Carole Satyamurti

The Mahabharata, originally composed some two thousand years ago is an epic masterpiece, "a hundred times more interesting" than the Iliad and the Odyssey (Wendy Doniger), it is a timeless work that evokes a world of myth, passion and warfare while exploring eternal questions of duty, love and spiritual freedom. A seminal Hindu text, it is one of the most important and influential works in the history of world civilisation. This new English retelling, innovatively composed in blank verse, covers all the books of the Mahabharata. It masterfully captures the beauty, excitement and profundity of the original Sanskrit poem as well as its magnificent architecture and extraordinary scope.

The Mahabharata, originally composed some two thousand years ago is an epic masterpiece, "a hundred times more interesting" than the Iliad and the Odyssey (Wendy Doniger), it is a timeless work that evokes a world of myth, passion and warfare while exploring eternal questions of duty, love and spiritual freedom. A seminal Hindu text, it is one of the most important and influential works in the history of world civilisation. This new English retelling, innovatively composed in blank verse, covers all the books of the Mahabharata. It masterfully captures the beauty, excitement and profundity of the original Sanskrit poem as well as its magnificent architecture and extraordinary scope.

The Hopeful Hat is Carole Satyamurti's last collection. She was preparing these poems for publication at the time of her death, and left the manuscript in an advanced state of readiness. The sequencing of the poems, and the sections they are grouped in, had already been decided by her. These late poems are informed by Satyamurti's keen eye for social injustice and, equally, by the breadth of her compassion. Poignantly, they are also her nuanced poetic response to having her voice box removed following a diagnosis of laryngeal cancer. The poems' formal accomplishment is carried lightly; characteristically, it is this light touch that enables Satyamurti to move so deeply. Clear-eyed in the face of her own mortality, she produced a series of courageous poems that are, as Carol Ann Duffy said of her work, 'laced with the hard stuff'. They are also graced with Satyamurti's unique and subtle wit. The preface by the poet's daughter, Emma Satyamurti, places this collection in the larger context of four decades of published work, and provides an illuminating insight into the poems gathered together here. Poetry Book Society Recommendation.

The central theme of Carole Satyamurti's new collection is the shifting relationship between loss and gain. It explores the varied ways in which that relationship is played out in day-to-day experience. The poems range from personal to the political, the psychological to the scientific, many addressing the human cost of war and terror, most notably in 'Memorial', written after a visit to Oradour-sur-Glane, the still desolate French village where six hundred innocent people were massacred in 1944. A sense of the transience and fragility of life runs through all the poems - whether it is life cut short prematurely, or the natural process of ageing. And under that is the profound mystery of time itself - how are we to conceive of it? How can we best live within its inexorable constraints? And how can we engage with it in language? The poems address these questions with both seriousness and humour, as well as bringing to bear a sharp eye for detail.

Carole Satyamurti's poetry explores love, attachment and the fragility of personal survival, charting the tension between connected and separate lives. With an unflinching eye, she takes on complex and often painful subject-matter - cancer for instance or raising a disabled child. Many of her poems hinge on a turning-point or a place where one life touches another, bearing witness to the way we imagine - or fail to imagine - the otherness of others. Stitching the Dark draws on four previous books and includes a whole new collection, her strongest and most formally adventurous. In these new poems, there is a deeper engagement with the universal predicament of how to live in the face of mortality - of what it means to exist, and to cease existing. The title suggests that the act of writing - the search for the right words - is an attempt to repair, illuminate, and give form to what is unknown, fearful, perplexing. But the collection is by no means solemn. There is also wit and celebration, dark humour and a fine sense of the absurd, as well as poems challenging our responses to events that do not affect us directly. She also published a later collection, Countdown (2011).