Annie Dillard

"Brilliant. . . . A shimmering meditation on the ebb and flow of love." -- New York Times"In her elegant, sophisticated prose, Dillard tells a tale of intimacy, loss and extraordinary friendship and maturity against a background of nature in its glorious color and caprice. The Maytrees is an intelligent, exquisite novel." -- The Washington TimesToby Maytree first sees Lou Bigelow on her bicycle in postwar Provincetown, Massachusetts. Her laughter and loveliness catch his breath. Maytree is a Provincetown native, an educated poet of thirty. As he courts Lou, just out of college, her stillness draws him. He hides his serious wooing, and idly shows her his poems. In spare, elegant prose, Dillard traces the Maytrees' decades of loving and longing. They live cheaply among the nonconformist artists and writers that the bare tip of Cape Cod attracts. When their son Petie appears, their innocent Bohemian friend Deary helps care for him. But years later it is Deary who causes the town to talk. In this moving novel, Dillard intimately depicts willed bonds of loyalty, friendship, and abiding love. She presents nature's vastness and nearness. Warm and hopeful, The Maytrees is the surprising capstone of Dillard's original body of work.

Best known for Pilgrim at Tinker Creek, her Pulitzer Prize-winning narrative on nature and eternity, Annie Dillard writes fiction and nonfiction, as well as poetry, that explore abstract and sensory phenomena, the role of the artist in society and the creative process. The poems gathered in Tickets for a Prayer Wheel, first published in 1974, show us that the concerns of the author have not changed since she was in her twenties. Hers is a poetry of fact - of science and nature, eternity and time, and how we know what we know. Often commended for their precise imagery, these poems speak of the love between people, storytelling and poetry's form.

"Living by Fiction is written for--and dedicated to--people who love literature. Dealing with writers such as Nabokov, Barth, Coover, Pynchon, Borges, GarcÍ a MÁ rquez, Beckett, and Calvino, Annie Dillard shows why fiction "matters" and how it can reveal more of the modern world and modern thinking than all the academic sciences combined. Like Joyce Cary's "Art and Reality," this is a book by a writer on the issues raised by the art of literature. "Readers of Pilgrim at Tinker Creek" and "Holy the Firm" will recognize Dillard's vivid writing, her humor, and the lively way in which she tackles the urgent questions of meaning in experience itself.

" This] is a book of great richness, beauty and power and thus very difficult to do justice to in a brief review. . . . The violence is sometimes unbearable, the language rarely less than superb. Dillard's description of the moth's death makes Virginia Woolf's go dim and Edwardian. . . . Nature seen so clear and hard that the eyes tear. . . . A rare and precious book." -- Frederick Buechner, New York Times Book ReviewA profound book about the natural world--both its beauty and its cruelty--from Pulitzer Prize-winning author Annie DillardIn 1975 Dillard took up residence on an island in Puget Sound, in a wooden room furnished with "one enormous window, one cat, one spider, and one person." For the next two years she asked herself questions about time, reality, sacrifice, death, and the will of God. In Holy the Firm, she writes about a moth consumed in a candle flame, about a seven-year-old girl burned in an airplane accident, about a baptism on a cold beach. But behind the moving curtain of what she calls "the hard things--rock mountain and salt sea," she sees, sometimes far off and sometimes as close by as a veil or air, the power play of holy fire. Here is a lyrical gift to any reader who has ever wondered how best to live with grace and wonder in the natural world.

" In] this anthology of well-chosen excerpts by a satisfyingly diverse group of writers....the truth of their lives shines from every beautifully, often courageously composed page."-- Booklist"Packed with superb writing." -- New York NewsdayModern American Memoirs is a sampling from 35 quintessential 20th century memoirs, including contributions from Margaret Mead, Malcolm X, Maxine Hong Kingston, Loren Eisely, and Zora Neale Hurston. Supremely written and excellent examples of the art of biography, these excerpts present a beautifully wide range of American life.