Beatriz Chadour-Sampson

"Images of life, love, humor, and the surreal on London’s Brick Lane form the basis of this sumptuous catalogue of photographs" — Street Photography Images of life, love, humour, and the surreal on London’s Brick Lane form the basis of this sumptuous catalogue of photographs. Today Brick Lane is a favourite tourist destination, famous for its street art and theatre, and colourful market stalls. For centuries it was a hub for immigrant communities entering Britain through the nearby docks on the River Thames. Sonya and David Newell-Smith, whose careers began in professional news photojournalism, have spent decades recording the changing streetscape and vibrant personalities of this East End district. This publication serves as a tribute to their passion for street photography, for capturing a ‘decisive moment’, and for documenting everyday lives and diverse cultures, their interactions, and emotional connections. Scholarly texts accompany over 170 photographs curated by Sonya in memory of David (1937–2017).

Tadema Gallery was founded in 1978 by Sonya and David Newell-Smith in London's famed Camden Passage in Islington. They were successful photo-journalists who ventured into the field of 20th century abstract art and the decorative arts of the 19th and 20th centuries. By 1982 they had discovered a passion for artist-designed jewellery and showed in the gallery an eclectic choice of jewels from significant designers of the Revivalist, Art Nouveau, Arts & Crafts, Jugendstil, Art Deco, and Modernist movements. With over 500 unique jewellery pieces from the 1860s to 1960s, the book reflects the 40-year history of the gallery and the superb eye of its inspirational founders.

An unparalleled collection of rings dating from the 3rd to the 19th century, presented not chronologically but rather grouped into timeless themes - birth, love, betrothal, marriage, mourning and death - thereby achieving greater insight about the beliefs , sentiments, status, and practices of their former owners.

The Alice and Louis Koch Collection of finger rings was originally collated by a jeweller from Frankfurt am Main, once described as the German 'Cartier and Faberge'. By 1909 the collection comprised 1,722 rings from Antiquity to 1900. Rene Lalique, a contemporary of the time, was included, undoubtedly as a moderniser of the ring form. In the past twenty-five years the fourth generation of the family continued where Louis Koch and his wife Alice left off and expanded the collection to include rings from the twentieth and twenty-first centuries. This publication will present the complete collection of contemporary rings, now kept in the Swiss National Museum, Zurich. Nearly 600 rings by artist jewellers from around the world document how these miniature works of art have become modern sculptures showcasing new materials and techniques, daring designs and current themes. Text in English and German.

Romance, love and courtship are as universal as the precious jewels they inspire, objects which express deep affection for a loved one and eternal commitment. Wedding traditions have evolved over thousands of years and are based on blessing the couple with good luck and good wishes for unity, happiness and prosperity. The ring is the most personal of all jewels, its endless circular form symbolising the everlasting union of two people. The tradition of giving a betrothal or wedding ring as a promise of marriage goes back to ancient Rome and the ring was believed to have a direct link to the heart when worn on the ring finger of the left hand. It was not until the 15th century that diamond rings were primarily associated with marriage, but from the earliest times rubies or garnets were emblems of passionate love, diamonds or rock crystals symbolised virtue and constancy, sapphires denoted eternal love and emeralds desire and hope. Decorative motifs such as clasped hands, lovers’ knots, crowned hearts, Cupid’s arrows, flowers with hidden messages, snakes and butterflies were imaginatively used by jewellers to create magnificent jewels as symbols of romantic love.

The extraordinary life of Barbara Cartlidge (b. 1922 in Berlin) - influential gallerist, curator, jewellery artist and author - together with the history of her legendary Electrum Gallery, which she founded in 1971 with Ralph Turner in London, are documented for the first time in a single publication. Pioneers and colleagues as well as around seventy internationally renowned artists of the gallery all have their say and, in anecdotes and recollections, countless illustrations and hitherto unpublished images, tell of a strong and resolute woman and the significance of her gallery as a promoter and platform for the understanding of contemporary art jewellery. Particular attention is paid to the life of Barbara Cartlidge, who fled from Germany in 1938. For over fifty years she was a driving force in what she described as the 'the brotherhood of jewellers who make modern and thought-provoking jewellery all over the world'.