Barbara Jenkins

From the New York Times bestselling coauthor of The Walk West comes Barbara Jenkins's long-awaited tale of her walk across America, an adventure that once captured the national media spotlight. From the untold narrative of her impoverished hillbilly upbringing, to the crushing aftermath of her walk toward newfound courage and strength, So Long as It's Wild is her story. As a child growing up in the wild beauty of the Ozarks, Barbara often spent her days exploring outside and daydreaming of faraway places to escape the realities of poverty. She longed to trade her homemade clothes and outdoor toilet for spectacular adventures around the world. That chance came in the form of a young wild-eyed, long-haired "viking" man named Peter. After an exciting courtship and a wedding on a dime, the young couple departed on foot from New Orleans on July 5, 1976, heading toward the Pacific Coast. News of the couple's expedition spread like wildfire, landing them on the cover of National Geographic Magazine and countless other publications. Soon after beginning their nearly three-year journey, Barbara realized the funny, adventure-seeking, charismatic man she married was not the loving partner she thought. Despite this realization, she continued the difficult journey, and whether she faced aggressive renegades, a life-threatening fall from Engineer Pass, or a devastating heartbreak that caused her to feel lost and alone, Jenkins pushed through it all with grit and determination. Despite the newfound fame and the bestsellers she coauthored, The Walk West and The Road Unseen, Barbara's side of the story of the infamous walk that later left her in the shadows. She said of that time, "We appeared on magazine covers, were guests on radio and television programs and appeared in newspapers everywhere. International fame and good fortune followed until it evaporated into a trail of heartbreak, a thousand deaths, and my disappearance." Now Jenkins is telling the rest of the story, sharing her perspective on what took place from the bayous of Louisiana to the Pacific Ocean, and beyond. With lyrical, transportive prose, So Long as It's Wild: Standing Strong After My Famous Walk Across America is one woman's tale, stepping out from behind the man she had married, to find her voice and claim her story. Praise for So Long As It's Wild "Barbara Jenkins is still standing strong after her famous walk across America. What an inspiring book. I always try to read as many books as I can about women who inspire others with their contribution to society. Barbara has certainly lived it all, done it all, and done it again by putting this book together. So Long as It's Wild is a book of endurance, grit, love, compassion, and spiritual and physical energy. What a blessing. I hope it touches you as much as it has me."--Dolly Parton"Christian readers and fans of Tara Westover's Educated or Cheryl Strayed's Wild will be captivated by this inspirational journey of self-discovery and reinvention."--Library Journal"Barbara Jenkins' unique and honest perspective of her walk across America will inspire women and girls everywhere to know that their story is worth telling." --Connie Britton"After reading Barb's story I was carried away by her adventure, grit and grace and felt like we became dear friends. I didn't want the story to end." --Hilary Swank, Academy Award Winning Actress (Boys Don't Cry and Million Dollar Baby)"A transcontinental trek exposes a couple to gorgeous scenery, menacing criminals, and kindhearted strangers--all while fraying their marriage--in this bittersweet memoir. . . It's an engrossing reminiscence."--Publishers Weekly"Part memoir, part travelogue, part adventure, 'So Long as It's Wild: Standing Strong After My Famous Walk Across America' is an inherently fascinating read from start to finish. Exceptionally well written, organized and presented, 'So Long as It's Wild' is especially and unreservedly recommended for community library American Biography/Memoir collections and will prove of special appeal to readers with an interest in unique true life adventure stories as recounted by those that lived them." -- Midwest Book Review-- (8/3/2023 12:00:00 AM)

Barbara Jenkins writes about the experiences of a personal and family-centred life in Trinidad with great psychological acuteness, expanding on the personal with a deep awareness of the economic, social and cultural contexts of that experience. She writes about a childhood and youth located in the colonial era and an adult life that began at the very point of Trinidad’s independent nationhood, a life begun in poverty in a colonial city going through rapid change. It is about a life that expanded in possibility through an access to an education not usually available to girls from such an economic background. This schooling gave the young Barbara Jenkins the intense experience of being an outsider to Trinidad’s hierarchies of race and class. She writes about a life that has gender conflict at its heart, a household where her mother was subject to beatings and misogynist control, but also about strong matriarchal women. As for so many Caribbean people, opportunity appeared to exist only via migration, in her case to Wales in the 1960s. But there was a catch in the arrangement that the years in Wales had put to the back of her mind: the legally enforceable promise to the Trinidadian government that in return for their scholarship, she had to return. She did, and has lived the rest of her life to date in Trinidad, an experience that gives her writing an insider/outsider sharpness of perception.'From her childhood in colonial Port of Spain, to becoming a migrant student and young mother in Wales and then returning to Trinidad post-Independence, Jenkins tells her own life story with the emotional sensitivity of a natural storyteller, the insight of a philosopher, the scope of a historian and the good humour of a Trini. This beautifully written and moving memoir will feel achingly familiar to anyone who knows what it is like to navigate race, class and girlhood while growing up in the West Indies, anyone who has ever felt like an outsider.’ Ayanna Lloyd Banwo, author of When We Were Birds.

