Anaïs Nin

Beautiful, bored and bourgeoise, Sabina leads a double life inspired by her relentless desire for brief encounters with near-strangers. Fired into faithlessness by a desperate longing for sexual fulfilment, she weaves a sensual web of deceit across New York. But when the secrecy of her affairs becomes too much to bear, Sabina makes a late night phone-call to a stranger from a bar, and begins a confession that captivates the unknown man and soon inspires him to seek her out...

As influential and revelatory in its day as Fifty Shades of Grey is now, Anaïs Nin's Delta of Venus is a groundbreaking anthology of erotic short stories, published in Penguin Modern ClassicsIn Delta of Venus Anaïs Nin conjures up a glittering cascade of sexual encounters. Creating her own 'language of the senses', she explores an area that was previously the domain of male writers and brings to it her own unique perceptions. Her vibrant and impassioned prose evokes the essence of female sexuality in a world where only love has meaning. This edition includes a preface adapted from Anaïs Nin's diary that establishes a context for the work's gestation, and a postscript to her diary entries in which she explains her desire to use 'women's language, seeing sexual experience from a woman's point of view'. Anaïs Nin (1903-1977), born in Paris, was the daughter of a Franco-Danish singer and a Cuban pianist. Her first book - a defence of D. H. Lawrence - was published in the 1930s. Her prose poem, House of Incest (1936) was followed by the collection of three novellas, collected as Winter of Artifice (1939). In the 1940s she began to write erotica for an anonymous client, and these pieces are collected in Delta of Venus and Little Birds (both published posthumously). During her later years Anaïs Nin lectured frequently at universities throughout the USA, in 1974 and was elected to the United States National Institute of Arts and Letters. If you enjoyed Delta of Venus, you might like Stephen Vizinczey's In Praise of Older Women, also available in Penguin Modern Classics.'Anaïs Nin excites male readers and incites female readers ... and she comes against life with a vital artistry and boldness'The New York Times Book Review

Kirja sinulle joka rakastat. Kirja sille jonka haluat sinua rakastavan. Rohkea, aistillinen menestysteos - kokoelma eroottisia tarinoita jotka poikkeavat ratkaisevasti tämän alueen perinteisestä miehisestä ilmaisusta. Rahapulassa kirjoitetut tarinat ovat vain vähäpätöinen osa kirjailijan tuotannossa.

In this "erotically charged"(Publishers Weekly) diary that picks up where Incest left off, Nin chronicles a restless search for fulfillment that leads her to New York City-"that brilliant giant toy" -then back to Paris and Henry, and eventually into the arms of a passionate new lover.

Ladders to Fire, Children of the Albatross, The Four-Chambered Heart, A Spy in the House of Love, Seduction of the Minotaur. Haunting and hypnotic, these five novels by Anaïs Nin began in 1946 to appear in quiet succession. Though published separately over the next fifteen years, the five were conceived as a continuous experience—a continuous novel like Proust's, real and flowing as a river. The full impact of Anaïs Nin's genius is only to be found through reading the novels in context and in succession. They form a rich, luminous tapestry whose overall theme Nin has called "woman at war with herself." Characters, symbols appear and reappear: now one, now another unfolding, gradually revealing, changing, struggling, growing, and Nin had forged an evocative language all her own for the telling. "The diary taught me that there were no neat ends to novels, no neat denouement, no neat synthesis," she explains. "So I began an endless novel, a novel in which the climaxes consisted of discoveries in awareness, each step in awareness becoming a stage in the growth like the layers in trees." Cities of the Interior fulfills a long–time desire on the part of readers, publisher, and Anaïs Nin herself to reunite the five novels in a single volume.

These stories precede all of Nin’s published work to date. In them are many sources of the more mature work that collectors and growing writers can appreciate. Written when Anaïs Nin was in her twenties and living in Louveciennes, France, these stories contain many elements that will delight her readers: details remembered from childhood, of life in Paris, the cafés, theatres; characters including dancers, artists, writers, women who devote themselves to their work and visions as well as romance, strangers met in the night; themes such as the scruples of lovers, the search for brilliant, imaginative living; the writer’s experimentation with exotic words like “sybaritic” and “violaceous”. In the craft of these stories readers are treated to a deft sense of humor, ironic wit, much conversation as well as ecstatic prose, and surprise endings. Throughout all, the Nin personality shines, a wonderful mixture of feeling and rationality, of vulnerability and strength.

