Andrea Lawlor

A Penguin Classics Deluxe editon of Virginia Woolf’s pioneering novel, with a new foreword by Andrea Lawlor, author of Paul Takes the Form of a Mortal GirlFirst masculine, then feminine, Orlando is a young sixteenth-century nobleman who gallops through the centuries, from Elizabethan England and imperial Turkey to Virginia Woolf’s own time. Will he find happiness with the exotic Russian princess Sasha? Or is the dashing explorer Shelmerdine the ideal man? And what form will Orlando take on the journey – a nobleman, traveller, writer? Man or . . . woman? Written for the charismatic, bisexual writer Vita Sackville-West, Orlando is one of Woolf’s most popular and accessible novels, a playful mock biography of a chameleon-like historical figure that is both a wry commentary on gender and, in Woolf’s own words, a 'writer’s holiday' that delights in its ambiguity and capriciousness.

A collectible hardcover edition of Virginia Woolf's pioneering novel about a time-traveling sixteenth-century nobleman who wakes up in the body of a woman, with a new foreword by Andrea Lawlor, author of Paul Takes the Form of a Mortal Girl"A brilliant book that teaches you so much about identity and love--all these fundamental questions that we ask ourselves." --Emma Corrin "I read this book and believed it was a hallucinogenic, interactive biography of my own life and future." --Tilda Swinton A Penguin Vitae Edition First masculine, then feminine, Orlando is a young sixteenth-century nobleman who gallops through the centuries, from Elizabethan England and imperial Turkey to Virginia Woolf's own time. Will he find happiness with the exotic Russian Princess Sasha? Or is the dashing explorer Shelmerdine the ideal man? And what form will Orlando take on the journey--a nobleman, traveler, writer? Man or . . . woman? Written for the charismatic, bisexual writer Vita Sackville-West, Orlando is one of Woolf's most popular and accessible novels, a playful mock biography of a chameleon-like historical figure that is both a wry commentary on gender and, in Woolf's own words, a "writer's holiday" that delights in its ambiguity and capriciousness. This edition is collated from all known proofs, manuscripts, and impressions to reflect the author's intentions, and includes an illuminating introduction and notes by the distinguished scholar and coauthor of The Madwoman in the Attic Sandra M. Gibert. Penguin Vitae--loosely translated as "Penguin of one's life"--is a deluxe hardcover series from Penguin Classics celebrating a dynamic and diverse landscape of classic fiction and nonfiction from seventy-five years of classics publishing. Penguin Vitae provides readers with beautifully designed classics that have shaped the course of their lives, and welcomes new readers to discover these literary gifts of personal inspiration, intellectual engagement, and creative originality.

In parliamentary systems like Canada, voters directly contribute to the election outcome only in their own riding. However, the focus of election campaigns is often national, emphasizing the leader rather than the local candidate, and national rather than regional polls. This suggests that elections are national contests, but election outcomes clearly demonstrate that support for parties varies strongly by province. Focusing on the 2015 Canadian election campaigns in British Columbia, Ontario, and Quebec, three large provinces with different subnational party systems, Provincial Battles, National Prize? evaluates whether we should understand elections in Canada as national wars or individual provincial clashes. The authors draw upon voter and candidate surveys, party campaign behaviour, and media coverage of the election to document how political parties vary their messages and strategies across provinces, how the media communicate and frame those messages, and how voters ultimately respond. The study shows that provincial variations in party support reflect differences in voters' political preferences rather than differences in party messages or media coverage. A novel and comprehensive study, Provincial Battles, National Prize? is the first and only thorough treatment of the party, media, and voter aspects of a federal election campaign through a subnational lens.

In parliamentary systems like Canada, voters directly contribute to the election outcome only in their own riding. However, the focus of election campaigns is often national, emphasizing the leader rather than the local candidate, and national rather than regional polls. This suggests that elections are national contests, but election outcomes clearly demonstrate that support for parties varies strongly by province. Focusing on the 2015 Canadian election campaigns in British Columbia, Ontario, and Quebec, three large provinces with different subnational party systems, Provincial Battles, National Prize? evaluates whether we should understand elections in Canada as national wars or individual provincial clashes. The authors draw upon voter and candidate surveys, party campaign behaviour, and media coverage of the election to document how political parties vary their messages and strategies across provinces, how the media communicate and frame those messages, and how voters ultimately respond. The study shows that provincial variations in party support reflect differences in voters' political preferences rather than differences in party messages or media coverage. A novel and comprehensive study, Provincial Battles, National Prize? is the first and only thorough treatment of the party, media, and voter aspects of a federal election campaign through a subnational lens.

"In these irreverent pages, a shapeshifter gets a crash course in gender and sexuality by inhabiting both sides of the binary and arriving precisely somewhere in the middle." --O, The Oprah Magazine "HOT" (Maggie Nelson) - "TIGHT" (Eileen Myles) - "DEEP" (Michelle Tea) A Kirkus Reviews Best Fiction Book of the Century It's 1993 and Paul Polydoris tends bar at the only gay club in a university town thrumming with politics and partying. He studies queer theory, has a dyke best friend, makes zines, and is a flaneur with a rich dating life. But Paul's also got a secret: he's a shapeshifter. Oscillating wildly from Riot Grrrl to leather cub, Paul transforms his body and his gender at will as he crossed the country--a journey and adventure through the deep queer archives of struggle and pleasure. Paul Takes the Form of a Mortal Girl is a riotous, razor-sharp bildungsroman whose hero/ine wends his/her way through a world gutted by loss, pulsing with music, and opening into an array of intimacy and connections.

Andrea Lawlor’s debut novel offers a speculative history of early 90s identity politics during the heyday of ACT UP and Queer Nation.'One of the most exciting - and one of the most fun - novels of the decade.' - Garth Greenwell, author of What Belongs to YouIt’s 1993 and Paul Polydoris tends bar at the only gay club in a university town thrumming with politics and partying. He studies queer theory, has a lesbian best friend, makes zines, and is a flâneur with a rich dating life. But Paul’s also got a secret: he’s a shapeshifter. Oscillating wildly from Riot Grrrl to leather cub, Women’s Studies major to trade, Paul transforms his body at will in a series of adventures that take him from Iowa City to Boystown to Provincetown and finally to San Francisco – a journey through the deep queer archives of struggle and pleasure. Paul Takes the Form of A Mortal Girl is a riotous, razor-sharp bildungsroman whose hero/ine wends his way through a world gutted by loss, pulsing with music, and opening into an array of intimacy and connections.-----------------------------------'Playful, sexy, smart' - Carmen Maria Machado'Evocative and urgent . . . and very funny' – Observer'"90s punk Orlando”. . . a pretty wild ride' – Dazed & Confused'Sexy, outrageous, completely compulsive' – Daisy Johnson