Charu Gupta

This book is about the tragic journeys and livelihood insecurities of coastal fisherfolk jailed by India, Pakistan, Sri Lanka and Bangladesh for having entered each other’s territorial waters. While reflecting on national anxieties and the deleterious politics of boundaries, it reveals how these fisherfolk create alternative maps and a new world of ‘debordering’. These fishworkers and coastal conflicts have been subjects of everyday news, but never a subject of serious study. A first of its kind, the present book breaks new ground by examining the journeys of these fisherfolk and coastal conflicts in South Asia from several overlapping but distinct perspectives: declining sea resources, security and border anxieties, suffering of the fisherfolk, their ambiguous identities and transnational movements. The book is also innovative in terms of methodology: it is fisherfolk-centric as it marginalizes the concerns of the state from the perspective of security; it questions the very basis of security and argues for a shift in its perspective.

Explores how four public intellectuals in North India imagined freedom and Hindi-Hindu nationhood through their writings on caste, Ayurveda, travel, and communism. Winner of the 2026 Ananda Kentish Coomaraswamy Prize presented by the Association for Asian Studies . What did everyday Hinduism in India look like a hundred years ago? Were its practices more varied and less politically curtailed than now? Hindi Hindu Histories provides illuminating historical accounts of Hindu life through individual actors, autobiographical narratives, and genres in the Hindi print-public culture of early twentieth-century North India. It focuses on four fascinating figures: a successful woman doctor in the Indigenous medical regime, a globe-trotting Hindu ascetic who opposed Gandhi, an anticaste campaigner who spoke for sexual equality, and a Hindu communist who envisioned an egalitarian utopia in the world of labor. These public intellectuals harbored vernacular dreams of freedom and Hindi-Hindu nationhood through their vantage points of caste, Ayurveda, travel, and communism. Opening up a vast and under-explored Hindi archive, this book presents a dynamic spectacle of a plural Hindi-Hindu universe of facets that coexisted, challenged each other, and comprised an idea of Hinduness far more inclusive than anything conceivable in the present moment.

Explores how four public intellectuals in North India imagined freedom and Hindi-Hindu nationhood through their writings on caste, Ayurveda, travel, and communism. Winner of the 2026 Ananda Kentish Coomaraswamy Prize presented by the Association for Asian Studies . What did everyday Hinduism in India look like a hundred years ago? Were its practices more varied and less politically curtailed than now? Hindi Hindu Histories provides illuminating historical accounts of Hindu life through individual actors, autobiographical narratives, and genres in the Hindi print-public culture of early twentieth-century North India. It focuses on four fascinating figures: a successful woman doctor in the Indigenous medical regime, a globe-trotting Hindu ascetic who opposed Gandhi, an anticaste campaigner who spoke for sexual equality, and a Hindu communist who envisioned an egalitarian utopia in the world of labor. These public intellectuals harbored vernacular dreams of freedom and Hindi-Hindu nationhood through their vantage points of caste, Ayurveda, travel, and communism. Opening up a vast and under-explored Hindi archive, this book presents a dynamic spectacle of a plural Hindi-Hindu universe of facets that coexisted, challenged each other, and comprised an idea of Hinduness far more inclusive than anything conceivable in the present moment.

This collection of twelve essays foregrounds the conjunction of the social phenomenon called 'caste' with the genre of representation called 'life narratives'. Life narratives have long been a constitutive archive and a performative mode for testifying to the breadth and ferocity of caste oppression and for articulating a language of caste dissent. Caste and Life Narratives covers a variety of modes of representing 'actual lives', in whole or in fragments--from autobiographies, and interviews to Facebook posts, biopics, visual representations, and most tragically, a suicide note. It uses the notion of 'Critical Caste Studies', which is vitally animated by Dalit Studies, but is not coterminous with it. While acknowledging the unique status of Dalit and Dalibahujan perspectives, it argues that caste is not the lived reality of Dalits alone and, accordingly, a critical study of caste cannot be solely their burden. . Drawing from postcolonial, Dalit and Critical Caste Studies, this syncretic collection of essays offers a unique theoretical and methodological perspectives, provoking new ways of entering into the burgeoning study of caste.

This book is about the tragic journeys and livelihood insecurities of coastal fisherfolk jailed by India, Pakistan, Sri Lanka and Bangladesh for having entered each other‘s territorial waters. While reflecting on national anxieties and the deleterious politics of boundaries, it reveals how these fisherfolk create alternative maps and a new world of

Caste and gender are complex markers of difference that have traditionally been addressed in isolation from each other, with a presumptive maleness present in most studies of Dalits ("untouchables") and a presumptive upper-casteness in many feminist studies. In this study of the representations of Dalits in the print culture of colonial north India, Charu Gupta enters new territory by looking at images of Dalit women as both victims and vamps, the construction of Dalit masculinities, religious conversion as an alternative to entrapment in the Hindu caste system, and the plight of indentured labor. The Gender of Caste uses print as a critical tool to examine the depictions of Dalits by colonizers, nationalists, reformers, and Dalits themselves and shows how differentials of gender were critical in structuring patterns of domination and subordination.

Caste and gender are complex markers of difference that have traditionally been addressed in isolation from each other, with a presumptive maleness present in most studies of Dalits ("untouchables") and a presumptive upper-casteness in many feminist studies. In this study of the representations of Dalits in the print culture of colonial north India, Charu Gupta enters new territory by looking at images of Dalit women as both victims and vamps, the construction of Dalit masculinities, religious conversion as an alternative to entrapment in the Hindu caste system, and the plight of indentured labor. The Gender of Caste uses print as a critical tool to examine the depictions of Dalits by colonizers, nationalists, reformers, and Dalits themselves and shows how differentials of gender were critical in structuring patterns of domination and subordination.