Antonio Buero Vallejo

This masterful translation of four tragedies by Antonio Buero-Vallejo (1916 -2000), Spain 's most important dramatist since the 1930s, will allow English-speaking audiences to experience the most deeply moving and intellectually rich works of one of the twentieth-century 's great authors. Patricia W O'Connor complements vivid translations with generous supporting materials, including a reader-friendly introduction to the playwright's life and work, commentaries on the plays, and photographs of productions and playwright. Buero-Vallejo's emblematic first play, Story of a Stairway (1949), chronicling decades in the lives of struggling Madrid families, catapulted the young author into prominence. Appearing here for the first time in English, Before Dawn (1953) is a whodunit and the riveting odyssey of one woman 's search for truth that recalls Greek tragedy. The Basement Window (1967), an Orwellian science-fiction experiment, portrays the moral climate of the late twentieth century as judged by ethically enlightened researchers of a distant future. In the first English translation of the author's poignantly relevant final play, Mission to the Deserted Village (1999), a wartime attempt to save an El Greco painting raises questions about how much of its own treasure a culture will destroy to keep it out of enemy hands. Readers who know Buero-Vallejo's plays will celebrate O'Connor 's sparkling translations. Those who haven't yet read Buero-Vallejo will find a very moving introduction in this collection.

Part of the Bristol Classical Press series of Spanish texts, this is Buero Vallejo's play "El Tragaluz". The series is designed to meet the needs of the fast-growing A Level and undergraduate market for texts in the Spanish language. Each text comes with English notes and vocabulary, and with an introduction by an editor with an expert knowledge both of the work and of its literary and cultural context. Set in the aftermath of the Spanish Civil War, this play occupies an important place in Buero Vallejo's theatre incorporating earlier metaphysical preoccupations with a later historical and political dimension.