Charles Dickens

This book is a result of an effort made by us towards making a contribution to the preservation and repair of original classic literature. In an attempt to preserve, improve and recreate the original content, we have worked towards: 1. Type-setting & Reformatting: The complete work has been re-designed via professional layout, formatting and type-setting tools to re-create the same edition with rich typography, graphics, high quality images, and table elements, giving our readers the feel of holding a 'fresh and newly' reprinted and/or revised edition, as opposed to other scanned & printed (Optical Character Recognition - OCR) reproductions. 2. Correction of imperfections: As the work was re-created from the scratch, therefore, it was vetted to rectify certain conventional norms with regard to typographical mistakes, hyphenations, punctuations, blurred images, missing content/pages, and/or other related subject matters, upon our consideration. Every attempt was made to rectify the imperfections related to omitted constructs in the original edition via other references. However, a few of such imperfections which could not be rectified due to intentional\unintentional omission of content in the original edition, were inherited and preserved from the original work to maintain the authenticity and construct, relevant to the work. We believe that this work holds historical, cultural and/or intellectual importance in the literary works community, therefore despite the oddities, we accounted the work for print as a part of our continuing effort towards preservation of literary work and our contribution towards the development of the society as a whole, driven by our beliefs. We are grateful to our readers for putting their faith in us and accepting our imperfections with regard to preservation of the historical content. HAPPY READING

This book is a result of an effort made by us towards making a contribution to the preservation and repair of original classic literature. In an attempt to preserve, improve and recreate the original content, we have worked towards: 1. Type-setting & Reformatting: The complete work has been re-designed via professional layout, formatting and type-setting tools to re-create the same edition with rich typography, graphics, high quality images, and table elements, giving our readers the feel of holding a 'fresh and newly' reprinted and/or revised edition, as opposed to other scanned & printed (Optical Character Recognition - OCR) reproductions. 2. Correction of imperfections: As the work was re-created from the scratch, therefore, it was vetted to rectify certain conventional norms with regard to typographical mistakes, hyphenations, punctuations, blurred images, missing content/pages, and/or other related subject matters, upon our consideration. Every attempt was made to rectify the imperfections related to omitted constructs in the original edition via other references. However, a few of such imperfections which could not be rectified due to intentional\unintentional omission of content in the original edition, were inherited and preserved from the original work to maintain the authenticity and construct, relevant to the work. We believe that this work holds historical, cultural and/or intellectual importance in the literary works community, therefore despite the oddities, we accounted the work for print as a part of our continuing effort towards preservation of literary work and our contribution towards the development of the society as a whole, driven by our beliefs. We are grateful to our readers for putting their faith in us and accepting our imperfections with regard to preservation of the historical content. HAPPY READING

This book is a result of an effort made by us towards making a contribution to the preservation and repair of original classic literature. In an attempt to preserve, improve and recreate the original content, we have worked towards: 1. Type-setting & Reformatting: The complete work has been re-designed via professional layout, formatting and type-setting tools to re-create the same edition with rich typography, graphics, high quality images, and table elements, giving our readers the feel of holding a 'fresh and newly' reprinted and/or revised edition, as opposed to other scanned & printed (Optical Character Recognition - OCR) reproductions. 2. Correction of imperfections: As the work was re-created from the scratch, therefore, it was vetted to rectify certain conventional norms with regard to typographical mistakes, hyphenations, punctuations, blurred images, missing content/pages, and/or other related subject matters, upon our consideration. Every attempt was made to rectify the imperfections related to omitted constructs in the original edition via other references. However, a few of such imperfections which could not be rectified due to intentional\unintentional omission of content in the original edition, were inherited and preserved from the original work to maintain the authenticity and construct, relevant to the work. We believe that this work holds historical, cultural and/or intellectual importance in the literary works community, therefore despite the oddities, we accounted the work for print as a part of our continuing effort towards preservation of literary work and our contribution towards the development of the society as a whole, driven by our beliefs. We are grateful to our readers for putting their faith in us and accepting our imperfections with regard to preservation of the historical content. HAPPY READING

Originally published in serial form from 1855 to 1857, "Little Dorrit" is characteristic of Charles Dickens' later works. The story is a condemnation of British society, particularly of the system of debtor's prisons, an issue that was of particular importance to Dickens as his father had been imprisoned for his debts when Dickens was a young man. Through the memorable characters of Little Amy Dorrit and her father William Dorrit, as well as the disenchanted Arthur Clennam, recently returned from abroad, Dickens weaves a suspenseful tale that plumbs the depths of lives confined by poverty and their own internal shortcomings. Despite the changing fortunes of many of the characters, financial scandal and personal ruin is never far behind them, and they must use their wits and intelligence to seek freedom in unexpected ways. "Little Dorrit" is in turns a touching romance, a biting social commentary, and a cautionary tale of lies, and personal responsibility. Dickens, at the height of his illustrious career, employs his masterful irony, humor, and experienced writing style to create a powerful story about both physical and psychological imprisonment, as well as the freedom of a spirit that feels love, kindness, and acceptance. This edition is printed on premium acid-free paper.

