Andrew Smith

This book examines how the representation of the ghost-soldier in literature published between1914 1934, both marks the presence of trauma and attempts to make sense of it. Andrew Smith examines short stories, novels, poems and memoirs that employ ghosts to reflect upon feelings of loss, paralleling the literary context with accounts of shell-shock which construe the damaged soldier as psychologically missing and therefore spectre-like. The author argues that literary and non-literary texts repeatedly deploy a form of the uncanny, familiar from a Gothic tradition, as a way of reflecting upon grief. In support of this claim, he draws on fiction by well-known authors such as M. R. James, E. F. Benson, Dorothy L. Sayers, and Dennis Wheatley, alongside largely forgotten contributions to The Strand and other periodical publications such as The Occult Review.

You will be exposed to pain, love, tears, and laughter and not regret a moment. A collection of poems in the truest sense; from the dedication to the epilogue. Join the author through discovery and realization of his own reality. Taking the reader from his awakening to his destination of redemption and acceptance of what this life has to offer.

It's the near future, and mankind has expanded its presence in space. Maintaining law and order beyond Earth is the responsibility of the International Space Police Force, known colloquially as the Star Cops. Their leader is Commander Nathan Spring. A Star Cop investigation into a murder on Earth leads to an amazing revelation. The team's resilience is tested as the fallout affects their next cases. Investigating the brutal murder of a prominent neuroscientist at a South American spaceport, Nathan and Kenzy find themselves questioning an unusual witness - the murder victim himself. The trail leads to the Moon, where a recent arrival comes under suspicion. The new courier for Lunar Logistics may not be all she seems - but is she a killer? Please note: Star Cops features some mild swearing and content which may not be suitable for younger listeners. CAST: David Calder (Nathan Spring), Trevor Cooper (Inspector Colin Devis), Linda Newton (Chief Superintendent Pal Kenzy), Philip Olivier (Inspector Paul Bailey), Lynsey Murrell (Inspector Alice Okoro), Rosa Coduri (Sophie), Alex Jordan (Alex Navarro / Professor Olivier Devraux A. I.) PLEASE NOTE: Star Cops features some mild swearing and content which may not be suitable for younger listeners.

The second edition of Consumer Behaviour and Analytics provides a consumer behaviour textbook for the new marketing reality. In a world of Big Data, machine learning and artificial intelligence, this key text reviews the issues, research and concepts essential for navigating this new terrain. It demonstrates how we can use data-driven insight and merge this with insight from extant research to inform knowledge-driven decision-making. Adopting a practical and managerial lens, while also exploring the rich lineage of academic consumer research, this textbook approaches its subject from a refreshing and original standpoint. It contains numerous accessible examples, scenarios and exhibits, and condenses the disparate array of relevant work into a workable, coherent, synthesized and readable whole. Providing an effective tour of the concepts and ideas most relevant in the age of analytics-driven marketing (from data visualization to semiotics), the book concludes with an adaptive structure to inform managerial decision-making. Consumer Behaviour and Analytics provides a unique distillation from a vast array of social and behavioural research merged with the knowledge potential of digital insight. It offers an effective and efficient summary for undergraduate, postgraduate or executive courses in consumer behaviour and marketing analytics, and also functions as a supplementary text for other marketing modules. Online resources include PowerPoint slides.

The second edition of Consumer Behaviour and Analytics provides a consumer behaviour textbook for the new marketing reality. In a world of Big Data, machine learning and artificial intelligence, this key text reviews the issues, research and concepts essential for navigating this new terrain. It demonstrates how we can use data-driven insight and merge this with insight from extant research to inform knowledge-driven decision-making. Adopting a practical and managerial lens, while also exploring the rich lineage of academic consumer research, this textbook approaches its subject from a refreshing and original standpoint. It contains numerous accessible examples, scenarios and exhibits, and condenses the disparate array of relevant work into a workable, coherent, synthesized and readable whole. Providing an effective tour of the concepts and ideas most relevant in the age of analytics-driven marketing (from data visualization to semiotics), the book concludes with an adaptive structure to inform managerial decision-making. Consumer Behaviour and Analytics provides a unique distillation from a vast array of social and behavioural research merged with the knowledge potential of digital insight. It offers an effective and efficient summary for undergraduate, postgraduate or executive courses in consumer behaviour and marketing analytics, and also functions as a supplementary text for other marketing modules. Online resources include PowerPoint slides.

