Anthony Burgess

Kicked out of college and harassed by his lawyer, Miles Faber abandons New York and embarks on a defiant pilgrimage across the Caribbean to find the shrine of Sib Legeru, an obscure poet and painter. But in the streets of Castita's capital, where a wild religious festival is in full swing, a series of bizarre encounters - including his own repulsive doppelgänger (the son of a circus bird-woman) - and disturbing family revelations await Miles, who soon finds himself a willing victim of dynastic destiny. A darkly surreal comedy of dazzling linguistic inventiveness, MF is an outrageous tale of blood, lust and the machinations of fate.

A British agent is confronted by the uglier aspect of his profession when he attempts to persuade an old associate to leave the Soviet Union

Here is an extraordinary collection of the world's best literary espionage, selected by Alan Furst, a contemporary master of the genre. The Book of Spies brings us the aristocratic intrigues of The Scarlet Pimpernel, in which French emigres duel with Robespierre's secret service; the savage political realities of the 1930s in Eric Ambler's classic A Coffin for Dimitrios; the ordinary (well, almost) citizens of John le Carre's The Russia House, who are drawn into Cold War spy games; and the 1950s Vietnam of Graham Greene's The Quiet American, with its portrait of American idealism "and duplicity. Drawing on acknowledged classics and rediscovered treasures, A Book of Spies delivers literate entertainment and excitement on every page.

Don Carlo Campanati is a man of God, a shrewd manipulator who rises through the Vatican to become the architect of church revolution and a candidate for sainthood. In this epic masterpiece, Anthony Burgess plumbs the depths of the essence of power and the lengths men will go for it.

Redesigned and reissued in 2017 to celebrate the 'Burgess Centenary' - 100 years of Anthony Burgess. Revolutionary Sonnets and Other Poems captures the full range and achievement of Anthony Burgess's poetry and verse. It is as daring, original and inventive as the name suggests. The work explores themes of violence and love, pretensions and emotion, sex and war and is both sobering, and hysterically funny. The author of major novels, essays and reviews, the lecturer whose dazzling take on T. S. Eliot's The Waste Land changed our reading of the poem, is - like Eliot himself - a prosodic genius and a musical aficionado. Here are extracts from Burgess's translations of the librettos of Carmen, Oberon and others; of verse dramas including Cyrano de Bergerac, Oedipus the King, Chatsky; and his original musicals Trotsky's in New York!, Mozart and the Wolf Gang and A Clockwork Orange: A Play with Music among others. Here too are his wonderful translations of the Roman dialect poet Giuseppe Belli, extracts from his verse epic Moses, the complete poems of F. X. Enderby, occasional poems for Vladimir Nabokov and Ogden Nash... And we encounter the poems of young John Burgess Wilson, from the Manchester student journal The Serpent. Add to this the autobiographical poem 'The Sword', his New York Times verses about the Apollo II moon landing, a verse fragment from his abandoned novel It is the Miller's Daughter - his fans and new readers will be left with a sense of the scale, wit and accomplishment of one of the great creative originals of the twentieth century.

The first volume of Anthony Burgess's two-volume autobiography. Complete in itself, it tells the story of a disaffected Manchester Catholic from his birth in 1917 up to the commencement, in 1959, of his career as a professional writer.

The second volume of Burgess's autobiography begins in 1959 with the author's return to England from Brunei and - after the mistaken prognosis which gave him a year to live - the start of his professional writing career. It ends in 1982 with the centenary celebrations of James Joyce's birth.

Anthony Burgess's stage play of his infamous cult novel and film of the same name. Alex and his vicious teenage gang revel in horrific violence, mugging and gang rape. Alex also revels in the music of Beethoven. The Gang communicates in a language which is as complicated as their actions. When a drug-fuelled night of fun ends in murder, Alex is finally busted and banged up. He is given a choice - be brainwashed into good citizenship and set free, or face a lifetime inside. Anthony Burgess's play with music, based on his own provocative 1962 novella of the same name, was first published in 1987. A Clockwork Orange was made into a film classic by Stanley Kubrick in 1971 and was dramatizes by the RSC in 1990.

Dr. Edwin Spindrift, a linguist, decides to escape from the hospital the night before his brain tumor surgery is scheduled and discovers a world of people exists outside his universe of words

Among Shakespeare's many biographers none brings to his subject more passion and feeling for the creative act than Anthony Burgess. His portrait of the age builds upon an almost personal tenderness for Shakespeare and his contemporaries (especially Ben Jonson), and on a profound sense of literary and theatrical history.

A brilliant reading from the novel by one of the wittiest commentators and literary figures of this century. "Antony Burgess reads chapters of his novel A Clockwork Orange" with hair-raising drive and energy. Although it is a fantasy set in an Orwellian future, this is anything but a bedtime story."-- "New York Times"