Anthony Hope

Anthony Hope Hawkins, better known as Anthony Hope was an English novelist and playwright. He was a prolific writer, especially of adventure novels. He is remembered best for two books, considered classics of English literature, included in this volume: The Prisoner of Zenda (1894) and its sequel Rupert of Hentzau (1898). These works are set in the contemporaneous fictional country of Ruritania and spawned the genre known as Ruritanian romance. Zenda has inspired many adaptations, including a 1937 Hollywood movie.

COMMON opinion said that Lord Lynborough ought never to have had a peerage and forty thousand a year; he ought to have had a pound a week and a back bedroom in Bloomsbury. Then he would have become an eminent man; as it was, he turned out only a singularly erratic individual. So much for common opinion. Let no more be heard of its dull utilitarian judgments There are plenty of eminent men-at the moment, it is believed, no less than seventy Cabinet and ex-Cabinet Ministers (or thereabouts)-to say nothing of Bishops, Judges, and the British Academy-and all this in a nook of the world (And the world too is a point ) Lynborough was something much more uncommon; it is not, however, quite easy to say what. Let the question be postponed; perhaps the story itself will answer it. He started life-or was started in it-in a series of surroundings of unimpeachable orthodoxy-Eton, Christ Church, the Grenadier Guards.

The Heart of Princess Osra is part of Anthony Hope's trilogy of novels set in the fictional country of Ruritania and which spawned the genre of Ruritanian romance. This collection of linked short stories is a prequel: it was written immediately after the success of The Prisoner of Zenda and was published in 1896, but is set in the 1730s, well over a century before the events of Zenda and its sequel, Rupert of Hentzau. The stories deal with the love life of Princess Osra, younger sister of Rudolf III, the shared ancestor of Rudolf Rassendyll, the English gentleman who acts as political decoy in The Prisoner of Zenda, and Rudolph V of the House of Elphberg, the absolute monarch of that Germanic kingdom.

Rupert of Hentzau is the dark sequel to The Prisoner of Zenda. Full of humor and swashbuckling feats of heroism, the tale is also a satire on the politics of 19th-century Europe. When honour is at stake, the fight is to the death. Rudolf Rassendyll, having heroically saved the kingdom of Ruritania and nobly given up the hand of the beautiful Princess Flavia, has returned to his normal life in England. But when, three years later, Flavia, now the unhappily married Queen of Ruritania, sends him a love letter, it is stolen by the exiled villain Rupert Hentzau. Rudolf's former adversary has been waiting for the chance to have his revenge, and this provides the perfect opportunity to stir up trouble. Rudolf must return to the troubled kingdom to defeat Hentzau, where he is embroiled once more in a world of deception, intrigue, deadly swordfights and torn loyalties. with the stakes higher than ever, will he pay the ultimate price?

Sir Anthony Hope Hawkins, better known as Anthony Hope (9 February 1863 - 8 July 1933), was an English novelist and playwright. Although he was a prolific writer, especially of adventure novels, he is remembered best for only two books: The Prisoner of Zenda (1894) and its sequel Rupert of Hentzau (1898). These works, "minor classics" of English literature, are set in the contemporaneous fictional country of Ruritania and spawned the genre known as Ruritanian romance. Zenda has inspired many adaptations, most notably the 1937 Hollywood movie of the same name.

It was a dark, dank, drizzly morning in March. A dull mist filled all the air, and the rain drifted in a thin sheet across the garden of the Middle Temple. Everything looked a dull drab. Certainly it was a beastly morning. Moreover-to add to its offences-it was Monday morning. Arthur Lisle had always hated Monday mornings; through childhood, school, and university they had been his inveterate enemies-with their narrow rigorous insistence on a return to work, with the end they put to freedom, to leisure, to excursions in the body or in the spirit. And they were worse now, since the work was worse, in that it was not real work at all; it was only waiting for work, or at best a tedious and weary preparation for work which did not come and (for all that he could see) never would come. There was no reason why it ever should. Even genius might starve unnoticed at the Bar, and he was no genius. Even interest might fail to help a man, and interest he had none.

In the garden the question was settled without serious difference of opinion. If Sir Robert Perry really could not go on-and Lady Eynesford was by no means prepared to concede even that-then Mr. Puttock, bourgeois as he was, or Mr. Coxon, conceited and priggish though he might be, must come in. At any rate, the one indisputable fact was the impossibility of Mr. Medland: this was, to Lady Eynesford's mind, axiomatic, and, in the safe privacy of her family circle (for Miss Scaife counted as one of the family, and Captain Heseltine and Mr. Flemyng did not count at all), she went so far as to declare that, let the Governor do as he would (in the inconceivable case of his being so foolish as to do anything of the kind), she at least would not receive Mr. Medland. Having launched this hypothetical thunderbolt, she asked Alicia Derosne to give her another cup of tea. Alicia poured out the tea, handed it to her sister-in-law, and asked, "But, Mary, what is there so dreadful about Mr. Medland?"

