Complete Works of Charles Dickens (Volume 7): Dombey and Son By Charles Dickens Excerpt from Chapter I I MARK so bold as to believe that the faculty (or the habit) of correctly observing the characters of men, is a rare one. I have not even found, within my experience, that the faculty (or the habit) of correctly observing so much as the faces of men, is a general one by any means. The two commonest mistakes in judgment that I suppose to arise from the former default, are, the confounding of shyness with arrogance-a very common mistake indeed-and the not understanding that an obstinate nature exists in a perpetual struggle with itself. Mr. Dombey undergoes no violent change, either in this book, or in real life. A sense of his injustice is within him, all along. The more he represses it, the more unjust he necessarily is. Internal shame and external circumstances may bring the contest to a close in a week, or a day; but, it has been a contest for years, and is only fought out after a long balance of victory. I began this book by the Lake of Geneva, and went on with it for some months in France, before pursuing it in England. The association between the writing and the place of writing is so curiously strong in my mind, that at this day, although I know, in my fancy, every stair in the little midshipman's house, and could swear to every pew in the church in which Florence was married, or to every young gentleman's bedstead in Doctor Blimber's establishment, I yet confusedly imagine Captain Cuttle as secluding himself from Mrs. MacStinger among the mountains of Switzerland. Similarly, when I am reminded by any chance of what it was that the waves were always saying, my remembrance wanders for a whole winter night about the streets of Paris-as I restlessly did with a heavy heart, on the night when I had written the chapter in which my little friend and I parted company. ------------------------------------------------------------------------------------------------------------------------------------------ Windham Press is committed to bringing the lost cultural heritage of ages past into the 21st century through high-quality reproductions of original, classic printed works at affordable prices. This book has been carefully crafted to utilize the original images of antique books rather than error-prone OCR text. This also preserves the work of the original typesetters of these classics, unknown craftsmen who laid out the text, often by hand, of each and every page you will read. Their subtle art involving judgment and interaction with the text is in many ways superior and more human than the mechanical methods utilized today, and gave each book a unique, hand-crafted feel in its text that connected the reader organically to the art of bindery and book-making. We think these benefits are worth the occasional imperfection resulting from the age of these books at the time of scanning, and their vintage feel provides a connection to the past that goes beyond the mere words of the text.
