Amy Fay

Music-Study in Germany, from the Home Correspondence of Amy Fay, a classical book, has been considered important throughout the human history, and so that this work is never forgotten we at Alpha Editions have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies of their original work and hence the text is clear and readable.

Dieses klassische Buch wurde urspr nglich vor Jahrzehnten unter dem Titel ""Music-Study in Germany From the Home Correspondence of Amy Fay"". Es wurde jetzt von Writat f r seine franz sischsprachigen Leser in die franz sische Sprache bersetzt. Bei Writat liegt uns die Bewahrung des literarischen Erbes der Vergangenheit am Herzen. Wir haben dieses Buch ins Franz sische bersetzt, damit heutige und zuk nftige Generationen es lesen und bewahren k nnen.

Ce livre classique a t initialement publi il y a plusieurs d cennies sous le titre ""Music-Study in Germany From the Home Correspondence of Amy Fay"". Il a maintenant t traduit par Writat en langue fran aise pour ses lecteurs francophones. Chez Writat, nous sommes passionn s par la pr servation du patrimoine litt raire du pass . Nous avons traduit ce livre en fran ais afin que les g n rations pr sentes et futures puissent le lire et le pr server.

Music-Study in Germany - From the home correspondence of Amy Fay is an unchanged, high-quality reprint of the original edition of 1883. Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.

To this must be added the indisputable fact that "music study in Germany" or in France, for that matter, had become a mere matter of personal taste and predilection, and was not a necessity as in the days of Miss Fay's amusing experiments with this or that German teacher of renown. An endless stream of excellent European artists and teachers had poured into America since then, augmented by the equally broad stream of native Americans who had learned their m tier abroad. Music study in America thus became an easy matter and many an aspiring virtuoso would have done more wisely by staying and studying at home, instead of venturing to a European country with its different language, its different temperament, its different mode of living, customs and so forth. Germany, in particular, is still a "marvellous home of music," to quote an editorial remark of Miss Fay's sister, but it is no longer the "only real home of music," thanks precisely to such artists as Miss Amy Fay herself.

A German Interior in Berlin. A German Party. Joachim. Tausig's Conservatory. BERLIN, November 3, 1869. Behold me at last at No. 26 Bernburger Strasse where I arrived exactly two weeks from the day I left New York. Frau W. and her daughter, Fr ulein A. W., greeted me with the greatest warmth and cordiality, and made me feel at home immediately. The German idea of a "large" room I find is rather peculiar, for this one is not more than ten or eleven feet square, and has one corner of it snipped off, so that the room is an irregular shape. When I first entered it I thought I could not stay in it, it seemed so small, but when I came to examine it, so ingeniously is every inch of space made the most of, that I have come to the conclusion that it will be very comfortable.