The best-selling, uncensored diary of Ana s Nin during the year she spent with Henry Miller and his wife in Paris--a thrilling and passionate account of sexual awakening. From the original, uncensored journals of Ana s Nin, Henry and June spans a single year in Nin's life when she discovers love and torment in one insatiable couple. From later 1931 to the end of 1932, Nin falls in love with Henry Miller's writing and his wife June's striking beauty. When June leaves Paris for New York, Henry and Ana s begin a fiery affair that liberates her sexually and morally, but also undermines her marriage and eventually leads to her psychoanalysis. As she grapples with her own conscience, a single question dominates her thoughts: What will happen when June returns to Paris? An intimate story of one woman's sexual awakening, Henry and June exposes the pain and pleasure of a single person trapped between two loves.

Along with Adler and Jung, Otto Rank was one of the intellectual giants in the inner circle around Sigmund Freud. Art and Artist, his major statement on the relationship of art to the individual and society, pursues in a broader cultural context Freud's ideas on art and neurosis and has had an important influence on many twentieth-century writers and thinkers, beginning with Henry Miller and Anais Nin. Art and Artist explores the human urge to create in all its complex aspects, in terms not only of individual works of art but of religion, mythology, and social institutions as well. Based firmly on Rank's knowledge of psychology and psychoanalysis, it ranges widely through anthropology and cultural history, reaching beyond psychology to a broad understanding of human nature.

A bridge between the early life of Nin and the first volume of her Diary. In pages more candid than in the preceding diaries, Nin tells how she exorcised the obsession that threatened her marriage and nearly drove her to suicide. Editor's Note by Rupert Pole; Preface by Joaquin Nin-Culmell; Index; photographs.

A bridge between the early life of Nin and the first volume of her Diary. In pages more candid than in the preceding diaries, Nin tells how she exorcised the obsession that threatened her marriage and nearly drove her to suicide. Editor's Note by Rupert Pole; Preface by Joaquin Nin-Culmell; Index; photographs.

The final volume ends as the author wished-not with her last two years of pain but at a joyous, reflective moment on a trip to Bali. "One of the most remarkable diaries in the history of letters" (Robert Kirsch, Los Angeles Times). Edited and with a Preface by Gunther Stuhlmann; Index; photographs.

A charming and amusing view of Nin's early life, from age eleven to seventeen; the self-portrait of an innocent girl who is transformed, through her own insights, into an enlightened young woman. "An enchanting portrait of a girl's constant search for herself" (Library Journal). Preface by Joaquin Nin-Culmell; Index; photographs and drawings. Translated by Jean L. Sherman.

Here, in more than twenty essays, Nin shares her unique perceptions of people, places, and the arts. Includes several lectures and two interviews.

The author's experiences in Mexico, California, New York, and Paris, her psychoanalysis, and her experiment with LSD. "Through her own struggling and dazzling courage Nin has] shown women groping with and growing with the world" (Minneapolis Tribune). Edited and with a Preface by Gunther Stuhlmann; Index.

The author's experiences in Greenwich Village, where she defends young writers against the Establishment, and her trip across the country in an old Ford to California and Mexico. " Nin is] one of the most extraordinary and unconventional writers of this century" (New York Times Book Review). Edited and with a Preface by Gunther Stuhlmann; Index.

The author's experiences in Greenwich Village, where she defends young writers against the Establishment, and her trip across the country in an old Ford to California and Mexico. " Nin is] one of the most extraordinary and unconventional writers of this century" (New York Times Book Review). Edited and with a Preface by Gunther Stuhlmann; Index.

Beginning with Nin's arrival in New York, this volume is filled with the stories of her analytical patients. There is a shift in emphasis also as Nin becomes aware of the inevitable choice facing the artist in the modern world. "Sensitive and frank... Nin's] diary is a dialogue between flesh and spirit" (Newsweek). Edited and with a Preface by Gunther Stuhlmann; Index.

In 1932, two years after D. H. Lawrence's death, a young woman wrote a book about him and presented it to a Paris publisher. She recorded the event in her diary: "It will not be published and out by tomorrow, which is what a writer would like when the book is hot out of the oven, when it is alive within oneself. He gave it to his assistant to revise." The woman was Anaïs Nin. Nin examined Lawrence's poetry, novels, essays, and travel writing. She analyzed and explained the more important philosophical concepts contained in his writings, particularly the themes of love, death, and religion, as well as his attention to primitivism and to women. But what Anaïs Nin brought to the explication of Lawrence's writing was an understanding of the fusion of imaginative, intuitive, and intellectual elements from which he drew his characters, themes, imagery and symbolism.