Anton Chekhov

"Colonial Trinidad 1939. Three sisters endure a mundane but privileged life in the capital, Port of Spain. Living with their simpleton brother and his domineering wife, the women pass the time entertaining and being entertained by the local Volunteer Regiment. They occupy their lives with empty marriages and petty liasons whilst dreaming of returning to their adopted home country Cambridge, England where they spent their cosmopolitan youth. But hopes of emigrating to Britain are soon shattered as the European war escalates into a global conflict, Port of Spain is bombed and the Trinidadian soldiers are called to serve King, country and Empire."

A masterpiece of Russian drama, now in a student edition Along with Three Sisters and The Cherry Orchard, Uncle Vanya is credited as one of Chekhov's masterpieces and a significant precursor of modern drama. Set on a country estate in late nineteenth century Russia, Uncle Vanya is in part a study of the enervation of Russian middle-class provincial life. The major dynamics between the characters themselves are centred on two obsessive love affairs that lead nowhere and a flirtation that brings disaster. Mixing the tragic and the absurd and dealing with a form that allows for ambiguity and contradiction, Uncle Vanya has been deemed "the first modernist play". (David Lan) "It is the element of might-have-been in Chekhov's characters that makes their sense of waste so tragic ... I know of no more moving climax in world drama." Guardian Definitive translation by acclaimed playwright Michael FraynMethuen Student Editions are expertly annotated texts of a wide range of plays. Contains the complete text of the play, the volume contains a chronology of the playwright's life and work; an introduction giving the background to the play; a discussion of various interpretations; and notes on individual words and phrases in the text

Published to tie in with the world premiere at the Abbey Theatre, Dublin In Chekhov's tragi-comedy - perhaps his most popular play - the Gayev family is torn by powerful forces, forces rooted deep in history and in the society around them. Their estate is hopelessly in debt: urged to cut down their beautiful cherry orchard and sell the land for holiday cottages, they struggle to act decisively. Tom Murphy's fine vernacular version allows us to re-imagine the events of the play in the last days of Anglo-Irish colonialism. It gives this great play vivid new life within our own history and social consciousness.

"Ivanov, a driving force in local government and a visionary landowner, feels burnt out at thirty-five. Once the pioneer of scientific farming methods and of education for the peasants, he now drowns in bureaucracy and debt, his large estate neglected. While his wife is dying, Sasha, a young, educated woman, falls in love with Ivanov and determines to save him. Set in a country suffering from political, ideological and spiritual stagnation, Chekhov's first full-length play anticipates the explosive revolutionary atmosphere of Russia at the turn of the century. Ivanov was performed at the National Theatre (Cottesloe) in September 2002."

Nicholas Wright's version of Chekhov's masterpiece, in which four young people are left stranded in a provincial backwater following the death of their father. They focus their dreams on returning to Moscow, a city remembered through the eyes of childhood as a place where happiness may just be possible. This version of Three Sisters was first staged at the National Theatre, London, in 2003.

Anton Chekhov invented the modern short story. With writing that is concise, realistic, and evocative, he became a sort of photographer in words, less interested in plot than in the subtleties of mood and atmosphere, and the telling detail. His characters, always vividly drawn, come from all walks of life and often seem to be caught up in a world they don't quite understand. This new selection of twenty-three stories explores the entire range of Chekhov's short fiction, from early sketches, such as "The Cook's Wedding" (1885), to late works, such as "The Bishop" (1902). David Plante is Professor of Writing at Columbia University. He is the author of many novels, including "The Ghost of Henry James, "The Family (nominated for the National Book Award), and "The Woods. He has been a contributor to The New Yorker, Esquire, and Vogue, and a reviewer and features writer for The New York Times Book Review.

Chekhov's widely performed classic study of provincial life explores the irony of hope and the inadequacy of consolation. Michael Frayn's hugely popular translation is an AQA recommended text. For this Student Edition Nick Worrall provides expert commentary and notes.

A Methuen Student Edition of Chekhov's classic play in Michael Frayn's acclaimed translation 'The play has been flooded with light, like a room with the curtains drawn back' John Peter, Sunday Times'The direct simplicity of this new translation ...uncovers not only the nerve endings of Chekhov's restless malcontents but also their comic absurdities. It is, as he always intended, actually funny ...' Jack Tinker, Daily MailWhen it opened in St Petersburg in 1896, The Seagull survived only five performances after a disastrous first night. Two years later it was revived by Nemirovich-Danchenko at the newly-founded Moscow Art Theatre with Stanslasky as Trigorin and was an immediate success. Checkhov's description of the play was characteristically self-mocking: "A comedy - 3F, 6M, four acts, rural scenery (a view over a lake); much talk of literature, little action, five bushels of love". Michael Frayn's translation was commissioned by the Oxford Playhouse Company.

