Benjamin Bratton

The Revenge of the Real envisions a new positive biopolitics that recognises that how populations govern themselves is literally a matter of life and death. We are grappling with multiple interconnected dilemmas - climate change, pandemics, the tensions between the individual and society - all of which have to be addressed on a planetary scale. Even when separated, we are still enmeshed. Can the world govern itself differently? If so, what models and philosophies are needed? Bratton argues that, instead of thinking of technology as something that happens to society, we must see how it can form the basis of a politics of infrastructure, knowledge, and direct intervention. He urges us to reconsider questions of "surveillance" in the face of necessary testing and care. He asks what did the "mask wars" reveal about the destructive nature of individualism as the basis of sovereignty? The book proposes that it is time to transform how we live, work and thrive. Rethinking governance means rethinking how we interact with each other as a global population, and how we ensure our obligations to each other. For this, we should build a society based in a new rationality of inclusion, care and foresight.

COVID-19 exposed the pre-existing conditions of the current global crisis. Many Western states failed to protect their populations, while others were able to suppress the virus only with sweeping social restrictions. In contrast, many Asian countries were able to make much more precise interventions. Everywhere, lockdown transformed everyday life, introducing an epidemiological view of society based on sensing, modeling, and filtering. What lessons are to be learned? The Revenge of the Real envisions a new positive biopolitics that recognizes that governance is literally a matter of life and death. We are grappling with multiple interconnected dilemmas-climate change, pandemics, the tensions between the individual and society-all of which have to be addressed on a planetary scale. Even when separated, we are still enmeshed. Can the world govern itself differently? What models and philosophies are needed? Bratton argues that instead of thinking of biotechnologies as something imposed on society, we must see them as essential to a politics of infrastructure, knowledge, and direct intervention. In this way, we can build a society based on a new rationality of inclusion, care, and prevention.

The Terraforming is the comprehensive project to fundamentally transform Earth's cities, technologies, and ecosystems to ensure that the planet will be capable of supporting Earth-like life. Artificiality, astronomy, and automation form the basis of that alternative planetarity. This short book was written in July 2019. It is is an opening brief and manifesto for The Terraforming urban design research programme at the Strelka Institute in Moscow. It is a narrowly targeted polemic against dominant modes of planetarity and a rejoinder to inadequacies seen in how critical philosophy and design seeks to confront them. The title refers both to the terraforming that has taken place in recent centuries in the form of urbanisation, and to the terraforming that must now be planned and conducted as the planetary design initiative of the next centuries if true catastrophes are to be prevented. The term 'terraforming' usually refers to transforming the ecosystems of other planets or moons to make them capable of supporting Earth-like life, but the looming ecological consequences of what is called the Anthropocene suggest that in the decades to come, we will need to terraform Earth if it is to remain a viable host for Earth-like life. Planetarity itself comes into focus through orbiting imagining and terrestrial modeling technologies (satellites, sensors, servers in sync) that have made it possible to measure climate change with any confidence. We will explore a renewed Copernican turn, and how the technologically mediated shift away from anthropocentric perspectives is crucially necessary in both theory and practice. The Copernican turn is also a trauma, as Freud once suggested, but this is one that demands more agency, not less. The implications of the shift are perhaps counterintuitive. Instead of reviving ideas of 'nature,' we will reclaim 'the artificial'-not as in 'fake,' but rather 'designed'-as a foundation which links the mitigation of anthropogenic climate change to the geopolitics of automation. For this, urban-scale automation is seen as part of an expanded landscape of information, agency, labor, and energy that is part of a living ecology, not a substitute for one. As such, the focus of urban design research shifts toward the governance of infrastructures that operate on much longer timescales than our cultural narratives.

What is the new normal? Something has shifted, it seems. We are making new worlds faster than we can keep track of them, and the pace is unlikely to slow. If our technologies have advanced beyond our ability to conceptualize their implications, such gaps can be perilous. In response, one impulse is to pull the emergency brake and try to put all the genies back in their bottles. But this is ill-advised (and hopeless). Instead, it is better to invest in emergence, in contingency; to map the new normal for what it is, and to shape it towards what it should be. Part manifesto and part syllabus, this essay by design theorist Benjamin H. Bratton describes his vision for how design should approach and intervene in the new normal, and what kinds of cities we should be planning for now. Bratton is the Programme Director of Strelka Institute for Media, Architecture, and Design in Moscow, a resilient beacon of generous futurism at a time and place at the centre of contemporary twists and turns. The essay outlines The New Normal post-graduate think-tank at Strelka, which brings together architects, programmers, interaction designers, game designers, artists, philosophers, filmmakers, novelists, economists, and 'free-range' computer scientists. They study with Keller Easterling, Lev Manovich, Metahaven (Vinca Kruk and Daniel Van Der Velden), Casey Reas, Liam Young, and many others.