Charlie Porter

Johnny Grant faces stark life decisions. Seeking answers, he looks back to his relationship with Jerry Field. When they met, nearly thirty years ago, Johnny was 19, Jerry was 45. They fell in love and made a life on their own terms in Jerry's flat: 1, Nova Scotia House. Johnny is still there today - but Jerry is gone, and so is the world they knew. As Johnny's mind travels between then and now, he begins to remember stories of Jerry's youth: of experiments in living; of radical philosophies; of the many possibilities of love, sex and friendship before the AIDS crisis devastated the queer community. Slowly, he realizes what he must do next--and attempts to restore ways of being that could be lost forever. Nova Scotia House takes us to the heart of a relationship, a community and an era. It is both a love story and a lament; bearing witness to the enduring pain of the AIDS pandemic and honouring the joys and creativity of queer life. Intimate, visionary, and profoundly original, it marks the debut of a vibrant new voice in contemporary fiction, and a writer with a liberating new story to tell.

‘A work of genius’ Philip Hoare‘One of the best things I’ve read in many many years’ Hilton Als'Beautifully provocative ... the most compelling exploration of life, death, love and resistance that I've read for a very long time' Eimear McBrideA story of loss and grief, sex and love, and refusing to relinquish dreamsHe said he would understand if it was too much for me, that I could leave him, that I was young, I should be living, I said to him, I am living. Johnny Grant faces stark life decisions. Seeking answers, he looks back to his relationship with Jerry Field. When they met, nearly thirty years ago, Johnny was 19, Jerry was 45. They fell in love and made a life on their own terms in Jerry’s flat: 1, Nova Scotia House. Johnny is still there today – but Jerry is gone, and so is the world they knew. As Johnny’s mind travels between then and now, he begins to remember stories of Jerry’s youth: of experiments in living; of radical philosophies; of the many possibilities of love, sex and friendship before the AIDS crisis devastated the queer community. Slowly, he realizes what he must do next—and attempts to restore ways of being that could be lost forever. Nova Scotia House takes us to the heart of a relationship, a community and an era. It is both a love story and a lament; bearing witness to the enduring pain of the AIDS pandemic and honouring the joys and creativity of queer life. Intimate, visionary, and profoundly original, it marks the debut of a vibrant new voice in contemporary fiction, and a writer with a liberating new story to tell.

'He makes us see a subject we thought we knew so well from a completely different angle; in writing that is deeply researched, but inviting, warm, and full of personality' Katy Hessel'Charlie Porter is a magician' Olivia Laing Why do we wear what we wear? To answer this question, we must go back and unlock the wardrobes of the early twentieth century, when fashion as we know it was born. In Bring No Clothes, acclaimed fashion writer Charlie Porter brings us face to face with six members of the Bloomsbury Group-the collective of creatives and thinkers who were in the vanguard of a social and sartorial revolution. Each of them offers fresh insight into the constraints and possibilities of fashion today: from the stifling repression of E. M. Forster's top buttons to the creativity of Vanessa Bell's wayward hems; from the sheer pleasure of Ottoline Morrell's lavish dresses to the clashing self-consciousness of Virginia Woolf's orange stockings; from Duncan Grant's liberated play with nudity to John Maynard Keynes's power play in the traditional suit. As Porter carefully unpicks what they wore and how they wore it, we see how clothing can be a means of artistic, intellectual and sexual liberation, or, conversely, a tool for patriarchal control. As he travels through libraries, archives, attics and studios, Porter uncovers new evidence about his subjects, revealing them in a thrillingly intimate, vivid new light. And, as he begins making his own clothing, his own perspective on fashion-and on life-starts to change. In the end, he shows, we should all 'bring no clothes', embracing not just a new way with fashion but a new philosophy of living-one which activates the connections between the way we dress and the way we think, act and love. Now with a new Afterword by the author

Celebrating 100 years, Belstaff has been dubbed ‘the coolest British outerwear brand of all time’ by Maxim magazine. Belstaff: Our First 100 Years is a celebratory, visual exploration of the people, designs, and story behind the iconic brand. With historical prestige, Belstaff has been worn by the likes of Hollywood icon Steve McQueen, explorer Ranulph Fiennes, and aviator Amy Johnson when she became the first woman to fly solo from England to Australia in 1930. And today Belstaff prides itself – and its iconic logo – as being synonymous with independent spirits and as the adventurers’ clothier of choice – worn by Brad Pitt, David Beckham, John Boyega, and Ewan McGregor. Belstaff is about the people, passion, and pioneers who have made the company the British beacon that it is today, featuring archive adverts, iconic photos, and the story of British design and innovation. Begun as a family business in 1924 in Stoke-on-Trent, Belstaff put themselves on the fashion map with the novel idea of waxed waterproof cotton for motorcyclists – quickly becoming associated with style, speed, and adventure. This beautiful, sumptuously packaged book features archival designs and never-before-seen photos with an engaging history written by Charlie Porter (menswear journalist and author of What Artists Wear (Penguin) and Jodie Harrison, Belstaff’s global brand director and fashion author.

