Bruce Kapferer

The Sinhalese exorcism rituals are perhaps the most complex and the most magnificent in performance still extant. For this second edition, the author has written a new preface and introduction in which he argues that the techniques of healing in Sri Lanka and the aesthetics of this healing cannot be reduced to Western psychoanalytic or psychotherapeutic terms, and develops new and original approaches to ritual and the aesthetic in general.

Despite mixed critical reception, Stanley Kubrick's 2001: A Space Odyssey mesmerized audiences at the time of its initial screening in 1968 and went on to become one of the highest-grossing films of the decade. In "2001 and Counting", Bruce Kapferer revisits the film, making a case for its continued cultural relevance. While the film's earliest audiences considered it to be a critical examination of European and American realities at the height of the Cold War, Kapferer shows that Kubrick's masterwork speaks equally well to concerns of the contemporary world, including the Iraq War, the 2008 financial crisis, and the material and political effects of neoliberalism. Kapferer explores Kubrick's central themes both with regard to current events and through the lens of Nietzsche's Thus Spoke Zarathustra and the mythical concept of the eternal return.

The civil war in Sri Lanka and the part that nationalism seemed to play in it inspired the writing of this book some twenty-three years ago. The argument was developed through a comparative analysis of nationalism in Sri Lanka with the author’s native Australia. At the time this constituted an innovative approach to comparison in anthropology, as well as to nationalism and its possibilities. It was not based on differences but on the way in which perspectives from within the two nationalisms, when seen side-by-side, could present an understanding of their implication in producing the violence of war, racism, and social exclusion. The book has lost none of its importance and urgency as proven by the chapters in the Appendix, written by top scholars working in Sri Lanka and in Australia. These contributions bring together new material and critically explore the book’s themes and their continued relevance to the various trajectories in nationalist processes since the first publication of the book.

Sorcery has long been associated with the "dark side" of human development, along with magic and witchcraft. This text argues, however, that sorcery practices reveal critical insights into how consciousness is formed, and how human beings constitute their social and political realities. Kapferer focuses on sorcery among Sinhalese Buddhists in Sri Lanka to explore how the art of sorcery is deeply connected to social practices and lived experiences such as birth, death, sickness, and war. He describes in detail the central ritualism of exorcism, a study which challenges anthropological approaches to such topics as the sources of emotion and the dynamics of power. Seeking to overcome both "orientalist" bias and postmodern permissiveness, the book reframes sorcery as a pragmatic, conscious practice that, through its dynamic of destruction and creation, makes it possible for humans to reconstruct repeatedly their relation to the world.

Sorcery has long been associated with the "dark side" of human development, along with magic and witchcraft. This text argues, however, that sorcery practices reveal critical insights into how consciousness is formed, and how human beings constitute their social and political realities. Kapferer focuses on sorcery among Sinhalese Buddhists in Sri Lanka to explore how the art of sorcery is deeply connected to social practices and lived experiences such as birth, death, sickness, and war. He describes in detail the central ritualism of exorcism, a study which challenges anthropological approaches to such topics as the sources of emotion and the dynamics of power. Seeking to overcome both "orientalist" bias and postmodern permissiveness, the book reframes sorcery as a pragmatic, conscious practice that, through its dynamic of destruction and creation, makes it possible for humans to reconstruct repeatedly their relation to the world.

The Sinhalese exorcism rituals are perhaps the most complex and the most magnificent in performance still extant. For this second edition, the author has written a new preface and introduction in which he argues that the techniques of healing in Sri Lanka and the aesthetics of this healing cannot be reduced to Western psychoanalytic or psychotherapeutic terms, and develops new and original approaches to ritual and the aesthetic in general.