Chris Rojek

What has the death of Corporal Patrick D. Tillman of the US Army Rangers in an incident of friendly fire in Afghanistan in 2004 got to do with culture? How has the study of ideology, coding, theming and representation by Cultural Studies helped us to understand Reality TV, the Internet, mobile phones, the iPod and leading brands in neat capitalism like Virgin, The Body Shop and Apple? This lively and assured book provides a concise and authoritative critical guide to Cultural Studies. It demonstrates that the field has moved through four moments': the National/Popular, the Textual/Representational, Global/Post Essentialism and Governmentality/Policy. It illustrates the meaning of each of these moments by a discussion of representative texts and concrete examples from popular culture. As such, it achieves a novel and accessible account of the origins and development of the field. The book also shows how the readers personal experience can be systematically situated in cultural forces and used as a resource to clarify how culture works, through the analysis of on-location practice, embodiment, emplacement and context. Packed with illuminating examples, and a clear and compelling prose style, the book is the antidote to abstract, hazy accounts of the meaning and value of Cultural Studies. It is the ideal text for readers new to the field, but it will also be appreciated by established practitioners as good to think with.

Frank Sinatra was only one of a handful of popular entertainers who dominated Western popular culture for six decades. From his early fame as 'the Voice' in the early 1940s, through to the high rolling, fast living 'Rat Pack' era, to the protracted Lear-like farewell tours of his twilight years, Sinatra was the epitome of cool. This compelling, consistently insightful book portrays Sinatra in his many contradictory hues of ambition, generosity, menace and vituperation. The book asks why Sinatra's public character which mixed insufferable hauteur with soapy populism and nobility with the lowest kind of vindictive violence proved so enduring with the Western public? What model of masculinity was Sinatra projecting? Why did his recordings, concert performances and film work persuade audiences that he was really talking to them alone? What does his career tell us about the relationship between celebrity and popular culture? Sinatra may not have found his Boswell with this study, but our understanding of him will never be the same again. Rojek's is the first book to take Sinatra's cultural significance seriously. It is a landmark work in our understanding of celebrity and popular culture. The book will be of interest to students of Cultural, Media and Communication Studies, Sociology and, most of all, anyone who has bought a Sinatra recording or seen a Sinatra film.

Frank Sinatra was only one of a handful of popular entertainers who dominated Western popular culture for six decades. From his early fame as 'the Voice' in the early 1940s, through to the high rolling, fast living 'Rat Pack' era, to the protracted Lear-like farewell tours of his twilight years, Sinatra was the epitome of cool. This compelling, consistently insightful book portrays Sinatra in his many contradictory hues of ambition, generosity, menace and vituperation. The book asks why Sinatra's public character which mixed insufferable hauteur with soapy populism and nobility with the lowest kind of vindictive violence proved so enduring with the Western public? What model of masculinity was Sinatra projecting? Why did his recordings, concert performances and film work persuade audiences that he was really talking to them alone? What does his career tell us about the relationship between celebrity and popular culture? Sinatra may not have found his Boswell with this study, but our understanding of him will never be the same again. Rojek's is the first book to take Sinatra's cultural significance seriously. It is a landmark work in our understanding of celebrity and popular culture. The book will be of interest to students of Cultural, Media and Communication Studies, Sociology and, most of all, anyone who has bought a Sinatra recording or seen a Sinatra film.

In contemporary society, the cult of celebrity is inescapable. Anyone can be turned into a celebrity, and anything can be made into a celebrity event. Celebrity has become a part of everyday life, a common reference point. But how have people like Elvis Presley, John Lennon, Bill Clinton or Princess Diana impressed themselves so powerfully on the public mind? Do they have unique qualities, or have their images been constructed by the media? And what of the dark side of celebrity – why is the hunger to be in the public eye so great that people are prepared to go to any lengths to achieve it, as numerous mass murderers and serial killers have done. Chris Rojek brings together celebrated figures from the arts, sports, politics and other public spheres, from O. J. Simpson and Marilyn Monroe to Hitler and David Bowie, and touches on many movements and fads, including punk, rock-and-roll and fashion. Rojek analyzes the difference between ascribed celebrity, which derives from bloodline, and achieved celebrity, which follows on from personal achievement – the difference between Princess Margaret and, say, Woody Allen. He also shows how there is no parallel in history to today’s ubiquitous ‘living’ form of celebrity, powered by newspapers, PR departments, magazines and electronic mass media.

Society and Culture reclaims the classical heritage, provides a clear-eyed assessment of the promise of sociology in the 21st century and asks whether the `cultural turn' has made the study of society redundant. Sociologists have objected to the rise of cultural studies on the grounds that it produces cultural relativism and lacks a stable research agenda. This book looks at these criticisms and illustrates the relevance of a sociological perspective in the analysis of human practice. The book argues that the classical tradition must be treated as a living tradition, rather than a period piece. It analyzes the fundamental principles of belonging and conflict in society and provides a detailed critical survey of the principal social theories that offer solutions to the challenges of modernism.

Society and Culture reclaims the classical heritage, provides a clear-eyed assessment of the promise of sociology in the 21st century and asks whether the `cultural turn' has made the study of society redundant. Sociologists have objected to the rise of cultural studies on the grounds that it produces cultural relativism and lacks a stable research agenda. This book looks at these criticisms and illustrates the relevance of a sociological perspective in the analysis of human practice. The book argues that the classical tradition must be treated as a living tradition, rather than a period piece. It analyzes the fundamental principles of belonging and conflict in society and provides a detailed critical survey of the principal social theories that offer solutions to the challenges of modernism.

This book explores the meaning of leisure in the context of key social formations of our time. Chris Rojek brings together the insights of feminsim, Marxism, Weber, Elias, Simmel, Nietzsche and Baudrillard to produce a survey - and rethinking - of leisure theory. At the same time he presents a radical critique of the traditional 'centring' of leisure, on 'escape', 'freedom' and 'choice'. Revealing how leisure practices have responded to living in a risk society, he shows that 'free' time becomes something very different when simulation and nostalgia lie at the heart of everyday life.

This book explores the meaning of leisure in the context of key social formations of our time. Chris Rojek brings together the insights of feminsim, Marxism, Weber, Elias, Simmel, Nietzsche and Baudrillard to produce a survey - and rethinking - of leisure theory. At the same time he presents a radical critique of the traditional 'centring' of leisure, on 'escape', 'freedom' and 'choice'. Revealing how leisure practices have responded to living in a risk society, he shows that 'free' time becomes something very different when simulation and nostalgia lie at the heart of everyday life.

Ways of Escape provides a history of leisure and travel and a cartography of "escape activity". The author examines how pleasure has been managed from the middle ages to the present day, and examines the differences in leisure and travel opportunities for men and women. Rojek situates leisure and travel in the context of the debate on modernity and postmodernity, and uses examples drawn from Europe and North America to produce a dazzling analysis of the experience and ideology of escape in Western society.

Social Work and Received Ideas examines the language of both traditional and radical social work as forms of power, arguing that the will to help and care for people unintentionally results in new types of dependency, control and domination.