Ann Pellegrini

Performance Anxieties looks at the on-going debates over the value of psychoanalysis for feminist theory and politics--specifically concerning the social and psychical meanings of racialization. Beginning with an historicized return to Freud and the meaning of Jewishness in Freud's day, Ann Pellegrini indicates how "race" and racialization are not incidental features of psychoanalysis or of modern subjectivity, but are among the generative conditions of both. PerformanceAnxieties stages a series of playful encounters between elite and popular performance texts--Freud meets Sarah Bernhardt meets Sandra Bernhard; Joan Riviere's masquerading women are refigured in relation to the hard female bodies in the film Pumping Iron II: The Women; and the Terminator and Alien films. In re-reading psychoanalysis alongside other performance texts, Pellegrini unsettles relations between popular and elite, performance and performative.

Winner of the 2024 Silver Medal for LGBTQ+ Non-Fiction from the Independent Publisher Book Awards. Offers a radical theory of gender formation and its ongoing mutations Gender Without Identity challenges the argument widely embraced by rights activists and many members of the LGBTQ+ community that gender identity is innate and immutable. Avgi Saketopoulou and Ann Pellegrini chart another path towards the flourishing of queer and trans life. Positing that the idea of an innate core gender identity is simplistic, problematic, and, even, potentially harmful to LGBTQ+ people, they instead argue that gender is something all subjects acquire. Trauma, they provocatively propose, sometimes has a share in that acquisition. In their way of thinking, lived trauma as well as structural and intergenerationally transmitted traumatic debris may become a resource for transness and queerness. Such a suggestion importantly counters conservative accounts that identify trauma as disrupting or "warping" some putatively "normal" gender. Rooted in the work of French psychoanalyst Jean Laplanche, in queer and trans of color critique, and in the authors' extensive clinical experience with queer and trans people, Gender Without Identity offers a radical theory of gender formation and its ongoing mutations.

Gender Without Identity offers an innovative and at times unsettling theory of gender formation. Rooted in the metapsychology of Jean Laplanche and in conversation with bold work in queer and trans studies, Avgi Saketopoulou and Ann Pellegrini jettison "core gender identity" to propose, instead, that gender is something all subjects acquire -- and that trauma sometimes has a share in that acquisition. Conceptualizing trauma alongside diverse genders and sexualities is thus not about invalidating transness and queerness, but about illuminating their textures to enable their flourishing. Written for readers both in and outside psychoanalysis, Gender Without Identity argues for the ethical urgency of recognizing that wounding experiences and traumatic legacies may be spun into gender. Such "spinning" involves self-theorizations that do not proceed from a centered self, but are nevertheless critical to psychic autonomy. Saketopoulou and Pellegrini draw on these ideas to offer clinical resources for working with gender complexity and for complexifying (what is seen as) gender normativity.

A 10th anniversary edition of this field defining work—an intellectual inspiration for a generation of LGBTQ scholars Cruising Utopia arrived in 2009 to insist that queerness must be reimagined as a futurity-bound phenomenon, an insistence on the potentiality of another world that would crack open the pragmatic present. Part manifesto, part love-letter to the past and the future, José Esteban Muñoz argued that the here and now were not enough and issued an urgent call for the revivification of the queer political imagination. On the anniversary of its original publication, this edition includes two essays that extend and expand the project of Cruising Utopia, as well as a new foreword by the current editors of Sexual Cultures, the book series he co-founded with Ann Pellegrini 20 years ago. This 10th anniversary edition celebrates the lasting impact that Cruising Utopia has had on the decade of queer of color critique that followed and introduces a new generation of readers to a future not yet here.

A 10th anniversary edition of this field defining work—an intellectual inspiration for a generation of LGBTQ scholars Cruising Utopia arrived in 2009 to insist that queerness must be reimagined as a futurity-bound phenomenon, an insistence on the potentiality of another world that would crack open the pragmatic present. Part manifesto, part love-letter to the past and the future, José Esteban Muñoz argued that the here and now were not enough and issued an urgent call for the revivification of the queer political imagination. On the anniversary of its original publication, this edition includes two essays that extend and expand the project of Cruising Utopia, as well as a new foreword by the current editors of Sexual Cultures, the book series he co-founded with Ann Pellegrini 20 years ago. This 10th anniversary edition celebrates the lasting impact that Cruising Utopia has had on the decade of queer of color critique that followed and introduces a new generation of readers to a future not yet here.

2014 Lambda Literary Award Finalist: LGBT Nonfiction Breaks down the most commonly held misconceptions about lesbian, gay, bisexual, and transgender people and their lives In "You Can Tell Just by Looking" three scholars and activists come together to unpack enduring, popular, and deeply held myths about lesbian, gay, bisexual, and transgender people, culture, and life in America. Myths, such as "All Religions Condemn Homosexuality" and "Transgender People Are Mentally Ill," have been used to justify discrimination and oppression of LGBT people. Others, such as "Homosexuals Are Born That Way," have been embraced by LGBT communities and their allies. In discussing and dispelling these myths--including gay-positive ones--the authors challenge readers to question their own beliefs and to grapple with the complexities of what it means to be queer in the broadest social, political, and cultural sense.

Sex. Religion. There is no denying that these two subjects are among the most provocative in American public life. Even the constitutional principle of church-state separation seems to give way when it comes to sex: the Supreme Court draws on theology as readily as it draws on case law when rendering decisions that touch on sexuality. In this compelling and carefully argued study, Janet R. Jakobsen and Ann Pellegrini examine this powerful and disturbing connection as they explore the reasons why secular institutions habitually use religion to regulate sexual life. From state legislatures to the halls of Congress and the Supreme Court, from daily newspapers to popular magazines and television talk shows, Jakobsen and Pellegrini illustrate the intensity of America's obsession with sex in the name of values and the dangers it poses to some of our most basic freedoms. Using a wide range of case studies, Love the Sin offers an insightful critique of the ways in which sexuality in general and homosexuality in particular are discussed and debated in the public arena. Additionally, the book sets forth constructive alternatives that highlight the vital links between sexual and religious freedom and expose the hazards of using religion as a justification for regulating sexuality. A timely, necessary, and refreshing contribution to the many debates surrounding religion, morality, and sex, Love the Sin boldly dreams an America that lives up to its promise of freedom and justice for all.