Andrea Mubi Brighenti

Elias Canetti is a key thinker in the trend towards the renewal of social theory for the 21st century. He is increasingly being recognised in the social and political sciences for the seminal text, Crowds and Power (1960). While this work can sometimes be criticised for its alleged anti-historicity, anti-modernism, fixation on death, and a dark vision of humankind, Crowds and Power can, in fact, be interpreted as a study and a critique of the mono-dimensionality and the obsessiveness of power. In Canetti’s own words, it is an attempt ‘to find the weak spot of power’ and, ultimately, an invitation to recognise and explore the endless richness of human transformations. Elias Canetti and Social Theory argues that the alleged anti-modernism of Canetti actually makes him more contemporary than many contemporary social-political thinkers. It deals with key concepts within socio-political theory including: commands, increase, resistance, and commonality. Each of these ideas is connected with real, lived social realities making this book a compelling argument for Canetti's crucial relevance today.

Elias Canetti is a key thinker in the trend towards the renewal of social theory for the 21st century. He is increasingly being recognised in the social and political sciences for the seminal text, Crowds and Power (1960). While this work can sometimes be criticised for its alleged anti-historicity, anti-modernism, fixation on death, and a dark vision of humankind, Crowds and Power can, in fact, be interpreted as a study and a critique of the mono-dimensionality and the obsessiveness of power. In Canetti’s own words, it is an attempt ‘to find the weak spot of power’ and, ultimately, an invitation to recognise and explore the endless richness of human transformations. Elias Canetti and Social Theory argues that the alleged anti-modernism of Canetti actually makes him more contemporary than many contemporary social-political thinkers. It deals with key concepts within socio-political theory including: commands, increase, resistance, and commonality. Each of these ideas is connected with real, lived social realities making this book a compelling argument for Canetti's crucial relevance today.

A New Index for Public Space: After Distancing offers readers a re-evaluation of the notion of publicness as a lens to unpack the complexity of urban space. A "new index" is proposed to reconstitute the promises and the predicaments of public space to better prepare for the contemporary challenges of post-pandemic, conflict-ridden society. Part I provides a theoretical introduction to the idea of public space and publicness, laying out the book’s rationale; Part II offers a new index of terms, including affects, alignments, atmosphere, conviviality, diagrams, documenting, flow, and more; and Part III applies the proposed lexicon with a "random walk" approach, inviting the reader to use the lens of nonlinear evolutionary dynamics as a means for envisioning the future of publicness. This book is the outcome of a conversation across disciplines – specifically, urban design and social theory – revolving around the recognition that public space is inherently fragile, messy, conflicted, and evolving. This book will be of interest to urban planners, architects, and urban designers, as well as human geographers, sociologists, political theorists, and those working in community development.

A New Index for Public Space: After Distancing offers readers a re-evaluation of the notion of publicness as a lens to unpack the complexity of urban space. A "new index" is proposed to reconstitute the promises and the predicaments of public space to better prepare for the contemporary challenges of post-pandemic, conflict-ridden society. Part I provides a theoretical introduction to the idea of public space and publicness, laying out the book’s rationale; Part II offers a new index of terms, including affects, alignments, atmosphere, conviviality, diagrams, documenting, flow, and more; and Part III applies the proposed lexicon with a "random walk" approach, inviting the reader to use the lens of nonlinear evolutionary dynamics as a means for envisioning the future of publicness. This book is the outcome of a conversation across disciplines – specifically, urban design and social theory – revolving around the recognition that public space is inherently fragile, messy, conflicted, and evolving. This book will be of interest to urban planners, architects, and urban designers, as well as human geographers, sociologists, political theorists, and those working in community development.

In Animated Lands Andrea Mubi Brighenti and Mattias KÄrrholm focus on territory as a living phenomenon-and territoriality as an active and constantly reshaping force. They explore the complexity of territorial production through a series of parallel investigations into fundamental territorial themes, such as rhythm, synchronization, melody, morphogenesis, and animism. The notion of territory is excavated through case studies including the analysis of urban playgrounds, homemaking, the transformations of urban walls, and the stabilization of peculiar building types such as the house-museum. These empirical examples span such cities as Ahmedabad, Amsterdam, London, and Rome. Animated Lands provides a broad introduction to what a theory of territories could be and how it could help to advance sociospatial studies.

In Animated Lands Andrea Mubi Brighenti and Mattias KÄrrholm focus on territory as a living phenomenon-and territoriality as an active and constantly reshaping force. They explore the complexity of territorial production through a series of parallel investigations into fundamental territorial themes, such as rhythm, synchronization, melody, morphogenesis, and animism. The notion of territory is excavated through case studies including the analysis of urban playgrounds, homemaking, the transformations of urban walls, and the stabilization of peculiar building types such as the house-museum. These empirical examples span such cities as Ahmedabad, Amsterdam, London, and Rome. Animated Lands provides a broad introduction to what a theory of territories could be and how it could help to advance sociospatial studies.

Bringing together a team of international scholars with an interest in urban transformations, spatial justice and territoriality, this volume questions how the interstice is related to the emerging processes of partitioning, enclave-making and zoning, showing how in-between spaces are intimately related to larger flows, networks, territories and boundaries. Illustrated with a range of case studies from places such as the US, Quebec, the UK, Italy, Gaza, Iraq, India, and South-east Asia, the volume analyses the place and function of interstitial locales in both a ’disciplined’ urban space and a disordered space conceptualized through the notions of ’excess’, ’danger’ and ’threat’. Warning not to romanticize the interstice, the book invites us to study it as not simply a place but also a set of phenomena, events and social interactions. How are interstices perceived and represented? What is the politics of visibility that is applied to them? How to capture their peculiar rhythms, speeds and affects? On the one hand, interstices open up venues for informality, improvisation, challenge, and bricolage, playful as well as angry statements on the neoliberal city and enhanced urban inequalities. On the other hand, they also represent a crucial site of governance (even governance by withdrawal) and urban management, where an array of techniques ranging from military urbanism to new forms of value extraction are experimented. At the point of convergence of all these tensions, interstices appear as veritable sites of transformation, where social forces clash and mesh prefiguring our urban future. The book interrogates these territories, proposing new ways to explore the dynamics, events and visibilities that define them.

Bringing together a team of international scholars with an interest in urban transformations, spatial justice and territoriality, this volume questions how the interstice is related to the emerging processes of partitioning, enclave-making and zoning, showing how in-between spaces are intimately related to larger flows, networks, territories and boundaries. Illustrated with a range of case studies from places such as the US, Quebec, the UK, Italy, Gaza, Iraq, India, and South-east Asia, the volume analyses the place and function of interstitial locales in both a ’disciplined’ urban space and a disordered space conceptualized through the notions of ’excess’, ’danger’ and ’threat’. Warning not to romanticize the interstice, the book invites us to study it as not simply a place but also a set of phenomena, events and social interactions. How are interstices perceived and represented? What is the politics of visibility that is applied to them? How to capture their peculiar rhythms, speeds and affects? On the one hand, interstices open up venues for informality, improvisation, challenge, and bricolage, playful as well as angry statements on the neoliberal city and enhanced urban inequalities. On the other hand, they also represent a crucial site of governance (even governance by withdrawal) and urban management, where an array of techniques ranging from military urbanism to new forms of value extraction are experimented. At the point of convergence of all these tensions, interstices appear as veritable sites of transformation, where social forces clash and mesh prefiguring our urban future. The book interrogates these territories, proposing new ways to explore the dynamics, events and visibilities that define them.