Avgi Saketopoulou

Winner of the 2024 Silver Medal for LGBTQ+ Non-Fiction from the Independent Publisher Book Awards. Offers a radical theory of gender formation and its ongoing mutations Gender Without Identity challenges the argument widely embraced by rights activists and many members of the LGBTQ+ community that gender identity is innate and immutable. Avgi Saketopoulou and Ann Pellegrini chart another path towards the flourishing of queer and trans life. Positing that the idea of an innate core gender identity is simplistic, problematic, and, even, potentially harmful to LGBTQ+ people, they instead argue that gender is something all subjects acquire. Trauma, they provocatively propose, sometimes has a share in that acquisition. In their way of thinking, lived trauma as well as structural and intergenerationally transmitted traumatic debris may become a resource for transness and queerness. Such a suggestion importantly counters conservative accounts that identify trauma as disrupting or "warping" some putatively "normal" gender. Rooted in the work of French psychoanalyst Jean Laplanche, in queer and trans of color critique, and in the authors' extensive clinical experience with queer and trans people, Gender Without Identity offers a radical theory of gender formation and its ongoing mutations.

Gender Without Identity offers an innovative and at times unsettling theory of gender formation. Rooted in the metapsychology of Jean Laplanche and in conversation with bold work in queer and trans studies, Avgi Saketopoulou and Ann Pellegrini jettison "core gender identity" to propose, instead, that gender is something all subjects acquire -- and that trauma sometimes has a share in that acquisition. Conceptualizing trauma alongside diverse genders and sexualities is thus not about invalidating transness and queerness, but about illuminating their textures to enable their flourishing. Written for readers both in and outside psychoanalysis, Gender Without Identity argues for the ethical urgency of recognizing that wounding experiences and traumatic legacies may be spun into gender. Such "spinning" involves self-theorizations that do not proceed from a centered self, but are nevertheless critical to psychic autonomy. Saketopoulou and Pellegrini draw on these ideas to offer clinical resources for working with gender complexity and for complexifying (what is seen as) gender normativity.

Radical alternatives to consent and trauma Arguing that we have become culturally obsessed with healing trauma, Sexuality Beyond Consent calls attention to what traumatized subjects do with their pain. The erotics of racism offers a paradigmatic example of how what is proximal to violation may become an unexpected site of flourishing. Central to the transformational possibilities of trauma is a queer form of consent, limit consent, that is not about guarding the self but about risking experience. Saketopoulou thereby shows why sexualities beyond consent may be worth risking-and how risk can solicit the future. Moving between clinical and cultural case studies, Saketopoulou takes up theatrical and cinematic works such as Slave Play and The Night Porter, to chart how trauma and sexuality join forces to surge through the aesthetic domain. Putting the psychoanalytic theory of Jean Laplanche in conversation with queer of color critique, performance studies, and philosophy, Sexuality Beyond Consent proposes that enduring the strange in ourselves, not to master trauma but to rub up against it, can open us up to encounters with opacity. The book concludes by theorizing currents of sadism that, when pursued ethically, can animate unique forms of interpersonal and social care.

Radical alternatives to consent and trauma Arguing that we have become culturally obsessed with healing trauma, Sexuality Beyond Consent calls attention to what traumatized subjects do with their pain. The erotics of racism offers a paradigmatic example of how what is proximal to violation may become an unexpected site of flourishing. Central to the transformational possibilities of trauma is a queer form of consent, limit consent, that is not about guarding the self but about risking experience. Saketopoulou thereby shows why sexualities beyond consent may be worth risking-and how risk can solicit the future. Moving between clinical and cultural case studies, Saketopoulou takes up theatrical and cinematic works such as Slave Play and The Night Porter, to chart how trauma and sexuality join forces to surge through the aesthetic domain. Putting the psychoanalytic theory of Jean Laplanche in conversation with queer of color critique, performance studies, and philosophy, Sexuality Beyond Consent proposes that enduring the strange in ourselves, not to master trauma but to rub up against it, can open us up to encounters with opacity. The book concludes by theorizing currents of sadism that, when pursued ethically, can animate unique forms of interpersonal and social care.