaid, a sullen young lady; and a young boy whose job is to do everything else. Slightly unsettled by their manners and accents, Burton agrees to keep them on and soon makes his way to the mansion, where he immediately plans to host a small party of friends. When the day of the party arrives, however, the behavior of the servants begins to change. Come Out of the Kitchen is an entertaining romantic comedy from Alice Duer Miller, whose political work as a women’s rights activist informs her characters and their frequently humorous interactions. With a beautifully designed cover and professionally typeset manuscript, this edition of Alice Duer Miller’s Come Out of the Kitchen is a classic of American literature reimagined for modern readers.

Women Are People! (1917) is a collection of poems by Alice Duer Miller. Inspired by her work as an activist for women’s suffrage, Miller published many of these poems individually in the New York Tribune before compiling them into this larger work. Focusing on the opposition of politicians and citizens alike, Miller makes a compelling and frequently hilarious case for the extension of voting rights to women across the nation. With her keen eye for hypocrisy and even keener ear for the rhythms of the English language, Alice Miller Duer crafts a poetry both personal and political. In “Liberty,” she lampoons the hypocrisy of men who praise the goddess of Liberty while denying women access to basic human rights: “O Liberty, how many men there are / Who do you honour in a flowing phrase, / In martial measures and in patriot lays, / Invoking you as a goddess and as star/ […] / But when you first approach them, when you turn / On their pale eyes your eyes’ unwavering light, / […] / They fly before you, crying in their fright: / ‘Arrest this wild-eyed jade! Police! Police!’” In these lighthearted lines, Miller satirizes the exclusion of women from American democracy. Succinctly and convincingly, with humor and with lyric grace, Miller makes her case for suffrage and the rights of women very clear. As she expresses in her ironic title, women are indeed people—despite the lengths to which they must repeatedly go to prove it. With a beautifully designed cover and professionally typeset manuscript, this edition of Alice Duer Miller’s Women Are People! is a classic of American literature reimagined for modern readers.

Come Out of the Kitchen (1916) is a novel by Alice Duer Miller. Inspired by her work as an activist for women’s rights, Miller presents a romantic comedy exploring the effects of class and gender on love, friendship, and work. Adapted for theater and film, Come Out of the Kitchen is a charming novel from a writer whose reputation as a popular poet should extend to her fiction as well. Arriving in the South, Mr. Burton, a successful young businessman, meets with a local real estate agent to inquire about renting a property for the summer. Interested in an old mansion, he is eager to sign the contract—only one strange detail prompts his hesitation. If he would like to stay there, he will need to employ the four domestic servants already living at the property. Desperate to settle down, Burton agrees to meet with them first: the butler, a kind and intelligent man; the cook, a beautiful woman; the housemaid, a sullen young lady; and a young boy whose job is to do everything else. Slightly unsettled by their manners and accents, Burton agrees to keep them on and soon makes his way to the mansion, where he immediately plans to host a small party of friends. When the day of the party arrives, however, the behavior of the servants begins to change. Come Out of the Kitchen is an entertaining romantic comedy from Alice Duer Miller, whose political work as a women’s rights activist informs her characters and their frequently humorous interactions. With a beautifully designed cover and professionally typeset manuscript, this edition of Alice Duer Miller’s Come Out of the Kitchen is a classic of American literature reimagined for modern readers.

Ladies Must Live (1917) is a novel by Alice Duer Miller. Inspired by her work as an activist for women’s rights, Miller presents a romantic comedy exploring the effects of class and gender on love, friendship, and work. Adapted for theater and film, Ladies Must Live is a charming novel from a writer whose reputation as a popular poet should extend to her fiction as well. “Certain human beings are admitted to have a genius for discrimination in such matters as objects of art, pigs or stocks. Mrs. Ussher had this same instinct in regard to fashion, especially where fashions in people were concerned. She turned toward hidden social availability very much as the douser's hazel wand turns toward the hidden spring. When she crossed the room to speak to some woman after dinner, whatever that woman's social position might formerly have been, you could be sure that at present she was on the upward wing.” At a gathering of prominent socialites, a story of ambition and romance emerges. While Christine longs to marry the soon-to-be-divorced Ralph, she finds herself in competition with Nancy, a woman she detests. As the night goes on, discussions over wealth, women’s rights, and politics turn heated, engagements are made and broken, and a tragic event changes hearts and minds forever. Ladies Must Live is both a romantic comedy and a biting critique on social convention from Alice Duer Miller, whose political work as a women’s rights activist informs her characters and their frequently contentious interactions. With a beautifully designed cover and professionally typeset manuscript, this edition of Alice Duer Miller’s Ladies Must Live is a classic of American literature reimagined for modern readers.