Can one lonely little boy show the strength and determination to survive the dangers that lie ahead? Travelling along the rocky road from boyhood to manhood, how can David learn who to trust and who to love? Will David’s friends bring him happiness or heartache? In this inspiring tale of trust, betrayal, courage and love, Charles Dickens presents a world of colourful characters to amuse us, astonish us, disgust us and move us to tears. Once encountered, David Copperfield’s friends and enemies will never be forgotten.

Dickens was known as one of the best after-dinner speakers of his day. It was a period when elaborate formal dinners were the standard fundraising method for charities and other institutes, and the speeches at such occasions were printed by newspapers from shorthand reports on the occasion. Dickens himself did not use notes, but these eyewitness reports allow the reader to gain a very close idea of what he actually said on hundreds of public occasions throughout his career. The organisations he was involved with - here elaborated by extensive headnotes on his participation in each body - give key insights into his activities and thinking beyond literature which are much enriched by reading what he said about them to their members and supporters. As the editor states in his introduction, the speeches are in their own way as important an insight into Dickens as his letters. The late Prof. K. J. Fielding's edition of the Speeches is universally acknowledged as the academic standard version. Each speech was carefully collated from the original reports and any other available sources. Copious notes describe variations, suggested corrections, the context of each speech and further factual information where necessary to understand references made by Dickens. All of this has been preserved in this reprint, which makes the whole edition available for the first time since 1988. This edition is necessary reading for any serious scholar of Dickens or Victorian oratory, and will also be of great interest to anyone studying issues connected with Dickens such as nineteenth-century philanthropy, the 'dignity of literature' debates, transatlantic relations of the period or the changing statuses of novels, drama and journalism.

Martin Chuzzlewit is suspicious -- and with good reason. His relatives think he's dying and they're flocking to his side from near and far in eager anticipation of inheriting his vast wealth. Their greed and selfishness has made him a misanthrope, and when he finds his namesake grandson romancing his ward, the old man's wrath drives young Martin off to America to seek his fortune. Already famous as the author of The Pickwick Papers and Oliver Twist, Charles Dickens declared this, his sixth novel, as "immeasurably the best of my stories." The scheming Mr. Pecksniff, the corrupt Mrs. Gamp, the criminal Jonas Chuzzlewit, and other vividly realized characters populate this powerful black comedy, which features a parody of American mores and manners inspired by the author's 1842 visit to the United States. A captivating tale of hypocrisy and redemption, the novel is distinctive among Dickens' work for its combination of antic humor, searing satire, and lively melodrama.

"Wer kennt nicht die Geschichte des Gesch ftsmannes Ebenezer Scrooge, der Weihnachten hasst, ebenso wie die Menschen selbst und alles, was seiner Gier im Wege steht? Vergessen Sie den Film - lesen Sie das Original von Charles Dickens". Redaktion Gr ls-Verlag (Edition Werke der Weltliteratur)

Paris, New York, London och Tokyo - fyra världsmetropoler, fyra noveller som tar dig med på en resa i både tid och rum. Städerna är skildrade av några av våra största klassiker. Följ med till Honoré de Balzacs omsorgsfullt beskrivna Paris och dess slingrande gator, till Edith Whartons societetsliv på övre Manhattan och på Charles Dickens nattliga vandringar i ett ruffigt London. Och för första gången någonsin i svensk översättning: den japanska novellkonstens fader, Ryunosuke Akutagawa, som här tar dig med till några sömnlösa dygn i förra sekelskiftets Tokyo. Asken innehåller fyra böcker: Honoré de Balzac - En gata i Paris och dess invånareEdith Wharton - Kvicksand Charles Dickens - Natt i LondonRyunosuke Akutagawa - Kugghjul"Finaste gå bort-presenten" FeminaNovellix ger ut stora läsupplevelser i litet format! En novell per bok, och alltid med originalomslag av svenska formgivare, illustratörer och konstnärer. Novellerna säljs både styckvis och förpackade i fina presentaskar.

"Oliver Twist" was Charles Dickens' second novel, further establishing him as one of England's greatest writers of the 19th century. Set in London in the midst of an industrial revolution, the novel treats issues such as child labor, poverty, and criminal greed. It was originally published with the title "The Parish Boy's Progress."

Nadie podr dejar de amar y compadecer a George Silverman una vez conozca su historia, la que narra esta fascinante novela corta, una de las menos conocidas pero m s bellas de su autor, el gran novelista brit nico del siglo XIX. George es pobre y siempre tiene hambre; ha pasado su corta existencia en un l gubre s tano; sus padres acaban de morir... Pero, por fin, va a salir al exterior; a una vida m s pura, como insin a c nicamente su nuevo tutor, el Hermano Hawkyard, uno de esos personajes dickensianos tan inolvidables como retorcidos. En el «exterior conocer otras formas de desconsuelo, pero tambi n el amor. No one could help but love and pity George Silverman once they hear his story, written by the preeminent British novelist of the nineteenth century. George is poor, wretched, and lives in a basement--until he finally heads outside. There he discovers other forms of despair, but he also discovers love.