Allan Bloom

Long regarded as the most accurate rendering of Plato's Republic that has yet been published, this widely acclaimed work is the first strictly literal translation of a timeless classic. In addition to the annotated text, there is also a rich and valuable essay,as well as indices,which will better enable the reader to approach the heart of Plato's intention. This new edition includes a new introduction by acclaimed critic Adam Kirsch, setting the work in its intellectual context for a new generation of readers.

The brilliant, controversial, bestselling critique of American culture that "hits with the approximate force and effect of electroshock therapy" (The New York Times)--now featuring a new afterword by Andrew Ferguson in a twenty-fifth anniversary edition. In 1987, eminent political philosopher Allan Bloom published The Closing of the American Mind, an appraisal of contemporary America that "hits with the approximate force and effect of electroshock therapy" (The New York Times) and has not only been vindicated, but has also become more urgent today. In clear, spirited prose, Bloom argues that the social and political crises of contemporary America are part of a larger intellectual crisis: the result of a dangerous narrowing of curiosity and exploration by the university elites. Now, in this twenty-fifth anniversary edition, acclaimed author and journalist Andrew Ferguson contributes a new essay that describes why Bloom's argument caused such a furor at publication and why our culture so deeply resists its truths today.

Evnen til å tenke er i ferd med å forsvinne i det amerikanske folk som følge av demokratisering og ødeleggelse av de klassiske universitetsidealer. Dette er hovedtesen i bestselgeren The Closing of the American Mind (1987), der Allan Bloom viser hvordan universitetet i våre dager har mistet sin enhet og sitt grunnlag og overlatt den offentlige arena til rockemusikk og drag-show! Oversatt av Eivind Tjønneland. Nr. 8 i Cappelens upopulære skrifter.

"No-one can make us love love as much as Shakespeare, and no-one can make us despair of it as effectively as he does". William Shakespeare is the only classical author to remain widely popular - not only in America but throughout the world - and Allan Bloom argues that this is because no other writer holds up a truer mirror to human nature. Unlike the Romantics and other moderns, Shakespeare has no project for the betterment or salvation of mankind - his poetry simply gives us eyes to see what is there. In particular, we see the full variety of erotic connections, from the "star-crossed" devotions of Romeo and Juliet to the failed romance of Troilus and Cressida to the problematic friendship of Falstaff and Hal. This volume includes essays on five plays, "Romeo and Juliet", "Anthony and Cleopatra", "Measure for Measure", "Troilus and Cressida" and "The Winter's Tale", and within these Bloom meditates on Shakespeare's work as a whole. He also draws on his formidable knowledge of Plato, Rousseau and others to bring both ancients and moderns into the conversation. The result is a truly synoptic treatment of eros, not only a philosophical reflection on Shakespeare, but a survey of the human spirit and its tendency to seek what Bloom calls the "connectedness" of love and friendship. These highly original interpretations of the plays convey a deep respect for their author and a deep conviction that we still have much to learn from him. In Bloom's view, we live in a love-impoverished age; he asks us to turn once more to Shakespeare because the playwright gives us a rich version of what is permanent in human nature without sharing our contemporary assumptions about erotic love.

Taking the classical view that the political shapes man's consciousness, Allan Bloom considers Shakespeare as a profoundly political Renaissance dramatist. He aims to recover Shakespeare's ideas and beliefs, and to make his work once again a recognized source for the serious study of moral and political problems. In essays looking at "Julius Caesar", "Othello", and "The Merchant of Venice" Bloom shows how Shakespeare presents a picture of man that does not assume privileged access for only literary criticism. With this claim, he argues that political philosophy offers a comprehensive framework within which the which the problems of the Shakespearean heroes can be viewed. In short, he argues that Shakespeare was an eminently political author.