Are Women People? (1915) is a collection of poems by Alice Duer Miller. Inspired by her work as an activist for women’s suffrage, Miller published many of these poems individually in the New York Tribune before compiling them into this larger work. Focusing on the opposition of politicians and citizens alike, Miller makes a compelling case for the extension of voting rights to women across the nation. With her keen eye for hypocrisy and even keener ear for the rhythms of the English language, Alice Miller Duer crafts a poetry both personal and political. In “Representation,” she lampoons the notion that men’s votes and voices are capable of representing the viewpoints of the women in their lives: “My present wife’s a suffragist, and counts on my support, / […] / One grandmother is on the fence, the other much opposed, / And my sister lives in Oregon, and thinks the question’s closed; / Each one is counting on my vote to represent her view. / Now what should you think proper for a gentleman to do?” In these lighthearted lines, Miller satirizes the exclusion of women from American democracy, which inherently supposes that womanhood is monolithic, containing no opposing points of view. In “To President Wilson,” Miller excoriates the President for his focus on militarism and foreign policy, asking “How can you plead so earnestly for men / Who fight their own fight with a bloody hand; / […] and then / Forget the women of your native land?” Succinctly and convincingly, Miller makes her case for women’s suffrage. With a beautifully designed cover and professionally typeset manuscript, this edition of Alice Duer Miller’s Are Women People? is a classic of American literature reimagined for modern readers.

The book, The Beauty and the Bolshevist, has been considered important throughout the human history, and so that this work is never forgotten we have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies of their original work and hence the text is clear and readable.

Alice Duer Miller (July 28, 1874 - August 22, 1942) was a writer from the U. S. whose poetry actively influenced political opinion. Her feminist verses made an impact on the suffrage issue, and her verse novel The White Cliffs encouraged U. S. entry into World War II. She also wrote novels and screenplays. She became known as a campaigner for women's suffrage and published a brilliant series of satirical poems in the New York Tribune. These were published subsequently as Are Women People? These words became a catchphrase of the suffrage movement. It reads: "FATHER, what is a Legislature?/ A representative body elected by the people of the state./ Are women people?/ No, my son, criminals, lunatics and women are not people./ Do legislators legislate for nothing?/ Oh, no; they are paid a salary./ By whom?/ By the people./ Are women people?/ Of course, my son, just as much as men are." She followed this collection with Women Are People (1917). As a novelist, she scored her first success with Come Out of the Kitchen in 1916. The story was made into a play and later the 1948 film Spring in Park Lane. She followed it with a series of other short novels, many of which were staged and (increasingly) made into films. Her novel in verse Forsaking All Others (1933) about a tragic love affair, and many consider her greatest work. In the 1920s and 1930s, many of her stories were used for motion pictures, such as Are Parents People? (1925), Roberta (1935), and Irene (1940), taking her to Hollywood. She also became involved in a number of motion picture screenplays, including Wife vs. Secretary (1936). Her name appears in the very first issue of The New Yorker as an advisory editor. (wikipedia.org)

Alice Duer Miller (July 28, 1874 - August 22, 1942) was a writer from the U. S. whose poetry actively influenced political opinion. Her feminist verses made an impact on the suffrage issue, and her verse novel The White Cliffs encouraged U. S. entry into World War II. She also wrote novels and screenplays. She became known as a campaigner for women's suffrage and published a brilliant series of satirical poems in the New York Tribune. These were published subsequently as Are Women People? These words became a catchphrase of the suffrage movement. It reads: "FATHER, what is a Legislature?/ A representative body elected by the people of the state./ Are women people?/ No, my son, criminals, lunatics and women are not people./ Do legislators legislate for nothing?/ Oh, no; they are paid a salary./ By whom?/ By the people./ Are women people?/ Of course, my son, just as much as men are." She followed this collection with Women Are People (1917). As a novelist, she scored her first success with Come Out of the Kitchen in 1916. The story was made into a play and later the 1948 film Spring in Park Lane. She followed it with a series of other short novels, many of which were staged and (increasingly) made into films. Her novel in verse Forsaking All Others (1933) about a tragic love affair, and many consider her greatest work. In the 1920s and 1930s, many of her stories were used for motion pictures, such as Are Parents People? (1925), Roberta (1935), and Irene (1940), taking her to Hollywood. She also became involved in a number of motion picture screenplays, including Wife vs. Secretary (1936). Her name appears in the very first issue of The New Yorker as an advisory editor. (wikipedia.org)