Carolyn Oliver

Inspired by the Greek myth of Alcestis, this poetry collection brings to life myriad voices who venture beyond the known world and exist between realities. In Greek mythology, Alcestis descends to the mysterious kingdom of death in her beloved’s place. In The Alcestis Machine, Carolyn Oliver’s second poetry collection, loss and queer desire echo across the multiverse. “In another life, I’m a . . .” sea witch or swineherd, vampire or troubadour, florist or fossil or museum guard, Oliver writes. These parallel personas inhabit space stations and medieval villages, excavate the Devonian seabed, and plumb a subterranean Anthropocene. In possible futures and imagined pasts, they might encounter “all wrong turns and broken signs” or carry “a suitcase full of stars.” Oliver’s poems are animated by lush, unsettling verse and forms both traditional and experimental. The Alcestis Machine demonstrates how very present absence can be and how desire knows no boundaries. In neighborhood subdivisions or the vast reaches of space, it’s impossible to know “whose time is slipping / again.” Anyone “could come loose / from gravity’s shine.”

Inside this debut collection, girlhood’s dangers echo, transmuted, in the poet’s fears for her son. A body just discovering the vastness of “want’s new acreage” is humbled by chronic illness. Epithalamion turns elegy. But this world that so often seems capricious in its cruelty also shelters apple orchards, glass museums, schoolchildren, century-old sharks; “there’s no accounting for / all we want to save, no names.” Oliver’s polyphonic gathering of speakers includes lovers and saints, painters and dead poets, a hawk and a mother. In varied forms (ghazals and prose poems, dialogues and erasures, bref double and Golden Shovel, among others) these poems bear witness to and seek reprieve from disasters at once commonplace and terrifying. “I can’t surface for every scalpel slice, / I need a dreamy estuary present,” she writes. Stumbling toward joy across time and space, these poems hum with fear and desire, bewildering loss, and love’s lush possibilities.

Strengths-based, solution-focused practice is one of the most exciting areas of contemporary child protection work. The demand for this protection practice has increased faster than the availability of training resources to help students and practitioners, until now. Strengths-Based Child Protection is the first textbook solely dedicated to furthering strengths-based practices in a child protection setting. Carolyn Oliver provides an original, accessible, and practical research-based model that focuses on the key to success in this field: the worker-client relationship. Oliver’s long and varied front line experience in child welfare and research based on surveys and interviews with 225 child protection workers provides grounding in the realities of child protection work. Strengths-Based Child Protection contains a rich combination of case studies, reflective questions, and exercises that enable students and practitioners to conceptualize and master implementing strengths-based practices with children.