Andrew Oliver

Reprint of the original, first published in 1861.

Reprint of the original, first published in 1861.

This book has been considered important throughout the human history, and so that this work is never forgotten we have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies and hence the text is clear and readable.

The Treaty of Ghent signed in 1814, ending the War of 1812, allowed Americans once again to travel abroad. Medical students went to Paris, artists to Rome, academics to Gottingen, and tourists to all European capitals. More intrepid Americans ventured to Athens, to Constantinople, and even to Egypt. Beginning with two eighteenth-century travellers, this book then turns to the 25-year period after 1815 that saw young men from East Coast cities, among them graduates of Harvard, Yale, and Columbia, travelling to the lands of the Bible and of the Greek and Latin authors they had first known as teenagers. Drawing on unpublished letters and diaries together with previously neglected newspaper accounts, as well as a handful of published accounts, this book offers a new look at the early American experience in Egypt and the eastern Mediterranean world. More than thirty illustrations complement the stories told by the travellers themselves.

Hellenistic art in Asia Minor is characterized by diverse cultural influences, both indigenous and Greek. This work presents a comprehensive catalogue of the Hellenistic pottery found at Sardis by two archaeological expeditions. The main catalogue includes over 750 items from the current excavations; in addition, material from some 50 Hellenistic tombs excavated in the early twentieth century is published in its entirety for the first time. The early Hellenistic material consists of imports from Greek cities and close local imitations, along with purely Lydian wares typical of the "late Lydian" phase that followed the Persian conquest. By the late Hellenistic period, Sardis boasts a full range of Greek shapes and styles; indeed, the influence of new conquerors, the Romans, was felt as well. Thus the ceramic finds from Sardis reflect the changing fortunes of the city, bearing witness to the tenacity of indigenous customs and the influences of foreign powers.

This volume in the Cyrene series contains sections on the assorted small finds (bronzes, iron, etc.), the glass, and the faunal remains. All add interesting information into the uses and ritual practices at the Sanctuary.

The publication of Portraits of John Quincy Adams and His Wife makes available a record which both affords unique visual documentation of the most varied political career in American history and exemplifies the work of the principal American portraitists from the days of Copley and Stuart to the dawn of the Daguerrean era. Included in the volume's 159 illustrations are all the known life portraits, busts, and silhouettes of John Quincy and Louisa Catherine Adams, along with important replicas, copies, engravings, and representative likenesses of their siblings. The book is organized into seven chapters which generally coincide with the major divisions of John Quincy Adams' political career. Within each chapter are discussed the artists, their relationships with the Adams's, and the provenance of each of their works. A comprehensive chronology of John Quincy Adams' life for each period accompanies the chapter to which it pertains. All important information about the size of each likeness, the inscriptions if any, the date executed, and present ownership where known is summarized in the List of Illustrations. The Adams's, as they watched themselves age over the years in the marble, ink, or oil of the artists who portrayed them, recorded much by way of commentary on the artistic talent and process at hand. Andrew Oliver, in his detailed and lively discussions of each likeness, makes full use of the diaries and correspondence preserved in the Adams Papers, thus combining a learned appreciation with an intimate glimpse of Adams's as they saw themselves. The volume continues the record of Adams family portraiture begun with Portraits of John and Abigail Adams. The two volumes together constitute Series IV of the distinguished Adams Papers publications.