Cesar Cui

The genres of chamber vocal music occupy a significant place in the work of Cesar Antonovich Cui (1835-1918). A composer, music critic, member of the Balakirev circle was the author of more than four hundred songs and romances. The collection includes selected works on lyrics by Pushkin, Pleshcheev, A. Tolstoy, Polezhaev, Maikov, Heine and others. The edition is addressed to beginners and professional musicians, as well as to a wide range of vocal music lovers. ContentsMay day. Words by A. PleshcheevSpring. Words. P. ModzalevskyAutumn! It's crumbling... Words by A. TolstoyAutumn. Words by A. PleshcheevSpring song. Words by I. BelousovTsarskoye Selo statue. Words by A. PushkinMartin. Words by A. PleshcheevThrough the hanging mists. Words by A. PushkinChrist is risen. Words by A. MaykovThe fire of love burns in the soul. Words by A. PolezhaevAbout what in the silence of the night. Words by A. MaykovIn my sleep I cried inconsolably. Words by G. Heine, translationM. MikhailovaIt was getting dark. Words by A. TolstoyMy darling. Words by A. Mitskevich, translation by N. BergaTo the bell, peacefully dozing. Words by A. TolstoyWhen with blue eyes... Words by G. Heine, translationN. BergaNightingale. Words by A. PushkinI loved you... Words by A. PushkinBurnt letter. Words by A. PushkinUnder the blue sky. Words by A. PushkinWe are free little birds. Words by F. Tumansky (?)Gallant steed. Words by V. TumanskyFrom my tears. Words by G. Heine, translationM. MikhailovaI remember the evening. Words by N. ZhandreAeolian harps. Words by A. MaykovBunny. Words by F. BergBolero. Words by Ts. CuiBaben. Words by an unknown authorNo, no, I shouldn't. Words by A. PushkinI'm familiar with the fight. Words by A. PushkinI'm smart and smart. Folk wordsBubble. Words by V. ZhukovskyAt Katenka's playful place. Words by V. ZhukovskyCat and goat. Words by V. Zhukovsky

"Paraphrases on an Unchanging Theme" is a collection consisting of 24 variations and 17 pieces created by the composers of the Balakirev circle, Shcherbachiov and Liszt. Each piece is based on the simplest theme, called "Coteletten". The theme can be played with one finger, but a pianist is needed to accompany it. The edition is addressed to teachers and pupils of children's music schools and children's schools of arts, as well as all interested in musical literature for piano.

Na protjazhenii mnogikh vekov osnovoj moguschestva i nepobedimosti gosudarstv sluzhili moschnye krepostnye steny, bashni i bastiony, a umevshie ikh stroit spetsialisty tsenilis ne menshe, chem samye talantlivye polkovodtsy. Istorii fortifikatsionnogo iskusstva Evropy i Rossii s drevnejshikh vremen do kontsa XIX veka posvjaschena eta kniga. Ejo avtor - Tsezar Kjui, krupnyj voennyj inzhener, professor neskolkikh akademij, chitavshij lektsii dazhe buduschemu imperatoru Nikolaju II. Trud, javljajuschijsja klassicheskim v svoej oblasti, izdaetsja vpervye s 1897 goda. V knige podrobno opisano, kak postepenno sovershenstvovalis oboronitelnye sooruzhenija i sposoby ikh ataki, kakie sistemy ukreplenij sozdavalis vydajuschimisja evropejskimi i rossijskimi inzhenerami. V kachestve primerov razbiraetsja ustrojstvo mnogikh primechatelnykh krepostej i fortov. Kniga izdaetsja s tschatelno podobrannymi illjustratsijami, sredi kotorykh sovremennye fotografii, proizvedenija izobrazitelnogo iskusstva, mnogochislennye chertezhi i plany. V kontse knigi pomeschen slovar fortifikatsionnykh terminov. V tseljakh sodejstvija izucheniju istorii kniga rekomendovana Rossijskim voenno-istoricheskim obschestvom.

Shedevry fortepiannoj transkriptsii. Vypusk 45. Sergej Kursanov. Transkriptsii romansov russkikh kompozitorov na stikhi A. S. Pushkina. Rakhmaninov, Rubinshtejn, Vlasov, Kjui, Sheremetev, Rimskij-Korsakov, Ljapunov

The Suite was composed by Cui in 1883 and dedicated to F. Liszt. The composition is remarkable for its large scale and virtuosity. The current edition is based on the only original publication by V. Bessel. CONTENTS1. Impromptu2. Tenebres et lueurs3. Intermezzo4. Alia Polacca

The collection includes some works by Tchaikovsky, Taneev, Cui, Feygin, Knipper. They are largely used in educational practice. For pupils of children's music schools and students of music colleges. CONTENTSP. Tchaikovsky. ScherzoS. Taneev. Introduction and Scherzo from String Quartet No. 7?. Cui. Perpetuum mobileL. Feygin. Summons of the Doyra. Op. 34 No. 2L. Knipper. Dance

Eto odna iz samykh "zagadochnykh" oper velikogo russkogo kompozitora. Musorgskij otzyvalsja on nej kak o tom istochnike, iz kotorogo on cherpal svoju intonatsionnuju "pravdu" - zhivoj rechitativnyj potok, chutkij k slovu. Opera Dargomyzhskogo byla, sozdannaja po odnoimennoj "Malenkoj tragedii" A. Pushkina, odno iz samykh novatorskikh proizvedenij russkoj opernoj klassiki. Opera pisalas ne na libretto, a na sam tekst tragedii, chto opredelilo osobennosti vzaimodejstvija v nej slova i muzyki. A eto, v svoju ochered, opredelilo i originalnyj stil vsego sochinenija, kotoryj predvoskhitil mnogie javlenija muzyki XX veka. Premera opery sostojalas 16 fevralja 1872 goda, no vskore ona soshla s teatralnykh podmostkov. Novaja postanovka sostojalas v 1906 godu, uzhe v redaktsii Rimskogo-Korsakova.