Amy Kaplan

“Our American Israel is masterful and deserves a larger audience.” —Ta-Nehisi CoatesAn essential account of America’s most controversial alliance, and how that strong and divisive partnership plays our in our own time. In 1945, it was not inevitable that a global superpower emerging victorious from World War II would come to identify with a small state for Jewish refugees, refugees who at that time were still being turned away from the United States. How, then, did so many in America come to feel that the bond between it and Israel was historically inevitable, morally right, and a matter of common sense. Our American Israel reveals how Israel’s identity has long been entangled with America’s belief in its own exceptional nature. Beginning at the end of World War II with debates about the establishment of a Jewish state in Palestine and continuing through both the rise of evangelical Christian Zionism and the war on terror, Amy Kaplan challenges the associations underlying this special alliance. Through popular narratives expressed in news media, fiction, and film, a shared sense of identity emerged from the two nations’ histories as settler societies. Americans projected their own origin myths onto Israel: the biblical promised land, the open frontier, the refuge for immigrants. Israel assumed a mantle of moral authority, based on its image as an “invincible victim,” a nation of intrepid warriors and concentration camp survivors. The image of the underdog shattered when Israel invaded Lebanon; its military was strongly censured around the world, including notes of dissent in the United States. Rather than a symbol of justice, Israel became a model of military strength and technological ingenuity. In America today, Israel’s political realities pose profoundly difficult challenges. Turning a critical eye on the turbulent history that bound the two nations together, Kaplan unearths the roots of present controversies that threaten to divide them.

The United States has always imagined that its identity as a nation is insulated from violent interventions abroad, as if a line between domestic and foreign affairs could be neatly drawn. Yet this book argues that such a distinction, so obviously impracticable in our own global era, has been illusory at least since the war with Mexico in the mid-nineteenth century and the later wars against Spain, Cuba, and the Philippines. In this book, Amy Kaplan shows how U. S. imperialism--from "Manifest Destiny" to the "American Century"--has profoundly shaped key elements of American culture at home, and how the struggle for power over foreign peoples and places has disrupted the quest for domestic order. The neatly ordered kitchen in Catherine Beecher's household manual may seem remote from the battlefields of Mexico in 1846, just as Mark Twain's Mississippi may seem distant from Honolulu in 1866, or W. E. B. Du Bois's reports of the East St. Louis Race Riot from the colonization of Africa in 1917. But, as this book reveals, such apparently disparate locations are cast into jarring proximity by imperial expansion. In literature, journalism, film, political speeches, and legal documents, Kaplan traces the undeniable connections between American efforts to quell anarchy abroad and the eruption of such anarchy at the heart of the empire.

Kaplan redefines American realism as a genre more engaged with a society in flux than with one merely reflective of the status quo. She reads realistic narrative as a symbolic act of imagining and controlling the social upheavals of early modern capitalism, particularly class conflict and the development of mass culture. Brilliant analyses of works by Howells, Wharton, and Dreiser illuminate the narrative process by which realism constructs a social world of conflict and change. "[Kaplan] offers some enthralling readings of major novels by Howells, Wharton, and Dreiser. It is a book which should be read by anyone interested in the American novel."--Tony Tanner, Modern Language Review "Kaplan has made an important contribution to our understanding of American realism. This is a book that deserves wide attention."--June Howard, American Literature