As if the alien Vulpreen weren’t enough, what remains of UNIT faces another formidable adversary. The mercurial Time Lord Missy is on the side of the Vulpreen, helping and encouraging them in their ambition to become the rulers not just of Earth, but of all Space and Time. Contains four new adventures: One Way or Another by John Dorney. Kate leads an attack on a Vulpreen prison camp, unaware that UNIT friends are being held there. As paths converge, Kate and Osgood have different perspectives on the attack, and specific dangers to overcome. Traitors’ Gate by Sarah Grochala. Osgood is a prisoner in the Tower of London, which is now a Vulpreen base. To rescue her friend, Kate must devise a plan to raid her former headquarters. Inside the Tower, the Vulpreen are determined to access the Black Archive and the hugely dangerous alien technology it contains. How long can Osgood keep them out? The Destiny Labyrinth by Alison Winter. The UNIT team find themselves traveling through various epochs in Earth’s history. The only guide they have is working for the enemy, and the Vulpreen are hot on their heels. Help comes from a new friend, a young healer who already has a curious relationship with time. True Nemesis by Andrew Smith. Under Missy’s guiding hand, the Vulpreen are ready to strike out, to establish themselves as the new Masters of Time. UNIT’s confrontation with Missy in the depths of Portugal’s Douro Valley will decide the fate of not just the Earth but the whole Universe. CAST: Jemma Redgrave (Kate Stewart), Ingrid Oliver (Osgood), Michelle Gomez (Missy), Eleanor Crooks (Naomi Cross), Chris Lew Kum Hoi (Lieutenant Jimmy Tan), James Joyce (Josh Carter), Christopher Naylor (Harry Sullivan), Alisdair Simpson (Lord Varliss), Glen McCready (Bert Hockley / Jesden / Vulpreen Commander), Harriet Kershaw (Sorgan), Stewart Scudamore (Ashley Bassett), Donna Berlin (Lorraine Forrester), Oscar Batterham (Michel), Fiona Hampton (Kini), Harry Myers (Hugo da Costa / Crastor). Other parts played by members of the cast.

It's the near future, and mankind has expanded its presence in space. Maintaining law and order beyond Earth is the responsibility of the International Space Police Force, known colloquially as the Star Cops. Nathan and his team step up their investigations into the secretive and ruthless criminal organisation known as the Collective. As they come closer to identifying who's in charge, with enquiries on Earth and in space, the Collective strikes back. The Star Cops must identify who is a friend and who is a deadly foe. 2.1 Old Flame, New Fire by Alison Winter. Earth leave in Liverpool is disrupted for both Devis and Paul when a figure from Paul's undercover past comes back into his life. On Moonbase, an investigation into a contraband food additive leads Nathan and Kenzy into danger. 2.2 Grandma's Footsteps by Katharine Armitage. Kenzy enlists the help of an old friend on Earth to follow a trail that could lead to the unmasking of the leader of the Collective. On the Moon, Nathan and Devis are dealing with a series of accidents that don't look very accidental - and that will force Devis to reveal a secret. 2.3 Escape and Evasion by Andrew Smith. The leader of the Collective is in custody on the Moon, with arrangements in hand for their transport back to Earth under armed guard. But an escape plan is in place. And the Collective's operatives are prepared to kill anyone who gets in their way. CAST: David Calder (Nathan Spring), Trevor Cooper (Colin Devis), Linda Newton (Pal Kenzy), Philip Olivier (Paul Bailey), Lynsey Murrell (Alice Okoro), Joy Blakeman (Patricia Bailey / Jennifer Kyne), Martin Mednikarov (Anton Makowski), Nisha Nayar (Sanchita Varma / Custodian 1), Laura Rollins (Anya Selby), Wilf Scolding (Russell Wolfe). Other parts played by members of the cast. PLEASE NOTE: Star Cops features some mild swearing and content which may not be suitable for younger listeners.

Axos has been freed from the time loop, and is plotting to drain Earth's energy. Without the Doctor's help to stop the powerful space parasite, UNIT are forced to rely on a multipersonality renegade Time Lord... known as the Eleven. UNIT Chief Kate Stewart and her squad now have to confront her father's past foe...

Before Earth, before UNIT, before exile, the Second Doctor enters into a dangerous bargain in return for his freedom... This is the first in a new range for Big Finish, The Second Doctor Adventures. These stories will take the Second Doctor into brand new territory, while also giving the stories a fully eraauthentic feel.

