Brian Haymes

This book fuses the Church's traditional doctrine of the Communion of Saints and Baptists' theology of salvation and discipleship--charting how Baptists can speak of a communion of saints here and now. Paul Fiddes and his coauthors emphasize that this communion is only possible within the fellowship of the triune God who covenants with and for believers. Reframing communion within a theology of covenant enables the affirmation of the practice of prayer and mutual support with all faithful disciples, both alive and dead. Such a covenantal understanding of communion avoids an unhealthy obsession with communication with those who have died. Baptists and the Communion of Saints thus makes a significant and practical difference in the way Baptists understand the nature of the church, prepare their worship, care for the dying and the bereaved, go on spiritual journeys, and celebrate baptism and the Lord's Supper.

This book is a follow-up to a previous volume by the same three authors, Baptists and the Communion of Saints: A Theology of Covenanted Disciples, though it does not require familiarity with the first study. The present book offers new perspectives on belief in the ""communion of saints"" by interpreting it through the idea of ""covenant,"" with its two dimensions of relations with God and with each other. Giving attention to the creative arts of painting, music, poetry, and story writing, the authors explore ""indications"" of a hidden ""communion of saints"" through embodiment, memory, and connectivity. Included are studies of the work of visual artists Paul Nash and Mark Rothko; musicians John Tavener, Elgar, and Brahms; and writers Thomas Hardy, T. S. Eliot, and James Joyce. Theological reflection on these hints of communion offers a vision of an ongoing communion of prayer with the saints, alive and dead, which does not depend on a dualistic idea of a disembodied soul existing after death but which affirms the Christian tradition of the resurrection of the body. Communion, covenant, and creativity are thus linked to develop a Christian aesthetics based on a mutual indwelling between the triune God and the world.

This book is a follow-up to a previous volume by the same three authors, Baptists and the Communion of Saints: A Theology of Covenanted Disciples, though it does not require familiarity with the first study. The present book offers new perspectives on belief in the ""communion of saints"" by interpreting it through the idea of ""covenant,"" with its two dimensions of relations with God and with each other. Giving attention to the creative arts of painting, music, poetry, and story writing, the authors explore ""indications"" of a hidden ""communion of saints"" through embodiment, memory, and connectivity. Included are studies of the work of visual artists Paul Nash and Mark Rothko; musicians John Tavener, Elgar, and Brahms; and writers Thomas Hardy, T. S. Eliot, and James Joyce. Theological reflection on these hints of communion offers a vision of an ongoing communion of prayer with the saints, alive and dead, which does not depend on a dualistic idea of a disembodied soul existing after death but which affirms the Christian tradition of the resurrection of the body. Communion, covenant, and creativity are thus linked to develop a Christian aesthetics based on a mutual indwelling between the triune God and the world.

The aim of the book is to reexamine Baptist theology and practice in the light of the contemporary biblical, theological, ecumenical and missiological context, drawing on historical and contemporary writings and issues. It is not a study in denominationalism but rather seeks to revision historical insights from the believers' church tradition for the sake of Baptists and other Christians in the context of the modernpostmodern context.