Amy Lowell

Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.

Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.

Men, Women and Ghosts, has been considered important throughout human history. In an effort to ensure that this work is never lost, we have taken steps to secure its preservation by republishing this book in a modern format for both current and future generations. This complete book has been retyped, redesigned, and reformatted. Since these books are not scans of the authors' original publications, the text is readable and clear.

Men, Women, and Ghosts (1916) is a poetry collection by Amy Lowell. Published at the beginning of her career as an influential imagist devoted to classical poetic themes and forms, Men, Women, and Ghosts is an agile and promising work from a pioneering poet of the early twentieth century. In “Patterns,” the collection’s opening poem, Lowell displays an economy of language and clarity of vision that would define the imagist school, in which she would prove an essential figure: “I walk down garden paths, / And all the daffodils / Are blowing, and the bright blue squills. / […] / I too am a rare / Pattern. As I wander down / The garden paths.” As the speaker of the poem laments the loss of her lover, she remarks: “the man who should loose me is dead, / Fighting with the Duke in Flanders, / In a pattern called a war. / Christ! What are patterns for?” As a poet indebted to tradition and yet interested in the prospect of a modern poetry, as a lesbian and bohemian figure from a prominent Boston family, Lowell was keenly aware of the dangers inherent to “patterns.” Her poems, unique and experimental, are an essential contribution to one of humanity’s oldest art forms. Men, Women, and Ghosts is a vibrant collection from an emerging poet who would come to define the imagist movement throughout her storied career. With a beautifully designed cover and professionally typeset manuscript, this edition Amy Lowell’s Men, Women, and Ghosts is a classic work of American poetry reimagined for modern readers.

Sword Blades and Poppy Seed (1914) is a poetry collection by Amy Lowell. Published at the beginning of her career as an influential imagist devoted to classical poetic themes and forms, Sword Blades and Poppy Seed is an agile and promising work from a pioneering poet of the early twentieth century. The title poem of Lowell’s collection is an imaginative voyage into the mind of a poet struggling with writer’s block, who scans the city for “the slightest tinge of gold” to no avail: “From time to time I wrote a word / Which lines and circles overscored. / My table seemed a graveyard, full / Of coffins waiting burial.” Disgusted with her inability to write anything meaningful, she takes the streets, encountering a strange old man—part poppy dealer, part devil—who offers success in exchange for the poet’s soul. Personal and public, keenly engaged with tradition—the Faustian legend, in particular—while maintaining her own private voice, Lowell’s poems are an essential contribution to one of humanity’s oldest art forms. Sword Blades and Poppy Seed is a vibrant collection from an emerging poet who would come to define the imagist movement throughout her storied career. With a beautifully designed cover and professionally typeset manuscript, this edition Amy Lowell’s Sword Blades and Poppy Seed is a classic work of American poetry reimagined for modern readers.

A Dome of Many-Coloured Glass (1912) is a poetry collection by Amy Lowell. Published at the beginning of her career as an influential imagist devoted to classical poetic themes and forms, A Dome of Many-Coloured Glass is an agile and promising work from a pioneering poet of the early twentieth century. Containing lyric poems, sonnets, verses for children, and a masterful long poem, A Dome of Many-Coloured Glass is a vibrant collection from an emerging poet who would come to define the imagist movement throughout her storied career. In poems like “Azure and Gold,” Lowell displays natural imagery intertwined with the play of words, producing such stanzas as “April had covered the hills / With flickering yellows and reds, / The sparkle and coolness of snow / Was blown from the mountain beds.” From the drama inherent to seasonal change, she extracts a revelation from “the song of birds, / Who, swinging unseen under leaves, / Made music more eager than words.” In “The Boston Athenaeum,” a masterful long poem on one of the oldest libraries in the United States, she recalls “Long, peaceful hours seated on the floor / Of some retired nook, all lined with books, / Where reverie and quiet reign supreme!” Personal and public, keenly engaged with tradition while maintaining her own private voice, Lowell’s poems are an essential contribution to one of humanity’s oldest art forms. With a beautifully designed cover and professionally typeset manuscript, this edition Amy Lowell’s A Dome of Many-Coloured Glass is a classic work of American poetry reimagined for modern readers.

Amy Lowell (1874-1925) är en av de viktigaste ameri­kanska poeterna från det tidiga 1900-talet. Hennes inflytande på senare poeter (Anne Sexton, Sylvia Plath, Louise Glück) är betydande. För första gången på svenska ägnas en hel bok åt hennes poesi. För att fördjupa förståelsen av Lowell har också delar av hennes litteraturkritik översatts. Främst den som berör hennes syn på poesi och hennes samtida kollegor. Översättaren och författaren Alan Asaid står för urval, översättning och kommentarer. Han har tillika skrivit ett efterord om Lowell.

