Andrea Nelson

An expansive look at portraiture, identity, and inequality as seen in Dorothea Lange’s iconic photographs Dorothea Lange (1895–1965) aimed to make pictures that were, in her words, “important and useful.” Her decades-long investigation of how photography could articulate people’s core values and sense of self helped to expand our current understanding of portraiture and the meaning of documentary practice. Lange’s sensitive portraits showing the common humanity of often marginalized people were pivotal to public understanding of vast social problems in the twentieth century. Compassion guided Lange’s early portraits of Indigenous people in Arizona and New Mexico from the 1920s and 1930s, as well as her depictions of striking workers, migrant farmers, rural African Americans, Japanese Americans in internment camps, and the people she met while traveling in Europe, Asia, and Latin America. Drawing on new research, the authors look at Lange’s roots in studio portraiture and demonstrate how her influential and widely seen photographs addressed issues of identity as well as social, economic, and racial inequalities—topics that remain as relevant for our times as they were for hers. Published in association with the National Gallery of Art, WashingtonExhibition Schedule: National Gallery of Art, Washington, DC (November 5, 2023–March 31, 2024)

An in-depth look at the many ways women around the world helped shape modern photography from the 1920s to the 1950s as they captured images of a radically changing world During the 1920s the New Woman was easy to recognize but hard to define. Hair bobbed and fashionably dressed, this iconic figure of modernity was everywhere, splashed across magazine pages or projected on the silver screen. A global phenomenon, she embodied an ideal of female empowerment based on real women making revolutionary changes in life and art—including photography. This groundbreaking, richly illustrated book looks at those “new women” who embraced the camera as a mode of expression and made a profound impact on the medium from the 1920s to the 1950s. Thematic chapters explore how women emerged as a driving force in modern photography, bringing their own perspective to artistic experimentation, studio portraiture, fashion and advertising work, scenes of urban life, ethnography and photojournalism. Featuring work by 120 photographers, this volume expands the history of photography by critically examining an international array of canonical and less well-known women photographers, from Berenice Abbott, Dorothea Lange and Lola Álvarez Bravo to Germaine Krull, Tsuneko Sasamoto and Homai Vyarawalla. Against the odds, these women produced invaluable visual testimony that reflects both their personal experiences and the extraordinary social and political transformations of the era.

A retired boxer sets out in search of her daughter, Shyloh, an addict living with mental illness on the streets of San Diego. In Fort Unicorn and the Duchess of Knothing, Nelson tries desperately to find - and save - her first-born, delving into the roots of mental illness, addiction, and the meaning of unconditional love. This memoir is an unflinching witness of what it means to be homeless, mentally ill, and addicted in America - and to love someone who is all of those things. Fort Unicorn is, more than anything else, a vivid and tender portrait of people who are too often invisible to society.

A retired boxer sets out in search of her daughter, Shyloh, an addict living with mental illness on the streets of San Diego. In Fort Unicorn and the Duchess of Knothing, Nelson tries desperately to find - and save - her first-born, delving into the roots of mental illness, addiction, and the meaning of unconditional love. This memoir is an unflinching witness of what it means to be homeless, mentally ill, and addicted in America - and to love someone who is all of those things. Fort Unicorn is, more than anything else, a vivid and tender portrait of people who are too often invisible to society.