Beth Roy

Both theoretical and narrative, the book draws on the author’s long experience as a mediator and counselor to examine the ways in which members of society are dehumanized by institutional oppression and contribute to that system. At the place where personal identity and institutional oppression meet there lie reasons beyond morality for all people, especially those with apparent privilege, to resist inequities based in race, gender, class or generation. Reclaiming Humanity explores the psychological and political ways modern individuals become dehumanized, even as we are recruited into systems that dehumanize others. Through stories of personal exploration and learning, the book delves into dynamics by which we consent to systems that deprive us of well-being. Reclaiming Humanity then moves beyond understanding how profoundly we’ve lost the art of community connection to open up creative visions of a truly humane social order. Through these narratives and explorations, the work discusses practical directions for mediators, activists, and other seekers after justice.

For eight years, the San Francisco neighborhood of Bernal Heights was mired in controversy. Traditionally a working-class neighborhood known for political activism and attention to community concerns, Bernal housed a diverse population of Latino, Filipino, and European heritage. The branch library, beloved in the community, was being renovated, raising the issue of whether to restore or paint over a thirty-year-old mural on its exterior wall. To some of the residents the artwork represented their culture and their entitlement to live on the hill. To others, the mural blighted a beautiful building. To resolve this seemingly intractable conflict, area officials convened a mediation led by Roy, an experienced mediator and Bernal resident. The group, which reflected the wide range of ethnic and socioeconomic backgrounds in the community, ultimately came to a strong consensus, resulting in the reinterpretation of the artwork to reflect changing times and to honor the full population of the neighborhood. The Bernal Story recounts in detail how the process was designed, who took part, how the group of twelve community representatives came to a consensus, and how that agreement was carried into the larger community and implemented. Roy's firsthand account offers an essential tool for training community leaders and professional mediators, a valuable case history for use in sociology and conflict resolution courses, and a compelling narrative.

When four New York City police officers killed Amadou Diallo in 1999, the forty-one shots they fired echoed loudly across the nation. In death, Diallo joined a long list of young men of color killed by police fire in cities and towns all across America. Through innuendos of criminality, many of these victims could be discredited and, by implication, held responsible for their own deaths. But Diallo was an innocent, a young West African immigrant doing nothing more suspicious than returning home to his Bronx apartment after working hard all day in the city. Protesters took to the streets, successfully demanding that the four white officers be brought to trial. When the officers were acquitted, however, horrified onlookers of all races and ethnicities despaired of justice. In ""41 Shots...and Counting"", Beth Roy offers an oral history of Diallo's death. Through interviews with members of the community, with police officers and lawyers, with government officials and mothers of young men in jeopardy, the book traces the political and racial dynamics that placed the officers outside Diallo's house that night, their fingers on symbolic as well as actual triggers. With lucid analysis, Roy explores events in the courtroom, in city hall, in the streets, and in the police precinct, revealing the interlacing conflict dynamics. ""41 Shots...and Counting"" allows the reader to consider the implications of the Diallo case for our national discourses on politics, race, class, crime, and social justice.

Trained sociologist and therapist Roy interviews white alumni of Central High in Little Rock, Arkansas to investigate the reasons behind their resistance to desegregation in 1957. They also explore their lives since then, their present insecurities and resentments as they near retirement age, the shaping the white identities in the second half of the century, and lingering dissatisfaction and anger.

Fascinating in its combination of personal stories and analytical insights, "Some Trouble with Cows" will help students of conflict understand how a seemingly irrational and archaic riot becomes a means for renegotiating the distribution of power and rights in a small community. Using first-person accounts of Hindus and Muslims in a remote Bangladeshi village, Beth Roy evocatively describes and analyzes a large-scale riot that profoundly altered life in the area in the 1950s. She provides a rare glimpse into the hearts and minds of the participants and their families, while touching on a range of broader issues that are vital to the sociology of communities in conflict: the changing meaning of community; the impact of the state on local society; the nature of memory; and, the force of neighborly enmity in reshaping power relationships during periods of change. Roy's findings illustrate important theoretical issues in psychology and sociology, and her conclusions will greatly interest students of ethnic/race relations, conflict resolution, the sociology of violence, agrarian society, and South Asia.