Set in the fictional land of Ruritania, "The Prisoner of Zenda" is a tale of intrigue, crime and scheming villains trying to depose the rightful heir to the throne... Classics Illustrated tells this wonderful tale in colourful comic strip form, offering an excellent introduction for younger readers. This edition also includes theme discussions and study questions, which can be used both in the classroom and at home to further engage the reader in the story. The Classics Illustrated comic book series began in 1941 with its first issue, Alexandre Dumas's The Three Musketeers, and has since included over 200 classic tales released around the world. This new Paperback Replica edition is part of a continuing effort to make Classics Illustrated available to all, be they young readers just beginning their journeys into the great world of classic literature, or collectors who have fond memories of this much loved comic book series.

Rupert of Hentzau is a sequel by Anthony Hope to The Prisoner of Zenda, written in 1895, but not published until 1898. Queen Flavia, dutifully but unhappily married to her cousin Rudolf V, writes to her true love Rudolf Rassendyll. The letter is carried by von Tarlenheim to be delivered by hand, but it is stolen by the exiled Rupert of Hentzau, who sees in it a chance to return to favour by informing the pathologically jealous and paranoid King.

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The Prisoner of Zenda is an adventure novel by Anthony Hope, published in 1894. The king of the fictional country of Ruritania is abducted on the eve of his coronation, and the protagonist, an English gentleman on holiday who fortuitously resembles the monarch, is persuaded to act as his political decoy in an attempt to save the situation. The villainous Rupert of Hentzau gave his name to the sequel published in 1898, which is included in some editions of this novel. The books were extremely popular and inspired a new genre of Ruritanian romance, including the Graustark novels by George Barr McCutcheon.

Rupert of Hentzau is the dark sequel to The Prisoner of Zenda. Full of humor and swashbuckling feats of heroism, the tale is also a satire on the politics of 19th-century Europe. When honour is at stake, the fight is to the death. Rudolf Rassendyll, having heroically saved the kingdom of Ruritania and nobly given up the hand of the beautiful Princess Flavia, has returned to his normal life in England. But when, three years later, Flavia, now the unhappily married Queen of Ruritania, sends him a love letter, it is stolen by the exiled villain Rupert Hentzau. Rudolf's former adversary has been waiting for the chance to have his revenge, and this provides the perfect opportunity to stir up trouble. Rudolf must return to the troubled kingdom to defeat Hentzau, where he is embroiled once more in a world of deception, intrigue, deadly swordfights and torn loyalties. with the stakes higher than ever, will he pay the ultimate price?

The story is set within a framing narrative told by a supporting character from The Prisoner of Zenda. The frame implies that the events related in both books took place in the late 1870s and early 1880s. This story commences three years after the conclusion of Zenda, and deals with the same fictional country somewhere in Germanic Middle Europe, the kingdom of Ruritania. Most of the same characters recur: Rudolf Elphberg, the dissolute absolute monarch of Ruritania; Rudolf Rassendyll, the English gentleman who had acted as his political decoy, being his distant cousin and lookalike; Flavia, the princess, now queen; Rupert of Hentzau, the dashing well-born villain; Fritz von Tarlenheim, the loyal courtier; Colonel Sapt, the King's Bodyguard; Lieutenant von Bernenstein, the loyal soldier. Queen Flavia, dutifully but unhappily married to her cousin Rudolf V, writes to her true love Rudolf Rassendyll. The letter is carried by von Tarlenheim and his servant Bauer to be delivered by hand, but Fritz is betrayed by Bauer and it is stolen by the exiled Rupert of Hentzau and his loyal cousin the Count of Luzau-Rischenheim. Hentzau sees in it a chance to return to favour by informing the pathologically jealous and paranoid King. Rassendyll returns to Ruritania to aid the Queen, but is once more forced to impersonate the King after Rupert fatally shoots Rudolf V in a remote hunting lodge. After tracing Bauer to the house of Mother Holf, Rassendyll and Rupert engage in an epic duel. Hentzau is mortally wounded and Rassendyll burns the letter. However, he is assassinated in the hour of triumph by Bauer -and thus is spared the crisis of conscience over whether or not to continue the royal deception for years. Rassendyll is buried as the King in a state funeral, while Sapt and Rassendyll's servant James stage a fire at the hunting lodge that burns the King's body beyond recognition. Rudolf V is buried as Rudolf Rassendyll, while Flavia reigns on alone, the last of the Elphberg dynasty.