Angelik Vizcarrondo-Laboy

The design gallery's latest triennial celebration of US-made objects that straddle art, design and craft R & Company’s landmark triennial exhibition and accompanying publication, Objects: USA, returns in 2024, featuring 55 makers from across the United States whose works blur the traditionally understood boundaries of art, design and craft. The exhibition’s curators and the book’s authors, Angelik Vizcarrondo-Laboy and Kellie Riggs, have organized these works into archetypes that engage with makers’ intentions and driving interests rather than categories related to medium, proposing a new conceptual framework for understanding 21st-century objecthood. The book includes a preface by R & Company principals Evan Snyderman and Zesty Meyers, an introduction by curator Glenn Adamson, an essay by the authors and richly illustrated profiles for each of the featured artists. Artists include: Venancio Aragon, Richard Chavez, Jason McDonald, Ryan Decker, Wally Dion, Nik Gelormino, Joyce Lin, Linda Lopez, Luam Melake, Anina Major, Kim Mupangilaï, Jordan Nassar, Jolie Ngo, Cammie Staros, Matthew Szösz, Norman Teague, Lonnie Vigil, Mallory Weston.

A celebration of 'women’s work', this book features contemporary artists from around the globe who are transforming what it means to make craft. “Women’s work” has historically been relegated to the domestic, absent from galleries and discussions of “art.” From cross-stitching and quilts to baskets and decorative ceramics, women have spent centuries creating masterful crafts without recognition from the historians and institutions that determine whose names are remembered and whose work is celebrated. This book explores these art forms, focusing on ten areas traditionally labelled as “feminine.” Featuring 38 contemporary artists from around the world, Angelik Vizcarrondo-Laboy examines the traditions these artists work with and the boundaries they’re breaking. Through stories of family, migration, gender, and it means to be a craftsperson, this book explores the future of the feminine in the arts.