This book explores how festivals and events affect urban places and public spaces, with a particular focus on their role in fostering inclusion. The ‘festivalisation’ of culture, politics and space in cities is often regarded as problematic, but this book examines the positive and negative ways that festivals affect cities by examining festive spaces as contested spaces. The book focuses on Western European cities, a particularly interesting context given the social and cultural pressures associated with high levels of in-migration and concerns over the commercialisation and privatisation of public spaces. The key themes of this book are the quest for more inclusive urban spaces and the contested geographies of festival spaces and places. Festivals are often used by municipal authorities to break down symbolic barriers that restrict who uses public spaces and what those spaces are used for. However, the rise of commercial festivals and ticketed events means that they are also responsible for imposing physical and financial obstacles that reduce the accessibility of city parks, streets and squares. Alongside addressing the contested effects of urban festivals on the character and inclusivity of public spaces, the book addresses more general themes including the role of festivals in culture-led regeneration. Several chapters analyse festivals and events as economic development tools, and the book also covers contested representations of festival cities and the ways related images and stories are used in place marketing. A range of cases from Western Europe are used to explore these issues, including chapters on some of the world’s most significant and contested festival cities: Venice, Edinburgh, London and Barcelona. The book covers a wide range of festivals, including those dedicated to music and the arts, but also events celebrating particular histories, identities and pastimes. A series of fascinating cases are discussed - from the Venice Biennale and Dublin Festival of History, to Rotterdam’s music festivals and craft beer festivals in Manchester. The diverse and innovative qualities of the book are also evident in the range of urban spaces covered: obvious examples of public spaces – such as parks, streets, squares and piazzas – are addressed, but the book includes chapters on enclosed public spaces (e.g., libraries) and urban blue spaces (waterways) too. This reflects the interpretation of public spaces as socio-material entities: they are produced informally through their use (including for festivals and events), as well as through their formal design and management.

This book explores how festivals and events affect urban places and public spaces, with a particular focus on their role in fostering inclusion. The ‘festivalisation’ of culture, politics and space in cities is often regarded as problematic, but this book examines the positive and negative ways that festivals affect cities by examining festive spaces as contested spaces. The book focuses on Western European cities, a particularly interesting context given the social and cultural pressures associated with high levels of in-migration and concerns over the commercialisation and privatisation of public spaces. The key themes of this book are the quest for more inclusive urban spaces and the contested geographies of festival spaces and places. Festivals are often used by municipal authorities to break down symbolic barriers that restrict who uses public spaces and what those spaces are used for. However, the rise of commercial festivals and ticketed events means that they are also responsible for imposing physical and financial obstacles that reduce the accessibility of city parks, streets and squares. Alongside addressing the contested effects of urban festivals on the character and inclusivity of public spaces, the book addresses more general themes including the role of festivals in culture-led regeneration. Several chapters analyse festivals and events as economic development tools, and the book also covers contested representations of festival cities and the ways related images and stories are used in place marketing. A range of cases from Western Europe are used to explore these issues, including chapters on some of the world’s most significant and contested festival cities: Venice, Edinburgh, London and Barcelona. The book covers a wide range of festivals, including those dedicated to music and the arts, but also events celebrating particular histories, identities and pastimes. A series of fascinating cases are discussed - from the Venice Biennale and Dublin Festival of History, to Rotterdam’s music festivals and craft beer festivals in Manchester. The diverse and innovative qualities of the book are also evident in the range of urban spaces covered: obvious examples of public spaces – such as parks, streets, squares and piazzas – are addressed, but the book includes chapters on enclosed public spaces (e.g., libraries) and urban blue spaces (waterways) too. This reflects the interpretation of public spaces as socio-material entities: they are produced informally through their use (including for festivals and events), as well as through their formal design and management.

This book examines the representation of the ghost-soldier in literature published from 1914 1934 both marking the presence of trauma and attempting to make sense of trauma. Andrew Smith examines short stories, novels, poems and memoirs that employ ghosts to reflect upon feelings of loss, paralleling the literary context with accounts of shell-shock which construe the damaged soldier as psychologically missing and therefore spectre-like. The author argues that literary and non-literary texts repeatedly deploy a form of the uncanny, familiar from a Gothic tradition, as way of reflecting upon grief. In support of this claim, he draws on fiction by well-known authors such as M. R. James, E. F. Benson, Dorothy L. Sayers and Dennis Wheatley, alongside largely forgotten contributions to The Strand and other periodical publications such as The Occult Review.

