Carl Little

Siri Beckman made her way to Maine in the late 1970s, where she was “called” to wood engraving quite by accident. She has been practicing this art form for over forty years and this volume, featuring more than 100 of her images, is a celebration of her life's work and legacy. Text by Beckman discusses the process of wood engraving and her passion for printmaking and book arts. Carl Little ties her work to place and establishes its place in the canon of Maine art.

Bronze Medal, 2025 IPPY Award for US Northeast - Best Regional NonfictionFinalist, 2025 Maine Literary Award for Excellence in Publishing Glorious Penobscot Bay, on the coast of Maine, with its quaint mainland towns, bustling tourist centers, and island fishing villages, stands as the backdrop of daydreams. The bay's sheer beauty has attracted generation after generation of artists to its shores. For Art of Penobscot Bay, brothers David and Carl Little, well-known stewards of Maine art, have selected art and artists, from history and today, that celebrate the myriad of inlets, islands, coves, and peninsulas--the "nooks and corners" of the region. Above all, they sought out art infused with a remarkable representation of place by more than 120 artists who have embraced the area and its people. Art of Penobscot Bay includes artists from the 19th century through the 21st century, including Fitz Henry Lane, Waldo Peirce, Edward Hopper, William Zorach, John Marin, Emily Muir, Greta Van Campen, Alex Katz, Eric Hopkins, and Amy Peters Wood. Combined with text by the Little brothers, the art takes readers on a wondrous visual journey around, across, and through a breathtaking bay.

The city of Portland and its surroundings, including the islands of Casco Bay, have inspired a wide range of art over the past 200 years. The “city by the sea,” as Longfellow famously called it, has been a visual talisman for a host of artists, from early masters like Harrison Bird Brown and John Bradley Hudson to a remarkable roster of contemporary painters. Subjects include many of the city’s signature buildings, including the Custom House and Portland Head Light, as well as street scenes, the waterfront, harbor, back bay, and surrounding landscapes—even the Million Dollar Bridge. Paintings of Portland will feature a wide range of motifs, in all seasons and represented by an array of styles. About a quarter of the book will be devoted to historical pieces, the rest to paintings by contemporary artists.

From his earliest work with glass to the stunning aerial panoramas of Maine islands that have gained him far-reaching fame, Eric Hopkins has consistently explored boundaries-of medium, of space, of vision. Nurtured on North Haven Island, Hopkins attended the Rhode Island School of Design and the Montserrat College of Art and taught at the Haystack School of Crafts; an important mentor along the way was glass master Dale Chihuly. Taking to the air in the early 1980s, he developed those signature views coveted by collectors: energized renderings of coastal motifs, in which horizons bend and an archipelago of spruce-topped isles spreads across the canvas. Eric Hopkins: Above and Beyond is the first book to present a wide range of the breathtaking work of an eminent American artist.

Stunning reproductions of artworks of eighty acclaimed artists--including Jamie Wyeth, Hopper, Kent, Frederick, Henri, Bellows, and Bogdanov--reveal the artistic and cultural origins of works inspired by the island of Monhegan, Maine.

Spanning more than a century, this collection of 77 images, together with an accessible, informative text, perfectly captures the feeling, atmosphere, beauty, and uniqueness of the Maine islands.

In this lavishly illustrated book, the authors have gathered a fascinating selection from 148 artists, some relatively unknown, others due for rediscovery, and many whose work is respected worldwide, such as Rockwell Kent, George Bellows, Edward Hopper, the Wyeths (N. C., Andrew, and Jamie), and Robert Henri.