The first of Chekhov's full-length dramas, Ivanov treads a fine line between broad comedy and tragic melodrama.

The Steppe and Other Stories 1887-91 is a collection that reveals Anton Chekhov's evolution from a novice writer to a master of short narrative form. This Penguin Classics edition is translated by Ronald Wilks with an introduction by Donald Rayfield. This collection of Chekhov's finest early writing is headlined by 'The Steppe', which established his reputation, telling the unforgettable tale of a boy's journey to a new school in Kiev, travelling through majestic landscapes towards an unknown destiny. 'Gusev' depicts an ocean voyage, where the sea takes on a terrifying, primeval power; 'The Kiss' portrays a shy soldier's failed romantic encounter; and in 'The Duel' two men's enmity ends in farce. Haunting and highly atmospheric, all the stories in this volume show a writer emerging from the shadow of his masters - great Russian writers such as Leo Tolstoy, Ivan Turgenev and Nikolai Gogol - and discovering his own voice. They also illustrate Chekhov's genius for evoking the natural world and exploring inner lives. This is the first of three chronological volumes of Chekhov's short stories in Penguin Classics. Ronald Wilks's delicate translation is accompanied by a chronology and explanatory notes. This edition also contains an introduction and annotated bibliography by internationally renowned Chekhov scholar Donald Rayfield. Anton Chekhov (1860-1904) was born in Taganrog, a port on the sea of Azov. In 1879 he travelled to Moscow, where he entered the medical faculty of the university, graduating in 1884. During his university years, he supported his family by contributing humorous stories and sketches to magazines. He published his first volume of stories, Motley Tales, in 1886, and a year later his second volume In the Twilight, for which he received the Pushkin Prize. Today his plays, including 'Uncle Vanya', 'The Seagull', and 'The Cherry Orchard' are recognised as masterpieces the world over. If you enjoyed The Steppe, you might like Chekhov's The Lady with the Little Dog and Other Stories, also available in Penguin Classics.

The Seagull centers on the unsuccessful playwright Konstantin and his actress girlfriend Nina. When Nina falls in love with the successful novelist Trigorin, Konstantin kills a seagull and places it at her feet.

Of the two hundred stories that Anton Chekhov wrote, the twenty stories that appear in this extraordinary collection were personally chosen by Richard Ford--an accomplished storyteller in his own right. Included are the familiar masterpieces--"The Kiss," "The Darling," and "The Lady with the Dog"--as well as several brilliant lesser-known tales such as "A Blunder," "Hush ," and "Champagne." These stories, ordered from 1886 to 1899, are drawn from Chekhov's most fruitful years as a short-story writer. A truly balanced selection, they exhibit the qualities that make Chekhov one of the greatest fiction writers of all time: his gift for detail, dialogue, and humor; his emotional perception and compassion; and his understanding that life's most important moments are often the most overlooked." The reason we like Chekhov so much, now at our century's end," writes Ford in his perceptive introduction, "is because his stories from the last century's end feel so modern to us, are so much of our own time and mind." Exquisitely translated by the renowned Constance Garnett, these stories present a wonderful opportunity to introduce yourself--or become reaquainted with--an artist whose genius and influence only increase with every passing generation.

In his twenties, Anton Chekhov was a doctor churning out witty, unconventional stories on the side. This early work was unknown in English until Peter Constantine discovered Chekhov's byline in old Russian magazines at the New York Public Library. This collection, called "a delicious volume" by the London Times, has a freshness and modernist verve that will surprise those familiar with Chekhov's more controlled later work.

"The Cherry Orchard" was first produced by the Moscow Art Theatre on Chekhov's last birthday, January 17, 1904. Since that time it has become one of the most critically admired and performed plays in the Western world, a high comedy whose principal theme, the passing of the old semifeudal order, is symbolized in the sale of the cherry orchard owned by Madame Ranevsky. The play also functions as a magnificent showcase for Chekhov's acute observations of his characters' foibles and for quizzical ruminations on the approaching dissolution of the world of the Russian aristocracy and life as it was lived on their great country estates. While the subject and the characters of the work are, in a sense, timeless, the dramatic technique of the play was a Chekhovian innovation. In this and other plays he developed the concept of "indirect action," in which the dramatic action takes place off stage and the significance of the play revolves around the reactions of the characters to those unseen events. Reprinted from a standard edition, this inexpensive well-made volume invites any lover of theater or great literature to enter the world of Madame Ranevsky, Anya, Gayef, Lopakhin, Firs, and the other memorable characters whose hopes, fears, loves, and general humanity are so brilliantly depicted in this landmark of world drama.