Andrew Hunter

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“My parents were slaves in New York State. My master’s sons-in-law … came into the garden where my sister and I were playing among the currant bushes, tied their handkerchiefs over our mouths, carried us to a vessel, put us in the hold, and sailed up the river. I know not how far nor how long — it was dark there all the time.” Sophia Burthen’s account of her arrival as an enslaved person into what is now Canada sometime in the late 18th century, was recorded by Benjamin Drew in 1855. In It Was Dark There All the Time, writer and curator Andrew Hunter builds on the testimony of Drew’s interview to piece together Burthen’s life, while reckoning with the legacy of whiteness and colonialism in the recording of her story. In so doing, Hunter demonstrates the role that the slave trade played in pre-Confederation Canada and its continuing impact on contemporary Canadian society. Evocatively written with sharp, incisive observations and illustrated with archival images and contemporary works of art, It Was Dark There All the Time offers a necessary correction to the prevailing perception of Canada as a place unsullied by slavery and its legacy.

Delve is the hit webcomic chronicling the misadventures of the buxom elven rogue Bree Starval. This hapless adventurer finds herself subject to all sorts of sexy perils as she explores the terribly disorganized dungeon of the dreaded Dracomage. Will Bree ever find the missing elven Princess Sephni, or will she wind up a snack for one of the many deadly monsters inhabiting this wacky subterranean world? Volume One includes episodes 1 through 72 of the full-color online comic appearing at www. Delvecomic.com in never before seen high-resolution print WARNING This comic contains quite a bit of nudity and is not suitable for viewers of delicate sensibilities.

"Andrew Hunter has looked with fresh eyes at [Colville's] paintings and made a coherent argument that Colville deserves to be understood far beyond the normal borders of the art world." — Robert Fulford, The National Post This magnificent, best-selling volume is now available in a deluxe paper-bound edition. The original hardcover edition sold more than 15,000 copies. Colville both honours the legacy of an iconic Canadian artist and explores the contemporary reverberations of his work. Colville was known for being his own man. His paintings depict an elusive tension, a deep sense of danger, capturing moments perpetually on the edge of the unknown. A painter, printmaker, and war artist who drew his inspiration from the world around him, Colville transformed the seemingly mundane events of everyday life into archetypes of the modern condition. In this beautifully designed volume, Andrew Hunter organizes Colville thematically, incorporating interludes that explore the relationship between Colville's work and the filmmaking of Wes Anderson, Stanley Kubrick, and Sarah Polley, as well as his influence on writers such as Alice Munro and even cartoonist David Collier. The book is rounded out with more than 100 colour reproductions of Colville's paintings, spanning the entirety of his career, including Horse and Train, 1953; To Prince Edward Island, 1965; Woman in Bathtub, 1973; and Target Pistol and Man, 1980.

Since the advent of the space age, a primary constraint on military, commercial, and civil space missions has been the cost of launch. Launching objects into space requires substantial investments in launch systems and infrastructure, which has restricted the market to only a handful of national governments and several large private companies. This study explores the possibility of a space industry significantly less constrained by the cost of access to space.

This report is the second in an annual series examining trends in what the U. S. Department of Defense (DoD) is buying, how DoD is buying it, and from whom DoD is buying. This year’s study looks in depth at issues in research and development, acquisition reform in the FY2017 National Defense Authorization Act (NDAA), performance of the defense acquisition system, the future of cooperative International Joint Development Programs, and major trends apparent in the activities of the major defense components. By combining detailed policy and data analysis, the study provides a comprehensive overview of the current and future outlook for defense acquisition.

"Like all but very few Canadians, I've had no real experience of the North -- I've remained, of necessity, an outsider. And the North has remained for me a convenient place to dream about, spin tall tales about and, in the end, avoid." -- Andrew HunterOutsiders, dreamers, tall tales. Lawren Harris's visionary North, his idea of North, was shaped in Toronto. In this fascinating little book, Andrew Hunter explores the historic Toronto of Lawren Harris: a city of great diversity and dense urban growth. Harris often painted in the Ward (St. John's Ward), a downtown neighbourhood bordered by College and Queen, University and Yonge streets. The Ward was of deep significance to First Nations communities; it marked the end of the Underground Railroad for many fugitive slaves; it housed the city's first Chinatown; and was home to the immigrant poor of Europe and the United Kingdom.

Sparse landscapes of Lake Superior's northern shores, bold visions of the Rocky Mountains and haunting landscapes from the Eastern Arctic are hallmark themes of Lawren Harris's paintings. He was a founding member of the renowned "Group of Seven" artists' group, who believed that the Canadian landscape was central to the foundation of a national identity. Focusing on Harris's most important work of the 1920s through the early 1930s, this monograph features a selection of major works that are as iconic in Canada as those of Georgia O'Keeffe and Edward Hopper in the U. S. His remarkable use of colour, light and composition resulted in powerful scenes that reflect his progress toward a universal vision of nature's spiritual power. Drawn from the Art Gallery of Ontario's substantial holdings as well as other public collections throughout Canada, this publication repositions Harris's work and establishes him as a major figure within the wider context of 20th-century modern painting in the Americas. Published in association with the Hammer Museum, Los Angeles and the Art Gallery of Ontario, Toronto.