Kirjojen hintavertailu – 12 903 725 kirjaa ja 27 kauppaa

Kirjailija

Chris Gill

Kirjat ja teokset yhdessä paikassa: 27 kirjaa, julkaisuja vuosilta 2013–2026, suosituimpiin kuuluu Dry Bite. Vertaile teosten hintoja ja tarkista saatavuus suomalaisista kirjakaupoista.

27 kirjaa

Kirjojen julkaisuvuodet: 2013–2026.

Let's Get Musical Year 9 Workbook

Let's Get Musical Year 9 Workbook

Chris Gill

Createspace Independent Publishing Platform
2017
nidottu
A complete course of engaging, practical music lessons for Year 9, including topics on: Dance MusicGamelanMinimalismLatin MusicRomantic MusicGospel, Blues and SoulIncluding over 30 lessons of performing, composing and listening activitie
Minimalism: Complete Classroom Music Project for Ages 11-14

Minimalism: Complete Classroom Music Project for Ages 11-14

Chris Gill

Createspace Independent Publishing Platform
2017
nidottu
An engaging, practical scheme of work of 6 hour-long music lessons for ages 11-14, with plenty of activities involving performing, composing and listening. Included in the book are everything for both teachers and pupils: lesson plans and notes (including assessment sheet), worksheets and example composition. There are also audio/video links to YouTube. The project does not require knowledge of music notation, but there is an additional notation-based composition task for more advanced pupils. Objectives -To experience, through listening and performing, how a whole piece music can be created from one simple idea -To practise minimalist techniques through performing and composing -To listen to and analyse music by the minimalist composers John Adams, Steve Reich, Philip Glass, Michael Nyman and Terry Riley Lesson Overview -Lesson 1 - Motif and Ostinato -Lesson 2 - Note Addition and Note Subtraction -Lesson 3 - Canon and Layering -Lesson 4 - Augmentation and Diminution -Lesson 5 - Phasing and Phase-Shifting -Lesson 6 - Class Composition/Performance 'in C' Subject-specific vocabulary -MINIMALISM - a style of music which started in the USA in the 1960s. It is characterised by simple, repetitive patterns which are transformed throughout the piece, using various techniques, including: oMotif - a basic rhythmic or melodic pattern oOstinato - a repeating pattern oNote Addition - gradually adding notes to a motif oNote Subtraction - gradually taking away notes from a motif oCanon - two or more parts performing the same motif but starting at different times oLayering - the process of adding or taking away parts (or layers) oAugmentation - the motif played in longer note values oDiminution - the motif played in shorter note values oPhasing - two or more parts gradually getting 'out of sync' with each other oPhase-shifting - two or more parts getting 'out of sync' by one beat at a time Assessments -Performing - Steve Reich's Clapping Music -Composing - minimalist piece for two instruments, based on a simple one-bar motif -Listening - listening exercise on Steve Reich's Electric Counterpoint
Dance Music

Dance Music

Chris Gill

Createspace Independent Publishing Platform
2015
nidottu
A scheme of work lasting 6-8 lessons for ages 11-14 exploring dance music throughout history - Listen to dances from Renaissance pavane to contemporary dubstep (all listening examples are given as YouTube links) - Perform a disco song (solo & ensemble) using voices, keyboards and percussion - Compose an electronic dance track with an online sequencer - Learn about nstruments, time signatures and the 'circle progression' of chords This book includes a 10-page teacher's guide and 12-page pupil's workbook, both of which may be photocopied freely within the purchasing school. Also included are clear assessments for performing, composing, and listening.
Back Road

Back Road

Chris Gill

Fisher King Publishing
2013
pokkari
Pete used to live a humdrum, nine to five existence before escaping into a world of travel, beer, study, sex and cigarette smoke. Searching for enlightenment, he instead began toiling with his ego, obsessing about gaining recognition and glory for himself. Glory on a nationwide scale, a worldwide scale! Now he teaches vulnerable adults at 14, Back Road, where he thought he had at last started to overcome the egotist inside him: Instead of thinking of himself, he found he was genuinely caring about the well being of others. Then the selfish, manipulative Deborah Styles joins the teaching staff. Gradually, Pete finds he is being dragged back into a battle against his own ego, only this time with potentially tragic results. Will tragedy be averted? Which side of his character will defeat the other? The altruist or the egotist?