Anton Pavlovich Chekhov

The Lady with the Dog and Other Stories The Tales of Chekhov Vol. IIIGrisha, a fat, solemn little person of seven, was standing by the kitchen door listening and peeping through the keyhole. In the kitchen something extraordinary, and in his opinion never seen before, was taking place. A big, thick-set, red-haired peasant, with a beard, and a drop of perspiration on his nose, wearing a cabman's full coat, was sitting at the kitchen table on which they chopped the meat and sliced the onions. He was balancing a saucer on the five fingers of his right hand and drinking tea out of it, and crunching sugar so loudly that it sent a shiver down Grisha's back. Aksinya Stepanovna, the old nurse, was sitting on the dirty stool facing him, and she, too, was drinking tea. Her face was grave, though at the same time it beamed with a kind of triumph. Pelageya, the cook, was busy at the stove, and was apparently trying to hide her face. And on her face Grisha saw a regular illumination: it was burning and shifting through every shade of colour, beginning with a crimson purple and ending with a deathly white. She was continually catching hold of knives, forks, bits of wood, and rags with trembling hands, moving, grumbling to herself, making a clatter, but in reality doing nothing. She did not once glance at the table at which they were drinking tea, and to the questions put to her by the nurse she gave jerky, sullen answers without turning her face. "Help yourself, Danilo Semyonitch," the nurse urged him hospitably. "Why do you keep on with tea and nothing but tea? You should have a drop of vodka " And nurse put before the visitor a bottle of vodka and a wine-glass, while her face wore a very wily expression. "I never touch it.... No ..." said the cabman, declining. "Don't press me, Aksinya Stepanovna." "What a man ... A cabman and not drink ... A bachelor can't get on without drinking. Help yourself " The cabman looked askance at the bottle, then at nurse's wily face, and his own face assumed an expression no less cunning, as much as to say, "You won't catch me, you old witch " "I don't drink please excuse me. Such a weakness does not do in our calling. A man who works at a trade may drink, for he sits at home, but we cabmen are always in view of the public. Aren't we? If one goes into a pothouse one finds one's horse gone if one takes a drop too much it is worse still before you know where you are you will fall asleep or slip off the box. That's where it is." "And how much do you make a day, Danilo Semyonitch?" "That's according. One day you will have a fare for three roubles, and another day you will come back to the yard without a farthing. The days are very different. Nowadays our business is no good. There are lots and lots of cabmen as you know, hay is dear, and folks are paltry nowadays and always contriving to go by tram. And yet, thank God, I have nothing to complain of. I have plenty to eat and good clothes to wear, and ...we could even provide well for another..." (the cabman stole a glance at Pelageya) "if it were to their liking...." Grisha did not hear what was said further.

Anton Pavlovich Chekhov (29 January 1860 - 15 July 1904) was a Russian playwright and short-story writer, who is considered to be among the greatest writers of short fiction in history. His career as a playwright produced four classics, and his best short stories are held in high esteem by writers and critics. Along with Henrik Ibsen and August Strindberg, Chekhov is often referred to as one of the three seminal figures in the birth of early modernism in the theatre. Chekhov practiced as a medical doctor throughout most of his literary career: "Medicine is my lawful wife", he once said, "and literature is my mistress." Chekhov renounced the theatre after the reception of The Seagull in 1896, but the play was revived to acclaim in 1898 by Konstantin Stanislavski's Moscow Art Theatre, which subsequently also produced Chekhov's Uncle Vanya and premiered his last two plays, Three Sisters and The Cherry Orchard. These four works present a challenge to the acting ensemble as well as to audiences, because in place of conventional action Chekhov offers a "theatre of mood" and a "submerged life in the text". Chekhov had at first written stories to earn money, but as his artistic ambition grew, he made formal innovations which have influenced the evolution of the modern short story. He made no apologies for the difficulties this posed to readers, insisting that the role of an artist was to ask questions, not to answer them. (wikipedia.org)

Anton Pavlovich Chekhov (29 January 1860 - 15 July 1904) was a Russian playwright and short-story writer, who is considered to be among the greatest writers of short fiction in history. His career as a playwright produced four classics, and his best short stories are held in high esteem by writers and critics. Along with Henrik Ibsen and August Strindberg, Chekhov is often referred to as one of the three seminal figures in the birth of early modernism in the theatre. Chekhov practiced as a medical doctor throughout most of his literary career: "Medicine is my lawful wife", he once said, "and literature is my mistress." Chekhov renounced the theatre after the reception of The Seagull in 1896, but the play was revived to acclaim in 1898 by Konstantin Stanislavski's Moscow Art Theatre, which subsequently also produced Chekhov's Uncle Vanya and premiered his last two plays, Three Sisters and The Cherry Orchard. These four works present a challenge to the acting ensemble as well as to audiences, because in place of conventional action Chekhov offers a "theatre of mood" and a "submerged life in the text". Chekhov had at first written stories to earn money, but as his artistic ambition grew, he made formal innovations which have influenced the evolution of the modern short story. He made no apologies for the difficulties this posed to readers, insisting that the role of an artist was to ask questions, not to answer them. (wikipedia.org)

Reproduktion des Originals: Eine langweilige Geschichte von Anton Pavlovich Chekhov

Reproduktion des Originals: Eine langweilige Geschichte von Anton Pavlovich Chekhov

Praised by Vladimir Nabokov as one of the greatest stories ever written, The Lady with the Dog follows an adulterous affair between a Russian banker and a young lady he meets while vacationing in Yalta. This volume of Chekhov stories also includes: A Doctor's Visit, An Upheaval, Ionitch, The Head of the Family, Volodya, An Anonymous Story, The Husband.

Uncle Vanya is one of Anton Checkov's four major plays. It was first performed in 1900, the year after its publication, under direction by the celebrated Konstantin Stanislavski. The text reworks an earlier play by Checkov, The Wood Demon. Critics have attempted to follow Checkov's method and artistic development by tracking the changes he made to the earlier text. The cast of Uncle Vanya is significantly pared back and the ending left less happily resolved.

Chekhov revolutionised world literature influencing generations of playwrights, screenwriters and actors. George Bernard Shaw described Chekhov's work as a fantasia in the Russian manner on English themes.

The Schoolmaster and Other Stories By Anton Pavlovich Chekhov

Der B r - Groteske in einem Aufzug ist ein unver nderter, hochwertiger Nachdruck der Originalausgabe. Hansebooks ist Herausgeber von Literatur zu unterschiedlichen Themengebieten wie Forschung und Wissenschaft, Reisen und Expeditionen, Kochen und Ern hrung, Medizin und weiteren Genres. Der Schwerpunkt des Verlages liegt auf dem Erhalt historischer Literatur. Viele Werke historischer Schriftsteller und Wissenschaftler sind heute nur noch als Antiquit ten erh ltlich. Hansebooks verlegt diese B cher neu und tr gt damit zum Erhalt selten gewordener Literatur und historischem Wissen auch f r die Zukunft bei.

The Lady with the Dog and Other Stories By Anton Pavlovich Chekhov, Constance Garnett

Letters of Anton Chekhov to His Family and Friends By Anton Pavlovich Chekhov, Constance Garnett

The Schoolmistress, and Other Stories By Anton Pavlovich Chekhov