’He makes us see a subject we thought we knew so well from a completely different angle; in writing that is deeply researched, but inviting, warm, and full of personality’ Katy Hessel ’Charlie Porter is a magician’ Olivia LaingWhy do we wear what we wear? To answer this question, we must go back and unlock the wardrobes of the early twentieth century, when fashion as we know it was born. In Bring No Clothes, acclaimed fashion writer Charlie Porter brings us face to face with six members of the Bloomsbury Group, the collective of artists and thinkers who were in the vanguard of a social and sartorial revolution. Each of them offers fresh insight into the constraints and possibilities of fashion today: from the stifling repression of E. M. Forster’s top buttons to the creativity of Vanessa Bell’s wayward hems; from the sheer pleasure of Ottoline Morrell’s lavish dresses to the clashing self-consciousness of Virginia Woolf’s orange stockings. As Porter carefully unpicks what they wore and how they wore it, we see how clothing can be a means of artistic, intellectual and sexual liberation, or, conversely, a tool for patriarchal control. Travelling through libraries, archives, attics and studios, Porter uncovers fresh evidence about his subjects, revealing them in a thrillingly intimate, vivid new light. And, as he is inspired to begin making his own clothing, his perspective on fashion - and on life - starts to change. In the end, he shows, we should all ’bring no clothes,’ embracing a new philosophy of living: one which activates the connections between the way we dress and the way we think, act and love.

From Yves Klein's spotless tailoring to the kaleidoscopic costumes of Yayoi Kusama and Cindy Sherman, from Andy Warhol's denim to Martine Syms's joy in dressing, the clothes worn by artists are tools of expression, storytelling, resistance, and creativity. In What Artists Wear, fashion critic and art curator Charlie Porter guides us through the wardrobes of modern artists: in the studio, in performance, at work or at play. For Porter, clothing is a way in: the wild paint-splatters on Jean-Michel Basquiat's designer clothing, Joseph Beuys's shamanistic felt hat, or the functional workwear that defined Agnes Martin's life of spiritua labor. As Porter roams widely from Georgia O'Keeffe's tailoring to David Hockney's bold color blocking to Sondra Perry's intentional casual wear, he weaves his own perceptive analyses with original interviews and contributions from artists and their families and friends. Part love letter, part guide to chic, with more than 300 images, What Artists Wear offers a new way of understanding art, combined with a dynamic approach to the clothes we all wear. The result is a radical, gleeful inspiration to see each outfit as a canvas on which to convey an identity or challenge the status quo.

*A Financial Times Book of the Year* 'The first time I opened What Artists Wear, I gasped with pleasure. Imagine it as a kind of punk cousin to John Berger's Ways of Seeing, liberally illustrated with the most astonishing images of artists, decked out in finery or rags ... It transported me to somewhere glamorous, exciting, even revolutionary' Olivia Laing, GuardianMost of us live our lives in our clothes without realizing their power. But in the hands of artists, garments reveal themselves. They are pure tools of expression, storytelling, resistance and creativity: canvases on which to show who we really are. In What Artists Wear, style luminary Charlie Porter takes us on an invigorating, eye-opening journey through the iconic outfits worn by artists, in the studio, on stage, at work, at home and at play. From Yves Klein's spotless tailoring to the kaleidoscopic costumes of Yayoi Kusama and Cindy Sherman; from Andy Warhol's signature denim to Charlotte Prodger's casualwear, Porter's roving eye picks out the magical, revealing details in the clothes he encounters, weaving together a new way of understanding artists, and of dressing ourselves. Part love letter, part guide to chic, and featuring generous photographic spreads, What Artists Wear is both a manual and a manifesto, a radical, gleeful, inspiration to see the world anew-and find greater pleasure and possibility in the clothes we all wear.

Founded in Milan in 2009 by Massimo Giorgetti, MSGM proved capable of interpreting the latest trends in an original and kaleidoscopic manner, with a vocation for anything that is current and immediate and an ability to reinterpret the past through a modern language as well as to read and anticipate the future. This volume traces the history of the brand over the last ten years, following an instinctive, nonconventional flow, true to its DNA. Moments from Massimo s private life and his passions and inspirations are intertwined with the main photographic narrative, with striking full-page visuals from the brand s most acclaimed shows, campaigns, setups, and collaborations with the worlds of art and music. A conversation between the creative director and journalist Charlie Porter complements this journey into MSGM s saturated universe, making MSGM 10! a must-have reference for all fashion enthusiasts.