Andrew Brandel

A Matter of Detail inspires new ways of thinking about detail by bringing anthropology, philosophy, art history, and aesthetics into direct conversation. Co-editors Brandel, Das, Laugier, and Pitrou challenge a long-standing assumption that the history of detail begins with European modernity and follows a teleological course from an object of scorn to a sign of the good. In its place, they offer a history of attention to detail that draws on classical and vernacular histories and traditions found in grammar, ritual, and poetics around the world. Emphasizing detail as a method and moving between its usage as a noun (detail) and a verb (detailing) enables them to tell stories about the reassembly of detail across accidents, contingencies, and unintended consequences. From this vantage, the book argues that details are not always small and insignificant. Rather, there is a dynamic relationship between the minute and the grand, detail and surface, which makes the proliferation of details threatening to the idea of an authoritative and integrated imagination of the whole. This expanded context generates ways of conceiving detail as a conceptual and moral mode of self-formation and being toward others, both human and non-human.

In the decades since the fall of the Berlin Wall, Berlin has re-emerged as a global city in large part thanks to its reputation as a literary city – a place where artists from around the world gather and can make a life. Moving Words foregrounds the many contexts in which life in the city of Berlin is made literary – from old neighbourhood bookshops to new reading circles, NGOs working to secure asylum for writers living in exile to specialized workshops for young migrant poets. Highlighting the differences, tensions, and contradictions of these scenes, this book reveals how literature can be both a site of domination and a resource for resisting and transforming those conditions. By attending to the everyday lives of writers, readers, booksellers, and translators, it offers a crucial new vantage point on the politics of difference in contemporary Europe, at a moment marked by historical violence, resurgent nationalism, and the fraught politics of migration. Rooted in ethnographic fieldwork, rich historical archives, and literary analysis, Moving Words examines the different claims people make on and for literature as it carries them through the city on irregular and intersecting paths. Along the way, Brandel offers a new approach to the ethnography of literature that aims to think anthropologically about crossings in time and in space, where literature provides a footing in a world constituted by a multiplicity of real possibilities.

In the decades since the fall of the Berlin Wall, Berlin has re-emerged as a global city in large part thanks to its reputation as a literary city – a place where artists from around the world gather and can make a life. Moving Words foregrounds the many contexts in which life in the city of Berlin is made literary – from old neighbourhood bookshops to new reading circles, NGOs working to secure asylum for writers living in exile to specialized workshops for young migrant poets. Highlighting the differences, tensions, and contradictions of these scenes, this book reveals how literature can be both a site of domination and a resource for resisting and transforming those conditions. By attending to the everyday lives of writers, readers, booksellers, and translators, it offers a crucial new vantage point on the politics of difference in contemporary Europe, at a moment marked by historical violence, resurgent nationalism, and the fraught politics of migration. Rooted in ethnographic fieldwork, rich historical archives, and literary analysis, Moving Words examines the different claims people make on and for literature as it carries them through the city on irregular and intersecting paths. Along the way, Brandel offers a new approach to the ethnography of literature that aims to think anthropologically about crossings in time and in space, where literature provides a footing in a world constituted by a multiplicity of real possibilities.