Andrew Muir

Each year, the National Theatre commissions ten new plays for young people to perform, bringing together some of the UK's most exciting writers with the theatre-makers of tomorrow. This 2021 pack captures the two new plays written for the 2021 festival that are perfect for schools and youth groups to perform and study. Written with flexibility in mind, these are perfect for exploration both virtually and in-person, responding to the restrictions in place due to Covid-19. It also includes National Theatre Connections 2020 anthology which features 9 plays, 8 of which are included in the 2021 festival performances. The plays included in this pack are: Find a Partner by Miriam Battye Like There’s No Tomorrow, created by the Belgrade Young Company with Justine Themen, Claire Procter and Liz Mytton Wind / Rush Generation(s) by Mojisola Adebayo Tuesday by Alison Carr A series of public apologies (in response to an unfortunate incident in the school lavatories) by John Donnelly THE IT by Vivienne Franzmann The Marxist in Heaven by Hattie Naylor Look Up by Andrew Muir Crusaders by Frances Poet Witches Can’t Be Burned by Silva Semerciyan Dungeness by Chris Thompson .

National Theatre Connections is an annual festival which brings new plays for young people to schools and youth theatres across the UK and Ireland. Commissioning exciting work from leading playwrights, the festival exposes actors aged 13-19 to the world of professional theatre-making, giving them full control of a theatrical production - from costume and set design to stage management and marketing campaigns. NT Connections have published over 150 original plays and regularly works with 500 theatre companies and 10,000 young people each year. This anthology brings together 9 new plays by some of the UK's most prolific and current writers and artists alongside notes on each of the texts exploring performance for schools and youth groups. Wind / Rush Generation(s) by Mojisola Adebayo Tuesday by Alison CarrA series of public apologies (in response to an unfortunate incident in the school lavatories) by John Donnelly THE IT by Vivienne Franzmann The Marxist in Heaven by Hattie Naylor Look Up by Andrew Muir Crusaders by Frances Poet Witches Can’t Be Burned by Silva Semerciyan Dungeness by Chris Thompson .

Dr. Muir and Dr. Rose are key opinion leaders in the area of endocrinology, and they have created a state-of-the-art issue for neonatologists. The clinical reviews will prepare perinatologists and neonatologists for the challenges in clinical endocrinology that arise in fetuses and newborns. More specifically, authors will provide updates on the biological basis of disorders in order to illustrate the rationale for diagnostic approaches and current therapies and to provide readers with a basis to consider and evaluate new clinical offerings. Articles on the following topics are included in the issue: Congenital hypothyroidism; Thyroid function in the NICU; Neonatal thyrotoxicosis; Neonatal diabetes; Hypersinsulinism; Hypopituitarism; Glucocorticoid use in the NICU/ neonatal adrenal function; Adrenal insufficiency, CAH, Prenatal treatment of CAH; Neonatal Cushing Disease/Congenital endocrine tumors; Early ID of Turner Syndrome/Preserving fertility; and Bone mineral/ Calcium disorders in the neonate.

One minute I’m in The Elk watching the footie the next minute I’m at the beach with a Polish supermodel. Fucking come on. Lena meets Robbie. Girl meets Boy. Head over heels. Eyes only for each other. They don’t speak the same language, but they both know the language of love, and surely that’s enough for a while – until the unspeakable happens and the truth comes spewing out. As their marriage hurtles towards oblivion, Lena and Robbie desperately attempt to find a common language and save their shared history. The Session is a heartfelt play about how couples communicate, taking in twenty years of a relationship that is based on misunderstanding and crossed wires. It received its world premiere at Soho Theatre on 3 November 2015.

Opening with a look at a Cambridge play satirising Shakespeare in his own time, we follow Cambridge’s part in Shakespeare appreciation through the centuries. Against this background the book celebrates the annual open-air Cambridge Shakespeare Festival. Playing yearly to around 25,000 people of all ages and from all backgrounds, the festival has been running since 1988. The book illuminates the manner in which their productions increase our pleasure in, and understanding of, Shakespeare’s dramatic art and how his plays were designed, produced and received in their own time. This book provides a clear guide to the complex topics surrounding the staging of Shakespeare’s plays, as well as exploring the Bard’s enduring influence in the city, and on Cambridge University and its inhabitants. It is a boon for Shakespeare lovers and scholars of all ages and levels of interest.