A Dome of Many-Coloured Glass, is many of the old classic books which have been considered important throughout the human history. They are now extremely scarce and very expensive antique. So that this work is never forgotten we republish these books in high quality, using the original text and artwork so that they can be preserved for the present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies of their original work and hence the text is clear and readable.

Sword Blades and Poppy Seed (1914) is a poetry collection by Amy Lowell. Published at the beginning of her career as an influential imagist devoted to classical poetic themes and forms, Sword Blades and Poppy Seed is an agile and promising work from a pioneering poet of the early twentieth century. The title poem of Lowell’s collection is an imaginative voyage into the mind of a poet struggling with writer’s block, who scans the city for “the slightest tinge of gold” to no avail: “From time to time I wrote a word / Which lines and circles overscored. / My table seemed a graveyard, full / Of coffins waiting burial.” Disgusted with her inability to write anything meaningful, she takes the streets, encountering a strange old man—part poppy dealer, part devil—who offers success in exchange for the poet’s soul. Personal and public, keenly engaged with tradition—the Faustian legend, in particular—while maintaining her own private voice, Lowell’s poems are an essential contribution to one of humanity’s oldest art forms. Sword Blades and Poppy Seed is a vibrant collection from an emerging poet who would come to define the imagist movement throughout her storied career. With a beautifully designed cover and professionally typeset manuscript, this edition Amy Lowell’s Sword Blades and Poppy Seed is a classic work of American poetry reimagined for modern readers.

Men, Women, and Ghosts (1916) is a poetry collection by Amy Lowell. Published at the beginning of her career as an influential imagist devoted to classical poetic themes and forms, Men, Women, and Ghosts is an agile and promising work from a pioneering poet of the early twentieth century. In “Patterns,” the collection’s opening poem, Lowell displays an economy of language and clarity of vision that would define the imagist school, in which she would prove an essential figure: “I walk down garden paths, / And all the daffodils / Are blowing, and the bright blue squills. / […] / I too am a rare / Pattern. As I wander down / The garden paths.” As the speaker of the poem laments the loss of her lover, she remarks: “the man who should loose me is dead, / Fighting with the Duke in Flanders, / In a pattern called a war. / Christ! What are patterns for?” As a poet indebted to tradition and yet interested in the prospect of a modern poetry, as a lesbian and bohemian figure from a prominent Boston family, Lowell was keenly aware of the dangers inherent to “patterns.” Her poems, unique and experimental, are an essential contribution to one of humanity’s oldest art forms. Men, Women, and Ghosts is a vibrant collection from an emerging poet who would come to define the imagist movement throughout her storied career. With a beautifully designed cover and professionally typeset manuscript, this edition Amy Lowell’s Men, Women, and Ghosts is a classic work of American poetry reimagined for modern readers.

A Dome of Many-Coloured Glass (1912) is a poetry collection by Amy Lowell. Published at the beginning of her career as an influential imagist devoted to classical poetic themes and forms, A Dome of Many-Coloured Glass is an agile and promising work from a pioneering poet of the early twentieth century. Containing lyric poems, sonnets, verses for children, and a masterful long poem, A Dome of Many-Coloured Glass is a vibrant collection from an emerging poet who would come to define the imagist movement throughout her storied career. In poems like “Azure and Gold,” Lowell displays natural imagery intertwined with the play of words, producing such stanzas as “April had covered the hills / With flickering yellows and reds, / The sparkle and coolness of snow / Was blown from the mountain beds.” From the drama inherent to seasonal change, she extracts a revelation from “the song of birds, / Who, swinging unseen under leaves, / Made music more eager than words.” In “The Boston Athenaeum,” a masterful long poem on one of the oldest libraries in the United States, she recalls “Long, peaceful hours seated on the floor / Of some retired nook, all lined with books, / Where reverie and quiet reign supreme!” Personal and public, keenly engaged with tradition while maintaining her own private voice, Lowell’s poems are an essential contribution to one of humanity’s oldest art forms. With a beautifully designed cover and professionally typeset manuscript, this edition Amy Lowell’s A Dome of Many-Coloured Glass is a classic work of American poetry reimagined for modern readers.

Amy Lowell (1874 - 1925) oli aikanaan tunnetuin amerikkalainen nykyrunoilija. Imagistien eturintamaan kuulunut Lowell mullisti käsityksiärunoudesta ja sovinnaisuudesta. Lowellin runojeneroottisuus ja naisten välisen rakkauden kuvauspuhuttelevat myös nykylukijoita. Sanojesi vaalea hunaja on ensimmäinen suomennettu valikoima Lowellin tuotannosta.