Amy Bloom

A thrilling and resonant novel from the author of Away, about loyalty, ambition, and the pleasures and perils of family, set in 1940s America

This stunning collection of stories takes us into the inner worlds of families, the hidden corners of marriages and affairs and friendships, and introduces us to people whose lives are shaken and changed by love: a grieving mother in need of comfort; a frightened father in need of redemption; wives who become mistresses and regret it, or don’t; a psychiatrist crashing through professional boundaries to provide for her husband and son. Amy Bloom holds her characters close to us as they encounter the everyday mysteries of need and desire, showing us tenderness and humour in the midst of grief and sorrow. She writes the kind of fiction that celebrates the flawed dignity of the human and reminds us all of the fine venture of living in grace and hope in the worlds we are born to and make.

A young woman struggles to come to terms with her friend's murder; a man and his daughter-in-law confess their sins in the most unlikely of places; a daughter returns to her hated father's house to care for him in his final days and discovers an unexpected bond; and, in a set of interlocking stories, two middle-aged friends, married to others, find themselves irresistibly sexually drawn to one another. In this sensuous, funny and heartbreaking new book, Amy Bloom explores the unexpected patterns that love, and its absence, weave into our lives. With her generous and clear-eyed understanding of human complexity and contrariness, the award-winning author introduces us to some of her most unforgettable characters yet.

Love, in its many forms and complexities, weaves through this collection by Amy Bloom, the New York Times bestselling author of Away. Bloom's astonishing and astute stories illuminate the mysteries of passion, family, and friendship. A young woman is haunted by her roommate's murder; a man and his daughter-in-law confess their sins in the unlikeliest of places; two middle-aged, married friends find themselves surprisingly drawn to each other, risking all for their love but never underestimating the cost. Propelled by Bloom's dazzling prose, unmistakable voice, and generous wit, Where the God of Love Hangs Out takes us to the margins and the centers of people's emotional lives, exploring the changes that come with love and loss.

Amy Bloom's Away revitalizes the American road-trip novel from the perspective of a vulnerable but spirited woman. It paints a vivid, earthy and surprising picture of 1920s America, its smells and textures, its population of drifters and con artists, pimps and prostitutes. Away is storytelling at its finest - epic in sweep, but intimate and psychologically acute, moving but unsentimental. Like the novels of Sarah Waters, it is both richly authentic in its period detail and fresh and contemporary in its style. But, above all, Bloom has created an unforgettable character in Lillian Leyb - her voice, haunted, damaged yet innocent, passionate, witty and unpretentious, is so believable and strong that her presence lingers long after the novel ends.

Panoramic in scope, Away is the epic and intimate story of young Lillian Leyb, a dangerous innocent, an accidental heroine. When her family is destroyed in a Russian pogrom, Lillian comes to America alone, determined to make her way in a new land. When word comes that her daughter, Sophie, might still be alive, Lillian embarks on an odyssey that takes her from the world of the Yiddish theater on New York's Lower East Side, to Seattle's Jazz District, and up to Alaska, along the fabled Telegraph Trail toward Siberia. All of the qualities readers love in Amy Bloom's work-her humor and wit, her elegant and irreverent language, her unflinching understanding of passion and the human heart-come together in the embrace of this brilliant novel, which is at once heartbreaking, romantic, and completely unforgettable.

Amy Bloom has won a devoted readership and wide critical acclaim for fiction of rare humor, insight, grace, and eloquence, and the same qualities distinguish Normal, a provocative, intimate journey into the lives of "people who reveal, or announce, that their gender is variegated rather than monochromatic"--female-to-male transsexuals, heterosexual crossdressers, and the intersexed. We meet Lyle Monelle and his mother, Jessie, who recognized early on that her little girl was in fact a boy and used her life savings to help Lyle make the transition. On a Carnival cruise with a group of crossdressers and their spouses, we meet Peggy Rudd and her husband, "Melanie," who devote themselves to the cause of "ordinary heterosexual men with an additional feminine dimension." And we meet Hale Hawbecker, "a regular, middle-of-the-road, white-bread guy" with a wife, kids, and a medical condition, the standard treatment for which would have changed his life and his gender. Casting light into the dusty corners of our assumptions about sex, gender and identity, Bloom reveals new facets to the ideas of happiness, personality and character, even as she brilliantly illuminates the very concept of "normal."

Journalist, psychotherapist and novelist Amy Bloom explores sex and gender through portraits of people who are widely considered not normal - transsexuals, crossdressers, hermaphrodites - a group of people larger and more 'normal' than most of us would imagine. There are men like Hale, a 'regular, middle-of-the-road, white-bread guy' with a wife, kids, and a medical condition, the standard treatment for which would have changed his life and his gender. Mothers like Jessie, who realised that her little girl was in fact a boy and used her life savings to help him make the transgender transition. And couples like Peggy and her husband, 'Melanie', who holiday on cruise ships along with fellow heterosexual crossdressers. Bloom cuts through the psychology by showing us these people as they really are and in their own words. This intimate portrait reinvents the idea of sex, gender, and identity, and the very concept of being 'normal'.

Amy Bloom was nominated for a National Book Award for her first collection, Come to Me, and her fiction has appeared in The New Yorker, Story, Antaeus, and other magazines, and in The Best American Short Stories and Prize Stories: The O. Henry Awards. In her new collection, she enhances her reputation as a true artist of the form. Here are characters confronted with tragedy, perplexed by emotions, and challenged to endure whatever modern life may have in store. A loving mother accompanies her daughter in her journey to become a man, and discovers a new, hopeful love. A stepmother and stepson meet again after fifteen years and a devastating mistake, and rediscover their familial affection for each other. And in "The Story," a widow bent on seducing another woman's husband constructs and deconstructs her story until she has "made the best and happiest ending" possible "in this world."

A sharp and funny, rueful, and uncompromisingly real tale of growing up--from National Book Award finalist Amy Bloom A chubby girl with smudged pink harlequin glasses and a habit of stealing Heath Bars from the local five-and-dime, Elizabeth Taube is the only child of parents whose indifference to her is the one sure thing in her life. When her search for love and attention leads her into the arms of her junior-high-school English teacher, things begin to get complicated. And even her friend Mrs. Hill, a nearly blind, elderly black woman, can't protect her when real love--exhilarating, passionate, heartbreaking--enters her life in the gorgeous shape of Huddie Lester. With her finely honed style and her unflinching sensibility, Bloom shows us how profoundly the forces of love and desire can shape a life.

Selected by Amy Bloom as the winner of the 1995 Mary McCarthy Prize in Short Fiction

Lee Martin’s own distinctive voice has the qualities of his favorite setting: the commonplace and middle-class turned over with a searchlight of want and need to know. Morticians and insurance men, salesmen and farmers; women hoping to make life more beautiful and less pressing with delicate, bewildering hobbies and necessary flirtations; boys who veer from shame to pride, from decency to irredeemable wrongs, in an afternoon; people who do not quite recover, during the time of our acquaintance, but do not give up gracefully. Lee Martin was born in Illinois. He earned his MFA from the University of Arkansas, and his Ph. D. From the University of Nebraska-Lincoln. His stories have been widely published in journals including The Georgia Review, Story, Double-Take, New England Review, Prairie Schooner, and Glimmer Train Stories. He received a Nebraska Arts Council Fellowship in Fiction (1995) as well as Individual Arts Fellowships in Fiction from the Ohio Arts Council (1987) and the Tennessee Arts Commission (1989).

Nominated for a National Book Award, this fresh and stunning collection of stories takes the reader deep into the heart of the most alarming and joyful human relationships.