Barbara Johnson

A humorous look at the trials and tribulations of women's lives, and how to cope with them

Is a willingness to carry an inquiry to the point of undecidability necessarily at odds with political engagement? In A World of Difference Barbara Johnson extends and rethinks the theoretical perspectives on literature opened up by her earlier book, The Critical Difference. Through subtle and probing analyses of texts by Wordsworth, Poe, Baudelaie, Mallarmé, Thoreau, Mary Shelley, Zora Neale HUrston, Gwendolyn Brooks, and others, she attempts to transfer the analysis of "difference" from the realm of linguistic universality or deconstructive allegory into contexts in which difference is very much at issue in the world. New to the paperback edition is a preface that readdresses the question of the politics of deconstruction in the context of current discussion about the life and works of Paul de Man.

Barbara Johnson investigates the significant and illuminating ways in which both literature and criticism are "critically different" from what they purport to be. Her subtle and provocative studies of Balzac, Mallarme, Baudelaire, Apollinaire, Melville, Poe, Barthes, Lacan, Austin, and Derrida take a refreshing new approach to the fundamental questions of meaning, interpretation, and the relationship between literature and criticism. In each of seven essays, a clear, precise, and detailed reading of the rhetoric of one or more literary or critical works reveals the text's fundamental discrepancies, ambiguities, and contradictions. If rhetoric is seen as language's capacity to differ from literal statement, and if "to differ" can also mean "to disagree, " then the reading of the rhetoric of literature and theory here is an attempt to capture the logic of a text's own disagreement with itself.