When someone is convicted of internet or contact sexual offences against children, there is usually a significant negative effect on the life of their partner and family. Many loved ones of sex offenders need therapeutic help to come to terms with what has happened, to make informed choices going forward and to better protect any children in their care. Drawing on many years of working therapeutically in the field of sexual offending and following on from his first book, Counselling Male Sexual Offenders: A Strengths-Focused Approach (2017), in this book Dr Andrew Smith aims to assist counsellors and other practitioners to work with partners and relatives of sex offenders. By means of in-depth fictional case studies, ways of working in a strengths-focused, eclectic way with this client group are presented. Counsellors who choose to work in this emotionally fraught field often experience conflicted feelings, which are explored through fictionalized supervision sessions. The case studies mostly involve the familiar talking method of counselling but because some partners and relatives of sexual offenders have ongoing responsibility for children, a structured programme of therapeutic safeguarding work is also provided, along with suggestions for drawing up safety plans. Often more than one generation of a family is impacted by sexual offending so, in the latter part of the book, therapeutic work with families is presented.

Blake's 7 proves to be one of Big Finish's most popular ranges, with fans of the series enjoying many of the TV actors returning to their roles. This set features three new adventures for the popular characters of Jenna and Cally, pitting them against a number of notorious rogues and criminals which were featured in the TV series.

Launching with 2015's Extinction, UNIT - The New Series was the first Big Finish range to use characters from the BBC's mega-hit 21st century relaunching of Doctor Who! This is the second of a new four-box-set arc of adventures.

"THE PE THERAPIST by Andrew Smith is a heartwarming, thought-provoking novel. It explores deep questions, such as does the Universe find ways to guide us through difficulties and open doors for us, if we just pause and listen? I was very moved by this wonderful novel. Five Stars" Larry Parr THE PET THERAPIST by Andrew Smith. Famous author, Robert Snapplehoff, is troubled by his recurring dreams about his lost cat, Duncan . By chance, Robert discovers what he believes to be his cat in an unexpected place. While pursuing Duncan, Robert crosses paths with Gwena Thompson, a woman who claims the universe is trying to bring them together. "Something terrible or difficult is coming your way," she says. This heartwarming novel about people uniting and finding each other in times of need is just what we all need at this moment in our history. Andrew Smith is an established novelist.

An illuminating exploration of early Southern African hunters and herders. In First People, archaeologist Andrew Smith examines what we know about Southern Africa's early people, drawing on evidence from archaeological sites and rock art, the observations of colonial-era travellers, linguistics, and the study of the human genome. Smith has studied the history and prehistory of the Khoisan throughout his long and distinguished career. These communities represent the early groups of hunter-gatherers and herders and the oldest human lineages of Africa, some migrating from as far as East Africa to settle in countries like Namibia, Botswana, and South Africa. Fully illustrated and including the latest academic research, First People is an invaluable and accessible work that reaches from the Stone Age and travels through time to the most recent history of the Khoisan. It paints a knowledgeable and fascinating portrait of their land occupation, migration, survival, culture, and practices.

The world has ended. The pandemic crossed continents, sparing only a fraction of the global population. The survivors are now trying to pick up the pieces and rebuild society to create a new future. But with only a handful of towns and cities starting to rise from the ashes, and governance and law-making in a fragile, fledgling state, everyone must start over. And the worst of human nature has survived along with the best. Abby Grant and Jenny Richards face a renewed fight for survival… 2.1 Bad Blood by Lizbeth Myles. Abby and Jenny are heading north when they’re thrown into the middle of a conflict between two rival factions. Learning someone has tried to assassinate the local Governor, is there anything they can do to prevent further violence and bloodshed? 2.2 When First We Practise to Deceive by Andrew Smith. Abby and Jenny reach the Zone controlled by Governor Dominic Crayle. He has serious questions to answer, but Crayle will go to any lengths to protect his secrets. 2.3 Last Stand by Roland Moore. In the overgrown remains of an abandoned city, a new friend helps Abby and Jenny make a last stand against a determined enemy. NOTE: Survivors contains adult material and is not suitable for younger listeners. Cast: Carolyn Seymour (Abby Grant), Lucy Fleming (Jenny Richards). Further cast details to be announced.