Ann Davis

During the first several months of U. S. participation in World War II, our East Coast was menaced by German's u-boats. The submarines were sinking an average of a ship-a-day and they had suffered no loses. But at midnight on April 13, 1942, the U. S. S. Roper discovered the U-85 recharging its batteries off the coast of North Carolina. The U-85 was the first U-boat sunk in American waters. The Roper would have been the most celebrated destroyer in the U. S. Navy had it not been for the captain's next order. In Time Will Tell, Ann Davis reveals the truth about the burial of twenty-nine German sailor's in Hampton, Virginia's National Cemetery. Why were they buried at night though with "military honors?"

In this innovative book, a revised English edition of an important Italian text, Fabio Folgheraiter presents a systematic introduction to networking and reflexive practice in social work. He draws on Italian experience and practice in community care and development to foster a deeper understanding of the relational core of social `problems' and `solutions', demonstrating an alternative approach to the current trend in positivistic evidence-based methods. The text explores how the interested parties in social care (users, carers, neighbours, volunteers, professional workers, managers, policy makers) can acquire a shared power in care planning and decision making. Folgheraiter demonstrates that when this networking and empowerment occurs, caring initiatives become truly social based and their efficacy increases. This book provides the framework for the repositioning of social care practice in relation to the state and civil society. The model of practice proposed is an important step towards the development of networks that can effect change locally, nationally and globally.

Twentieth-century art has usually been analysed in terms of intellectual aesthetic principles. But several important artists of this century were motivated less by aesthetic ideas than by spiritual values. Ann Davis considers the work of five of the most dynamic and innovative Canadian painters of the period: Bertram Brooker, Emily Carr, Lawren Harris, Jock Macdonald, and Fred Varley. She shows how these artists strove to work with mystical forms, those involved a transcendent, direct, selfless, unitive experience of God or ultimate reality. None of these artists was motivated solely by mystical concerns, but each was deeply interested in such matters. In focusing on those works, writings, as well as painting, which do reflect their fascination with spiritual issues, we are able to se how these artists tried, in very individual ways, to delineate their visions of eternal life.