Annie Potts

A New Zealand Book of Beasts is a groundbreaking examination of the interactions between humans and ‘nonhuman animals’ – both real and imagined – in New Zealand’s arts and literature, popular culture, historiography, media and everyday life. Structured in four parts – Animal Icons, Animal Companions, Art Animals and Controversial Animals – the Book of Beasts touches on topics as diverse as moa-hunting and the SPCA, pest-control and pet-keeping, whaling and whale-watching; on species ranging from sheep to sperm whales and from pekapeka to possums; and on the works of authors and artists as various as Samuel Butler and Witi Ihimaera, Lady Mary Anne Barker and Janet Frame, Michael Parekowhai and Don Binney, Bill Hammond and Fiona Pardington. In examining through literature, art and culture the ways New Zealanders use and abuse, shape and are shaped by, glorify and co-opt, and describe and imagine animals, the authors tell us a great deal about our society and culture: how we understand our own identities and those of others; how we regard, inhabit and make use of the natural world; and how we think about what to buy, eat, wear, watch and read. This is an engaging, original and scholarly rigorous book of cultural criticism and a thoughtful addition to New Zealand literature.

In Chicken Annie Potts introduces us to the vivid and astonishing world of Gallus gallus. The book traces the evolution of jungle fowl and the domestication of chickens by humans. It describes the ways in which chickens experience the world, form families and friendships, communicate with each other, play, bond and grieve. Chicken explores cultural practices like egg-rolling, the cockfight, alectromancy, wishbone-pulling and the chicken-swinging ritual of Kapparot; discovers depictions of chickenhood in ancient and modern art, literature and film; and also showcases bizarre supernatural chickens from around the world including the Basilisk, Kikimora and Pollo Maligno. Chicken concludes with a detailed analysis of the place of chickens in the world today, and a tribute to those who educate and advocate on behalf of these birds.

What can we learn from exploring the differences in male and female orgasmic experience? Is the penis an entity with a mind of its own? These issues and others, such as the popular portrayals of male sexuality as active and outwardly focused and female sexuality as passive and internally located, are discussed in The Science/Fiction of Sex. Contemporary feminist and poststructuralist theories of sex and gender are explored alongside an investigation of how people make sense of such concepts as heterosexuality, orgasm, sexual dysfunction, femininity and masculinity, and safer sex practice. Potts asks men and women about their actual experiences of heterosex. This interview material, combined with excerpts from sexological and medical texts and features from film and television, draws attention to the ways in which western cultural constructs influence our ideas and experiences of the body, sex, and gender. Potts also uses deconstructive theory as a textual tool, concentrating on how binary oppositions such as inside/outside and mind/body impact on our understandings of heterosex, and affect the power relations between women and men. She also examines how the radical postmodern theories of the body and sexuality proposed by Irigaray, Lyotard, and Deleuze and Guattari disrupt such dualistic modes of understanding and experiencing sexualized bodies. The Science/Fiction of Sex will be of interest to those studying women and psychology as well as gender studies, cultural studies, feminist studies, sociology, philosophy, public health and education.