Amanda Palmer

First published in 1998, this volume is based upon an ethnographic study of white and black in a mixed comprehensive school conducted during the 1980s and explores differentiation in the classroom, looking at gender, colour and class differences within groups of students. The findings are discussed in the light of the strong debate within the sociology of education that took place during the 1970s and 1980s concerning academic achievement and underachievement. Amanda Palmer reveals, in contribution to this debate, that class origins played a primary role in the formation of pupils’ attitudes towards school and that class, race and gender were involved in how teachers reacted to pupils

First published in 1998, this volume is based upon an ethnographic study of white and black in a mixed comprehensive school conducted during the 1980s and explores differentiation in the classroom, looking at gender, colour and class differences within groups of students. The findings are discussed in the light of the strong debate within the sociology of education that took place during the 1970s and 1980s concerning academic achievement and underachievement. Amanda Palmer reveals, in contribution to this debate, that class origins played a primary role in the formation of pupils’ attitudes towards school and that class, race and gender were involved in how teachers reacted to pupils

"Amanda Palmer visar lustfyllt en generation hur de kan förändra sina liv." /Caitlin Moran "I en musikindustri där det saknas egensinniga tänkare har Amanda Palmer en given plats." /The Guardian En bok som borde läsas av varenda person som pysslar med musik, teater, text eller konst i valfri form. Den kommer sannolikt att förändra sättet du ser på relationen mellan artist och publik, kulturpolitik, sociala medier och gemenskap. Möjligen även världen." /Johan Zillén, Bokboxen Det här är berättelsen om hur musik- och performanceartisten Amanda Palmer kom över rädslan att be om hjälp och lyckades samla in 1,2 miljoner dollar i förhandsbeställningar till sin kommande skiva enkelt uttryckt är det här berättelsen om gräsrotsfinansieringens drottning. Med den uppriktighet och nakenhet som kännetecknar allt Amanda Palmer tar sig för, beskriver hon sin väg till en annan syn på givande och mottagande, inte som en situation där den ena ger och den andra passivt tar emot, utan som en handling där båda ger den andre bekräftelse på att de är människor och ser varandra. Hela hennes liv kan ses som ett konstprojekt. Många gillar det hon gör, en hel del ogillar det, men oavsett om man älskar eller provoceras av Amanda Palmer är hon ett fenomen som väcker viktiga frågor om synen på våra medmänniskor och gränsdragningen mellan det privata och offentliga. Och om ett annat sätt att tänka kring finansieringsmodeller. Amanda Palmer är född 1976 i Bostonförorten Lexington, Massachusetts, USA. Hon har gjort sig känd som medlem i det kontroversiella punk-kabarébandet The Dresden Dolls och har ett förflutet som gatuartist. Sedan 2011 är hon gift med författaren Neil Gaiman. Uppläsare Staffan Dopping

"Filled with wisdom and thought experiments and things that will mess with your mind." -- Neil Gaiman, author of The Graveyard Book and American Gods In sharply argued, fast-moving chapters, Cory Doctorow's Information Doesn't Want to Be Free takes on the state of copyright and creative success in the digital age. Can small artists still thrive in the Internet era? Can giant record labels avoid alienating their audiences? This is a book about the pitfalls, and the opportunities, creative industries (and individuals) are confronting today--about how the old models have failed or found new footing, and about what might soon replace them. An essential read for anyone with a stake in the future of the arts, Information Doesn't Want to Be Free offers a vivid guide to the ways creativity and the Internet interact today, and to what might be coming next.

Rock star, crowdfunding pioneer, and TED speaker Amanda Palmer knows all about asking. Performing as a living statue in a wedding dress, she wordlessly asked thousands of passersby for their dollars. When she became a singer, songwriter, and musician, she was not afraid to ask her audience to support her as she surfed the crowd (and slept on their couches while touring). And when she left her record label to strike out on her own, she asked her fans to support her in making an album, leading to the world's most successful music Kickstarter. Even while Amanda is both celebrated and attacked for her fearlessness in asking for help, she finds that there are important things she cannot ask for-as a musician, as a friend, and as a wife. She learns that she isn't alone in this, that so many people are afraid to ask for help, and it paralyzes their lives and relationships. In this groundbreaking book, she explores these barriers in her own life and in the lives of those around her, and discovers the emotional, philosophical, and practical aspects of The Art of Asking. Part manifesto, part revelation, this is the story of an artist struggling with the new rules of exchange in the twenty-first century, both on and off the Internet. The Art of Asking will inspire readers to rethink their own ideas about asking, giving, art, and love.

Amanda Palmer expands on her phenomenally popular TED talk to encourage readers to perfect the forgotten art of asking in this New York Times bestselling book.

Rock star, crowdfunding pioneer, and TED speaker Amanda Palmer knows all about asking. Performing as a living statue in a wedding dress, she wordlessly asked thousands of passersby for their dollars. When she became a singer, songwriter, and musician, she was not afraid to ask her audience to support her as she surfed the crowd (and slept on their couches while touring). And when she left her record label to strike out on her own, she asked her fans to support her in making an album, leading to the world's most successful music Kickstarter. Even while Amanda is both celebrated and attacked for her fearlessness in asking for help, she finds that there are important things she cannot ask for-as a musician, as a friend, and as a wife. She learns that she isn't alone in this, that so many people are afraid to ask for help, and it paralyzes their lives and relationships. In this groundbreaking book, she explores these barriers in her own life and in the lives of those around her, and discovers the emotional, philosophical, and practical aspects of THE ART OF ASKING. Part manifesto, part revelation, this is the story of an artist struggling with the new rules of exchange in the twenty-first century, both on and off the Internet. THE ART OF ASKING will inspire readers to rethink their own ideas about asking, giving, art, and love.

Dark, comic, raw, disturbing, and often redemptive, these fifteen tales will take you from the 1950s to the present, along with a repeating cast of heroes and lunatics. The characters span the breadth and the depths of human qualities and capacities. The same person, in one story, may materialize as a hero and a god, and in another, as a lunatic and a demon. While the author roughs up the people in his stories with the hand of terror, he simultaneously views them with the eyes of love. Martignetti spares no one, and to his credit, particularly not himself. For one who confesses so much fear, he is fearlessly self-revealing. After reading this memoir collection, you will come to know these characters, and the author, intimately. Not that you'd necessarily want to, it's just the way things will turn out. About the author: C. Anthony Martignetti, Ph. D., is a writer and psychotherapist in Lexington, Massachusetts, where he lives with his wife, Laura, and their Border Terrier, Piper. In the late 1960s, as a high school graduation gift, his mother tried to nominate him for a Pulitzer Prize, but the panel refused to accept her recommendation since nobody had heard of either him or her... and all he had ever written were assignments for an English class in which he received a solid B. He got a set of Samsonite luggage as a graduation gift instead. As a result of that event he has remained, to this day, defiantly unpublished.