Indira Gabriel, recently abandoned by her lover, Solomon, embarks on a project to reinvigorate a dilapidated bar into something special. In this funny, sexy, sometimes painful and bittersweet novel, Barbara Jenkins draws together a richly-drawn cast of characters, like a Trinidadian Cheers. Meet Bostic, Solomon’s boyhood friend, who is determined to keep the bar as a shrine; I Cynthia, the tale-telling Belmont maco ; KarlLee, the painter with a very complicated love-life; fatherless Jah-Son; and Fritzie, single mum and Indira’s loyal right-hand woman. At the book’s centre is the unforgettable Indira, with her ebullience and sadness, her sharpness and honesty, obsession with the daily horoscope and addiction to increasingly absurd self-help books. In this warm, funny, sexy, and bittersweet novel, Barbara Jenkins hears, like Sam Selvon, the melancholy behind “the kiff-kiff laughter”, as darkness from Indira’s past threatens her drive to make a new beginning.

Eros and Economy: Jung, Deleuze, Sexual Difference explores the possibility that social relations between things, partially inscribed in their aesthetics, offer important insights into collective political-economic relations of domination and desire. Drawing on the analytical psychology of Carl Jung and the philosophy of Gilles Deleuze, this book focuses on the idea that desire or libido, overlaid by sexual difference, is a driving force behind the material manifestations of cultural production in practices as diverse as art or economy. Re-reading the history of capitalism and aesthetics with an awareness of the forces of sexual difference reveals not just their integral role in the development of capitalist markets, but a new understanding of our political-economic relations as humans. The appearance of the energies of sexual difference is highlighted in a number of different historical periods and political economies, from the Rococo period of pre-revolutionary France, to the aesthetics and economics of Keynesian Bloomsbury, to our contemporary Postmodern sensibility. With these examples, Jenkins demonstrates that the very constitution of capitalist markets is affected by the interaction of these forces; and she argues that a conscious appreciation and negotiation of them is integral to an immanent, democratic understanding of power. With its unique application of Jungian theory, this book provides important new insights into debates surrounding art, aesthetics, and identity politics, as well as into the quest for autonomous, democratic institutions of politics and economics. As such, this book will appeal to researchers, academics and postgraduate students in the fields of Jung, psychoanalysis, political economy, cultural studies and gender studies, as well as those interested in the field of cultural economy.

Eros and Economy: Jung, Deleuze, Sexual Difference explores the possibility that social relations between things, partially inscribed in their aesthetics, offer important insights into collective political-economic relations of domination and desire. Drawing on the analytical psychology of Carl Jung and the philosophy of Gilles Deleuze, this book focuses on the idea that desire or libido, overlaid by sexual difference, is a driving force behind the material manifestations of cultural production in practices as diverse as art or economy. Re-reading the history of capitalism and aesthetics with an awareness of the forces of sexual difference reveals not just their integral role in the development of capitalist markets, but a new understanding of our political-economic relations as humans. The appearance of the energies of sexual difference is highlighted in a number of different historical periods and political economies, from the Rococo period of pre-revolutionary France, to the aesthetics and economics of Keynesian Bloomsbury, to our contemporary Postmodern sensibility. With these examples, Jenkins demonstrates that the very constitution of capitalist markets is affected by the interaction of these forces; and she argues that a conscious appreciation and negotiation of them is integral to an immanent, democratic understanding of power. With its unique application of Jungian theory, this book provides important new insights into debates surrounding art, aesthetics, and identity politics, as well as into the quest for autonomous, democratic institutions of politics and economics. As such, this book will appeal to researchers, academics and postgraduate students in the fields of Jung, psychoanalysis, political economy, cultural studies and gender studies, as well as those interested in the field of cultural economy.

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Should national governments regulate foreign investment? The question is hotly contested in today's international trade debates. Barbara Jenkins here addresses this complex issue in a timely account of market relationships among North American nations. Jenkins provides up-to-date, detailed analyses of foreign investment regulations and policies in Canada, Mexico, and the United States. She identifies inherent contradictions in the general tactic that all three countries have pursued-simply relying on the pressures of the market rather than planning active strategy—and she assesses the likely effects on foreign investment of the recently concluded Canada—U. S. Free Trade Agreement and the potential North American free trade agreement. Free trade and the absence of adjustment policy, she argues, expose key political actors such as business and labor too broadly to market forces. The result is a projectionist reaction on the part of these domestic actors, which ultimately defeats efforts to liberalize trade and investment relations. In current approaches to foreign investment regulation, Jenkins detects divergent trends among the three countries: while Ottawa and Mexico City continue to liberalize their investment strategies, Washington is growing more interventionist. She shows, however, that the interventionism of the United States reflects a nationalistic trend rather than a commitment to a coherent strategy. Cautioning that the conclusion of a North American free trade agreement will only exacerbate the inadequacies of current policies, Jenkins concludes by offering recommendations for future action. The Paradox of Continental Production will be stimulating reading for policymakers, political economists, and other observers of Canadian, Mexican, and U. S. politics.